Metro Goldwyn Mayer Collection (page 5)

A Dolly Tree negligee worn by Virginia Bruce
The very last word in negligees is worn by Virginia Bruce in Shadow of Doubt (1935). Made of peach blossom pink chiffon over a slip of heavy crepe of the same shade

Gown by Dolly Tree - Virginia Bruce in Stronger Than Desire
A gown by Dolly Tree for Virginia Bruce in Stronger Than Desire (1939) Date: 1939

Virginia Bruce in a Dolly Tree gown for Stronger Than Desire (1939) made of chiffon with full sleeves and a wide embroidered waistband and matching cuffs. Date: 1939

A hostess gown of black velvet, designed by Dolly Tree for Virginia Bruce in Stronger Than Desire (1939), is unrelieved except for neckline and front panel hand embroidery of white paillettes

Virginia Bruce in Arsene Lupin Returns (1938) wearing her while dinner gown with jewelled clasp on shoulder Date: 1938

Virginia Bruce in The First Hundred Years (1938), wearing her novel suede outfit designed by Dolly Tree. This smart street and sport two-piece ensemble in turquoise

A dinner dress designed by Dolly Tree for Virginia Bruce
Handpainted in blue and gold was the organdie skirt of this dinner gown designed by Dolly Tree for Virginia Bruce in Woman Against Woman (1938)

Two-piece bolero suit by Dolly Tree for Virginia Bruce
A two-piece bolero suit designed by Dolly Tree for Virginia Bruce in Woman Against Woman (1938) exemplified the continued popularity of the bolero at the time

Virginia Bruce in black evening gown designed by Dolly Tree
Virginia Bruce in a black evening gown designed by Dolly Tree for Society Lawyer (1939) for the cabaret sequence. The gown was backless but edged with ruffles and banded at the waist. Date: 1939

Madge Evans in Piccadilly Jim (1936) wearing Dolly Tree Gown
Madge Evans in Piccadilly Jim (1936) wore this evening gown designed by Dolly Tree made of white piqu. There was a clip at the back for variety

An attractive dress designed by Dolly Tree for Madge Evans
An attractive evening gown designed by Dolly Tree for Madge Evans in Piccadilly Jim (1936) made of white nubby crepe. A note of formality was added by its simplicity in design

Suit and cape designed by Dolly Tree for Madge Evans
A suit and cape designed by Dolly Tree for Madge Evans in Piccadilly Jim (1936) fashioned from pearl grey crepe romaine for afternoon and street-wear

Suit designed by Dolly Tree for Madge Evans - Piccadilly Jim
A suit designed by Dolly Tree for Madge Evans in Piccadilly Jim (1936) Date: 1936

Madge Evans in David Copperfield (1935) in a Dolly Tree creation Date: 1935

Madge Evans in the Age of Indiscretion with Paul Lucas
Madge Evans in the Age of Indiscretion (1935) wearing a Dolly Tree gown Date: 1935

Madge Evans in the Age of Indiscretion (1935)
A smart, black, two-piece suit with jacket and fur collar designed by Dolly Tree for Madge Evans in the Age of Indiscretion (1935) Date: 1935

A scene from Saratoga with Clark Gable and Jean Harlow
A scene from Saratoga (1937) with Clark Gable and Jean Harlow (wearing a Dolly Tree creation) Date: 1937

Picturegoers Famous Film Supplement for Saratoga (1937) with Clark Gable and Jean Harlow: a film dressed by Dolly Tree Date: 1937

Jean Harlow in Wife Versus Secretary (1936) wearing a Dolly Tree creation Date: 1936

Jean Harlow in Saratoga (1937) wearing a blue souffl and lace dinner gown designed by Dolly Tree. The waist was tight and the skirt very full

Jean Harlow at the time of Personal Property (1937)
An elegant evening gown for Jean Harlow created by Dolly Tree at the time of Personal Property (1937). The softness of black velvet and a square neckline combined to fashion this attractive

Jean Harlow at the time of Libeled Lady (1936)
A smart ensemble for Jean Harlow designed by Dolly Tree and created at the time of Libeled Lady (1936) was an afternoon frock of black crepe trimmed with smart tassels fashioned from strips of fine

Wife Versus Secretary
A classic example of Dolly Tree?s emphasis on simplicity and perfect line is represented in these two striking gowns for Myrna Loy and Jean Harlow in Wife Versus Secretary (1936). Date: 1936

Clark Gable and Jean Harlow in Wife Versus Secretary (1936), wearing a Dolly Tree suit Date: 1936

Jean Harlow and Robert Taylor in Personal Property (1937). Harlow is wearing a Dolly Tree negligee Date: 1937

Jean Harlow in a strking black and white gown in Personal Property (1937). Margaret Bailey in Those Glorious Glamorous Years described this gown

A scene from Suzy (1936) with Cary Grant and Jean Harlow, the latter wearing her little white, almost transparent, chiffon gown for the cabaret scene, designed by Dolly Tree

Picturegoers Famous Film Supplement for Riffraff (1936) with Spencer Tracy and Jean Harlow, the latter dressed by Dolly Tree Date: 1936

Jean Harlow at the time of filming Riffraff (1936)
Jean Harlow in a slinky lam gown with over-tunic and wrap created by Dolly Tree at the time of the filming of Riffraff (1936) and used in publicity to present Harlow

Jean Harlow poses for publicity in a Dolly Tree creation at the time of filming Riffraff (1936). Date: 1936

Fashion feature about the new Jean Harlow
To support her new image in Riffraff (1936), Jean Harlow was arrayed in new fashions designed by Dolly Tree not seen in the film with press stories that said her new wardrobe would set the styles

An array of Dolly Tree gowns in These Glamour Girls (1939). From left to right Anita Louise, Marsha Hunt, Jane Bryan, Lana Turner, Ann Rutherford and Mary Beth Hughes. Date: 1939

Anita Louise as a debutante beauty in These Glamour Girls
What does a glamour girl wear? Anita Louise as a debutante beauty in These Glamour Girls (1939) wore this sport suit designed by Dolly Tree made of cool linen in sun yellow with a single fastening

A scene from Test Pilot (1938) with Myrna Loy (dressed by Dolly Tree), Spencer Tracy and Clark Gable Date: 1938

Picturegoers Famous Film Supplement for Test Pilot (1938) starring Myrna Loy (dressed by Dolly Tree), Spencer Tracy and Clark Gable: a film dressed by Dolly Tree Date: 1938

Myrna Loy and Una Merkel in Evelyn Prentice (1934)
Myrna Loy and Una Merkel wearing Dolly Tree gowns in Evelyn Prentice (1934). Una Merkel?s creation was originally created for Myrna Loy in The Thin Man (1934). Date: 1934

The Prizefighter and the Lady (1933) - Myrna Loy, Max Baer
The German Film Kurier magazine for The Prizefighter and the Lady (1933) with Myrna Loy (in a Dolly Tree creation) and Max Baer Date: 1933

A stylish evening gown designed by Dolly Tree for Myrna Loy at the time of I Love You Again (1940). Date: 1940

Myrna Loy in Third Finger Left Hand (1940)
Costume design by Dolly Tree for Myrna Loy in Third Finger Left Hand (1940) for a lovely hostess gown perfect for an evening at home

Myrna Loy in Manproof (1937)
Myrna Loy in a heavy white crepe evening gown fashioned along Grecian lines, designed by Dolly Tree in Manproof (1937). Purely classic in styling

Myrna Loy in Libeled Lady (1936)
Myrna Loy wearing a gown designed by Dolly Tree in Libeled Lady (1936). The stunning black tulle formal gown had the new flaring silhouette and featured a tiered tunic

Myrna Loy in Wife Versus Secretary (1936)
A dramatic hostess gown with a square neck, designed by Dolly Tree for Myrna Loy in Wife Versus Secretary (1936). Made of soft, light velvet

Myrna Loy in Petticoat Fever (1936)
Myrna Loy wore this Dolly Tree negligee in Petticoat Fever (1936). Date: 1936

Myrna Loy at the time of Whipsaw (1936)
A stunning two-piece ensemble in white woven cloth designed by Dolly Tree for Myrna Loy at the time of Whipsaw (1934) as a lounging outfit or casual afternoon ensemble for cocktails

Myrna Loy in Whipsaw (1934)
The defining Dolly Tree creation for Myrna Loy in Whipsaw (1934) was a dark coat with a large collar and bands up both sides made of krimmer (Russian lamb fur). Date: 1934

Seymour?s feature about Dolly Tree
Seymour?s feature in Photoplay, February 1935 about Dolly Tree?s Calla Lily-inspired gown for Myrna Loy in Evelyn Prentice (1934) Date: 1935

Myrna Loy in Evelyn Prentice (1934) wore an interesting pair of exercise pyjamas created by Dolly Tree which were made of powder blue crepe with navy blue embroidery

Myrna Loy in Manhattan Melodrama (1934)
Myrna Loy wearing a dramatic floor-length lam coat in Manhattan Melodrama (1934), desigend by Dolly Tree with a decided flair from the waist and a huge fur collar and cuffs Date: 1934

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"Captivating Glamour: Metro-Goldwyn-Mayer's Timeless Style" Step into the enchanting world of Metro-Goldwyn-Mayer, where elegance and allure reign supreme. In the captivating 1950s, English-American actress Elizabeth Taylor graced our screens with her mesmerizing beauty, leaving audiences spellbound. The artistry of Metro-Goldwyn-Mayer brought out her radiance like no other. Another American gem that shone brightly in the 20th century was Ava Gardner. With every performance, she exuded a magnetic charm that left hearts racing. Thanks to Metro-Goldwyn-Mayer's artistic touch, Gardner became an icon whose timeless appeal still captivates us today. Intriguingly dressed in a Dolly Tree suit and fur wrap, Margaret Atwood epitomized sophistication and grace. Her fashion choices were as impeccable as her literary prowess, making her an embodiment of refined style under the guidance of Metro-Goldwyn-Mayer. Lana Turner stole scenes effortlessly in films such as "Calling Dr Kildare" (1939) and "Rich Man, Poor Girl" (1938). Clad in exquisite costumes designed by none other than Dolly Tree herself, Turner's on-screen presence was elevated to new heights by Metro-Goldwyn-Mayer's attention to detail. The portraits of film stars like Van Johnson showcased their undeniable charisma while highlighting their unique personalities through the lens of Metro-Goldwyn-Mayer. Each photograph immortalized these luminaries' essence for generations to come. Harriet Hoctor waltzed onto our screens wearing a breathtaking gown crafted by Dolly Tree for "The Great Ziegfeld. " The combination of Hoctor's talent and this magnificent creation perfectly exemplified how artistry met glamour under the watchful eye of Metro-Goldwyn-Mayer. Myrna Loy dazzled audiences with her irresistible charm in "Too Hot to Handle, " donning a Dolly Tree gown that accentuated her beauty.