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Mezzotint Printed Collection

I am an art enthusiast with a particular affinity for mezzotint prints

Background imageMezzotint Printed Collection: Liber Veritatis No 138 View Sea Christ Preaching

Liber Veritatis No 138 View Sea Christ Preaching
Liber Veritatis: No. 138, A View of the Sea, with Christ Preaching on the Mount (the water below may probably be intended for the Sea of Tiberius), 1776

Background imageMezzotint Printed Collection: Liber Veritatis No 145 Landscape Figures Simon

Liber Veritatis No 145 Landscape Figures Simon
Liber Veritatis: No. 145, A Landscape, with Figures, Simon brought before Priam, 1776. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell

Background imageMezzotint Printed Collection: Liber Veritatis No 135 Landscape Buildings Mercury Stealing Admetusss Cattle

Liber Veritatis No 135 Landscape Buildings Mercury Stealing Admetusss Cattle
Liber Veritatis: No. 135, A Landscape, with Buildings, Mercury Stealing Admetuss Cattle from Apollo, 1776. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell

Background imageMezzotint Printed Collection: Liber Veritatis No 108 Landscape Satyrs Nymphs Dancing

Liber Veritatis No 108 Landscape Satyrs Nymphs Dancing
Liber Veritatis: No. 108, Landscape with Satyrs and Nymphs Dancing, 1775. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell

Background imageMezzotint Printed Collection: Liber Veritatis No 7 Island Scene Mountainous Country

Liber Veritatis No 7 Island Scene Mountainous Country
Liber Veritatis: No. 7, An Island Scene of a Mountainous Country with Cattle, 1774. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell

Background imageMezzotint Printed Collection: Liber Veritatis No 200 View Sea Shore Story Jesus

Liber Veritatis No 200 View Sea Shore Story Jesus
Liber Veritatis: No. 200, A View on the Sea Shore, with the Story of Jesus, 1777. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell

Background imageMezzotint Printed Collection: Liber Veritatis No 133 Landscape Cattle Angel Comforting Hagar

Liber Veritatis No 133 Landscape Cattle Angel Comforting Hagar
Liber Veritatis: No. 133, A Landscape, with Cattle, and the Angel Comforting Hagar, 1776. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell

Background imageMezzotint Printed Collection: Liber Veritatis No 68 Landscape Sunset Fishermen Drawing

Liber Veritatis No 68 Landscape Sunset Fishermen Drawing
Liber Veritatis: No. 68, A Landscape at Sunset with Fishermen Drawing a Net, 1774. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell

Background imageMezzotint Printed Collection: Liber Veritatis No 89 View Mountainous Extended Country

Liber Veritatis No 89 View Mountainous Extended Country
Liber Veritatis: No. 89, View of a Mountainous Extended Country, 1775. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell

Background imageMezzotint Printed Collection: Imaginary portrait head man feathered hat series

Imaginary portrait head man feathered hat series
Artokoloro

Background imageMezzotint Printed Collection: Imaginary portrait head man wearing cap fur-trimmed coat

Imaginary portrait head man wearing cap fur-trimmed coat
Artokoloro


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I am an art enthusiast with a particular affinity for mezzotint prints. My collection includes some of the most exquisite pieces from the Liber Veritatis series, such as No. 138, "View of the Sea: Christ Preaching to the People," with its serene depiction of the Savior calming the waters. Another favorite is No. 145, "Landscape with Figures: Simon," which showcases the intricate details of the natural world and the human form. My collection also features the captivating No. 135, "Landscape with Buildings: Mercury Stealing Admetus' Cattle," a mythological tale brought to life through the masterful use of tonal contrasts. The whimsical No. 108, "Landscape with Satyrs and Nymphs Dancing," adds a touch of mischief and joy to my collection. I am also drawn to the more tranquil pieces, such as No. 7, "Island Scene: Mountainous Country," which transports me to a secluded paradise, and No. 200, "View of the Sea Shore: A Story of Jesus," with its poignant narrative and stunning seascape. In addition to these masterpieces, my collection includes the imaginative portrait heads series, featuring a man with a feathered hat and another wearing a cap with a fur-trimmed coat. These intriguing pieces add depth and diversity to my collection, showcasing the versatility and beauty of mezzotint printing.