Mime Artist Collection

Portrait of the mime artist Jean-Baptiste Deburau, known as Baptiste (1796-1846), 1832. Creator: Arsène Trouvé
Portrait of the mime artist Jean-Baptiste Deburau, known as Baptiste (1796-1846), 1832

Portrait of Jean Charles Deburau (1829-73) as Pierrot, c. 1850-60 (b / w photo)
CHT163453 Portrait of Jean Charles Deburau (1829-73) as Pierrot, c.1850-60 (b/w photo) by Nadar (Gaspard Felix Tournachon) (1820-1910); Musee de la Ville de Paris, Musee Carnavalet, Paris

Portrait of Jean Charles Deburau (1829-73) as Pierrot (oil on canvas) (b / w photo)
CHT163452 Portrait of Jean Charles Deburau (1829-73) as Pierrot (oil on canvas) (b/w photo) by French School, (19th century); Bibliotheque de la Comedie Francaise, Paris

French comic dancer and mime artist Charles-Francois Mazurier as Polichinello in Polichinelle Vampire by Theodore de
6339819 French comic dancer and mime artist Charles-Francois Mazurier as Polichinello in Polichinelle Vampire by Theodore de Banville at the Theatre de la Porte Saint-Martin, 1823 by Unknown Artist

Comedie Italienne, 1918 (colour litho)
STC363548 Comedie Italienne, 1918 (colour litho) by Somov, Konstantin Andreevic (1869-1939); Private Collection; The Stapleton Collection; Russian, out of copyright

sleep
iwang

Say without words
hardibudi

It takes 7 to the show
hardibudi

Clown for sale
Monika Vanhercke

Pierrot in pain, ca. 1854-55. Creator: Nadar
Pierrot in pain, ca. 1854-55

Pierrot Running, 1854-55. Creator: Nadar
Pierrot Running, 1854-55

Portrait of Charles Deburau (1829-73) (oil on canvas)
XIR52703 Portrait of Charles Deburau (1829-73) (oil on canvas) by Pezous, Jean (1815-85); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; French, out of copyright

Portrait of Gaspard Deburau (1796-1846) as Pierrot, c. 1815 (oil on porcelain)
XIR178938 Portrait of Gaspard Deburau (1796-1846) as Pierrot, c.1815 (oil on porcelain) by Trouve, A. (19th century); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; French

Italy, Venice, Mime show, from Nuova e curiosa scuola di danza teatrale (School of theatrical dance)
Italy, 18th century - Mime show, from " Nuova e curiosa scuola di danza teatrale" (School of theatrical dance), 1716

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"Mime Artists: Masters of Silent Expression" Silent yet captivating, mime artists have long fascinated audiences with their ability to convey emotions and tell stories without uttering a single word. Through the lens of history, we catch glimpses of these enigmatic performers who have left an indelible mark on the world of entertainment. In a black and white photograph from the mid-19th century, Jean Charles Deburau assumes the iconic persona of Pierrot, his painted face reflecting melancholy and mystery. Another portrait showcases Deburau's transformation into Pierrot through an oil painting that captures his essence in vivid detail. Charles-Francois Mazurier takes center stage as Polichinello in "Polichinelle Vampire, " a play by Theodore de Banville at Theatre de la Porte Saint-Martin in 1823. This French comic dancer and mime artist mesmerizes spectators with his animated gestures and comedic timing. A colorful lithograph transports us to Comedie Italienne in 1918, where mimes enchant viewers with their vibrant performances. These talented individuals communicate volumes without saying a word, leaving audiences spellbound. "Say without words" becomes their motto as they rely solely on body language, facial expressions, and exaggerated movements to captivate crowds, and is this unique form of communication that sets them apart from other performers. Behind every successful mime act lies dedication and teamwork; it takes seven individuals working harmoniously together to create a seamless show filled with laughter or poignant moments. Their synergy is evident as they effortlessly synchronize their actions on stage. Amidst all the whimsy lies reality – even clowns can be for sale. A playful caption reminds us that behind the painted smiles may lie hidden struggles or dreams awaiting fulfillment. Pierrot emerges once again but this time captured by Nadar's camera lens during moments both painful and fleeting. In one image, he appears anguished while in another, he runs with a sense of urgency.