Mito Greco Collection

Ganymede with Jupiters eagle, 1814-5 (marble)
5973922 Ganymede with Jupiters eagle, 1814-5 (marble) by Thorvaldsen, Bertel (1770-1844); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Brescia)

Hercules slaying Antaeus, from the Yellow Room, 16th century, detail of 2384746 (fresco)
2384750 Hercules slaying Antaeus, from the Yellow Room, 16th century, detail of 2384746 (fresco) by Italian School, (16th century); Rocca Meli Lupi, Soragna, Parma, Italy; (add.info.: Parma, Soragna)

Palazzina (Small Building), the third room or room of the Aeneid: "Venus, as a huntress
5962691 Palazzina (Small Building), the third room or room of the Aeneid: "Venus, as a huntress, appears to her son Aeneas and his companion Achates on the beach of Libya

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad
5962667 Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Athena prevents Achilles from drawing his sword against Agamemnon"

Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin
6336329 Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin and holding the open mouth of the beast with his right hand, 1473 (bronze) by Bertoldo

Gorgoneion
6263019 Gorgoneion by Etruscan; Museo Claudio Faina, Orvieto, Italy; (add.info.: Orvieto, Museo Faina: Gorgoneion.); Ghigo Roli; out of copyright

The Lake of Avernus, Aeneas, the Cumaean Sybil, detail, 1814-15 (oil on canvas)
6200564 The Lake of Avernus, Aeneas, the Cumaean Sybil, detail, 1814-15 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); Yale Center for British Art, Paul Mellon Collection

Achilles delivers Briseis to Agamemnons Heralds, 1787-90 (plaster)
6343150 Achilles delivers Briseis to Agamemnons Heralds, 1787-90 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy

Dance of Alcinous Children, 1790-02 (plaster)
6343144 Dance of Alcinous Children, 1790-02 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Danza dei figli di Alcinoo, 1790-2)

Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin
6336328 Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin and holding the open mouth of the beast with his right hand, 1473 (bronze) by Bertoldo

Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin
6336326 Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin and holding the open mouth of the beast with his right hand, detail, 1473 (bronze) by Bertoldo

Head of Heracles
6263023 Head of Heracles by Etruscan; Museo Claudio Faina, Orvieto, Italy; (add.info.: Orvieto, Museo Faina: Testa di Ercole.); Ghigo Roli; out of copyright

Call to Hell, detail showing the Antehell, taken from Dantes description, 1500-02 (fresco)
6262769 Call to Hell, detail showing the Antehell, taken from Dantes description, 1500-02 (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria

Death of Priam, 1787-90 (plaster)
6343148 Death of Priam, 1787-90 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Morte di Priamo, 1787-90, di Antonio Canova (1757 - 1822)

Dance of Alcinous Children, detail, 1790-02 (plaster)
6343145 Dance of Alcinous Children, detail, 1790-02 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Danza dei figli di Alcinoo, 1790-2)

The Graces and Cupid, detail of Cupid among the Graces legs, 1820-22 (Carrara marble)
6342993 The Graces and Cupid, detail of Cupid among the Graces legs, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble)
6342991 The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

The Graces and Cupid, 1820-22 (Carrara marble)
6342988 The Graces and Cupid, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Le Grazie con Cupido, 1820-2)

"Venus orders Psyche to fetch the Waters of the Styx", 1792, oil on canvas
6343071 " Venus orders Psyche to fetch the Waters of the Styx", 1792, oil on canvas. by Gianni, Felice (1760-1823); Private Collection; (add.info)

Palazzina (Small Building), the third room or room of the Aeneid: "Venus, as a huntress
5962690 Palazzina (Small Building), the third room or room of the Aeneid: "Venus, as a huntress, appears to her son Aeneas and his companion Achates on the beach of Libya

Call to Hell, fdetail showing the Antehell, taken from Dantes description, 1500-02 (fresco)
6262771 Call to Hell, fdetail showing the Antehell, taken from Dantes description, 1500-02 (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria

The Lake of Avernus, Aeneas, the Cumaean Sybil, detail, 1814-15 (oil on canvas)
6200565 The Lake of Avernus, Aeneas, the Cumaean Sybil, detail, 1814-15 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); Yale Center for British Art, Paul Mellon Collection

Works by Antonio Canova: Heroic Subjects inside an Arena, 1842 (litho on mounted wove paper)
6343059 Works by Antonio Canova: Heroic Subjects inside an Arena, 1842 (litho on mounted wove paper) by Fanoli, Michele (1807-76); Biblioteca Nazionale Braidense, Milan, Lombardy

Cupid and Psyche, detail, 1800-03 (marble)
6343037 Cupid and Psyche, detail, 1800-03 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Amore e Psiche, 1800-3, di Antonio Canova (1757 - 1822)

The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)
6342990 The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad
5962666 Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Athena prevents Achilles from drawing his sword against Agamemnon"

Head of Sileuns
5973815 Head of Sileuns by Roman, (2nd century AD); Area archeologica del Capitolium, Brescia, Italy; (add.info.: Brescia, Area archeologica del Capitolium dell antica Brixia)

Palazzina (Small Building): view of the entrance hall. On the wall, "The Sacrifice of Iphigenia"
5962721 Palazzina (Small Building): view of the entrance hall. On the wall, "The Sacrifice of Iphigenia", and on the ceiling "Diana and Aeolus", 1756-57 (fresco) by Tiepolo

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad
5962662 Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Briseis is lead to the presence of King Agamemnon"

The Sacrifice of Iphigenia, 1733 (fresco)
3928850 The Sacrifice of Iphigenia, 1733 (fresco) by Crosato, Giovanni Battista (1686-1758); The Hunting Residence of Stupinigi, Turin, Piedmont

Hecuba and the Trojan women offering the Peplum to Athena, 1790-92 (plaster)
6343149 Hecuba and the Trojan women offering the Peplum to Athena, 1790-92 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy

Dance of Alcinous Children, detail, 1790-92 (plaster)
6343147 Dance of Alcinous Children, detail, 1790-92 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Danza dei figli di Alcinoo, 1790-2)

Cupid and Psyche, 1800-03 (marble)
6343040 Cupid and Psyche, 1800-03 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Amore e Psiche, 1800-3, di Antonio Canova (1757 - 1822)

Cupid and Psyche, 1800-03 (marble)
6343036 Cupid and Psyche, 1800-03 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Amore e Psiche, 1800-3, di Antonio Canova (1757 - 1822)

Theseus fighint against the Centaur Eurytion, 1804-5 (plaster)
6343015 Theseus fighint against the Centaur Eurytion, 1804-5 (plaster) by Canova, Antonio (1757-1822); Fondazione Canova, Possagno, Veneto, Italy; (add.info.: Teseo in lotta con il centauro Eirition)

"The Graces and Cupid", detail, 1820-22 (Carrara marble)
6342994 " The Graces and Cupid", detail, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Le Grazie con Cupido, 1820-2)

Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin
6336330 Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin and holding the open mouth of the beast with his right hand, 1473 (bronze) by Bertoldo

The Fountain of Youth
6298015 The Fountain of Youth by Italian School; Museo Regionale della Ceramica, Deruta, Perugia, Umbria, Italy; (add.info.: Deruta)

Guest Lodgings, the Room of the Olympus: "Mars, Venus and Eros", 1757 (fresco)
5962745 Guest Lodgings, the Room of the Olympus: "Mars, Venus and Eros", 1757 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Valmarana ai Nani, Vicenza

Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Vulcan, god of fire
5962697 Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Vulcan, god of fire

Psyche Fainted, Model, before 1838 (marble)
6200641 Psyche Fainted, Model, before 1838 (marble) by Tenerani, Pietro (1789-1869); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Pietro Tenerani: " Psiche svenuta", modello)

Psyche Abandoned, Model, 1816 (marble)
6200640 Psyche Abandoned, Model, 1816 (marble) by Tenerani, Pietro (1789-1869); Private Collection; (add.info.: Pietro Tenerani: " Psiche abbandonata", modello, scultura in marmo)

The Sacrifice of Iphigenia, detail, 1733 (fresco)
3928854 The Sacrifice of Iphigenia, detail, 1733 (fresco) by Crosato, Giovanni Battista (1686-1758); The Hunting Residence of Stupinigi, Turin, Piedmont

The Sacrifice of Iphigenia, detail, 1733 (fresco)
3928853 The Sacrifice of Iphigenia, detail, 1733 (fresco) by Crosato, Giovanni Battista (1686-1758); The Hunting Residence of Stupinigi, Turin, Piedmont

Narcissus (oil on canvas)
5894113 Narcissus (oil on canvas) by Malatesta or Malatesti, Adeodato (1806-91); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol, inv)

The Lake of Avernus, Aeneas, the Cumaean Sybil, 1814-15 (oil on canvas)
6200563 The Lake of Avernus, Aeneas, the Cumaean Sybil, 1814-15 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); Yale Center for British Art, Paul Mellon Collection

The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)
6342989 The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

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"Mito Greco: A Journey Through Ancient Frescoes and Sculptures" Step back in time and immerse yourself in the captivating world of Mito Greco. This collection of ancient frescoes and sculptures takes you on a visual odyssey, revealing the rich tapestry of Greek mythology. Eurybates and Talthybius leading Briseis to Agamemnon (detail), 1757 (fresco): Witness the tense moment as Eurybates and Talthybius guide Briseis towards Agamemnon, unraveling a tale of power dynamics and human emotions. Hercules slaying Antaeus, from the Yellow Room, 16th century, detail of 2384746 (fresco): Marvel at Hercules' unparalleled strength as he triumphantly defeats Antaeus in an epic battle that symbolizes the eternal struggle between good and evil. Leda and the Swan: Delve into this timeless mythological encounter between Leda, a mortal woman, and Zeus disguised as a swan. Explore themes of seduction, desire, and divine intervention captured within this exquisite artwork. Palazzina (Small Building), the third room or room of the Aeneid: "Venus appears to her son Aeneas. . " 1756-57 (fresco): Experience Venus' ethereal presence as she reveals herself to Aeneas on Libya's shores. Witness her command for him to embark on his destined journey towards Dido. Palazzina (Small Building): view of the first room. . "Athena prevents Achilles from drawing his sword against Agamemnon, " 1756-57 (fresco): Observe Athena's intervention during one pivotal moment in Homer's Iliad when she restrains Achilles from unleashing his fury upon Agamemnon. Discover how even gods can shape destiny with their wisdom. Hercules bearing the remains of the Nemean lion, 1473 (bronze).