Mixed Technique Collection (page 2)

Birth John Baptist c. 1450 / 60 mixed technique
The Birth of John the Baptist, c. 1450/60, mixed technique on fir wood, 82.5 x 85 cm, unmarked. On the tape: Johannes est nome [n] eius, Meister des Losel-Altars, 15. Jh. tatig in Basel

Passion Christ 1522 mixed technique fir wood
The Passion of Christ, 1522, mixed technique on fir wood, 59.5 x 147 cm, dated lower right: 1522, under the representation the inscription: Warer human and eternal got. Allmechtig in the order

death woman 1520 / 25 mixed technique basswood
The death and the woman, around 1520/25, mixed technique on basswood, 29.8 x 17.1 cm, monogrammed lower right: HGB, Hans Baldung gen. Grien, Schwabisch Gmund (?) 1484/85-1545 Strassburg

Christ house Simon c. 1495 / 1500 mixed technique
Christ in the house of Simon, c. 1495/1500, mixed technique on basswood, 156 x 57.1 cm, not marked, Sigmund Holbein, Augsburg um 1470-1540 Bern

Founding legend pilgrimage church Vierzehnheiligen
Founding legend of the pilgrimage church Vierzehnheiligen: The Christ Child appears to the shepherd Hermann Leicht, c. 1470, mixed technique on linden wood, 50.5 x 47.5 cm, not marked

hl. Katharina standing front wall c. 1500 mixed technique
The hl. Katharina standing in front of a wall, c. 1500, mixed technique on oak, 32.5 x 20 cm, unsigned, Niederlandischer Meister, 15. Jh

Entombment Christ c. 1450 mixed technique spruce wood laminated
The Entombment of Christ, c. 1450, mixed technique on spruce wood laminated with canvas, 100.5 x 50 cm, unmarked, Meister von Schloss Lichtenstein, tatig um 1440/50 in Wien

Adoration Kings Inside disputation St. Stephanus
The Adoration of the Kings (Inside), The disputation of St. Stephanus (outside), c. 1435/40, mixed technique on fir wood laminated with canvas, 87.5 x 71 cm, not marked, Meister von St

Christ pain man inside Coat arms Georg von LAowenstein
Christ as a pain man (inside), Coat of arms of Georg von Lowenstein on a blue background (on the outside), c. 1456, mixed technique on basswood, 31.1 x 23.1 cm (with original frame: 41.4 x 33.3 cm)

Twelve scenes Passion Christ 2nd quarter 15th century
Twelve scenes from the Passion of Christ, 2nd quarter of the 15th century, mixed technique on fir wood, 33 x 28.5 cm (per piece, total size including frame: 111.8 x 128 cm), not marked

Portrait James Savoy Count Romont front Complete Coat
Portrait of James of Savoy, Count of Romont (front), Complete Coat of arms of Jacob of Savoy, held by two lions in front of black ground (back), c

Portrait Bonifacius Amerbach 1519 mixed technique
Portrait of Bonifacius Amerbach, 1519, mixed technique on fir wood, 29.9 x 28.3 cm, signed and dated under the epigraph: PICTA LICET FACIES VI, UAE NON CEDO SED INSTAR, SVM DOMINI IVSTIS NO

judgment Solomon mixed technique hardwood lime tree
The judgment of Solomon, mixed technique on hardwood (probably lime tree), 59 x 44.6 cm, inscribed on the flags: TROI, AI, -, IL, SPQE, Conrad Schnitt (Conrad Apotheker gen)

Portrait artists wife two eldest children c. 1528 / 29
Portrait of the artists wife with the two eldest children, c. 1528/29, mixed technique on paper, cut out of the figures contours and mounted on limewood, 79.4 x 64.7 cm, Not marked

Capsule portrait Martin Luther 1525 Mixed technique
Capsule portrait of Martin Luther, 1525 (?), Mixed technique on beech wood, diameter: 9.8 cm painted surface, not marked, Lucas Cranach d. A. Kronach 1472-1553 Weimar

Signboard schoolmaster childrens page 1516 mixed technique
Signboard of a schoolmaster (childrens page), 1516, mixed technique on spruce, 55.3 x 65.5 cm, Not marked, but dated in the text box: Whoever likes to learn the world [...] dubiously write and read

Sign schoolmaster adult side 1516 mixed technique
Sign of a schoolmaster (adult side), 1516, mixed technique on spruce, 55.3 x 65.5 cm, Not marked, but dated in the text box: who someone likes to learn the world scholarly [...] and read the all

LaAOs Corinthiaca 1526 mixed technique lime wood
Lais Corinthiaca, 1526, mixed technique on lime wood, 35.6 x 26.7 cm, Dated and titled on the stone parapet in front:: LAIS: CORINTHIACA: 1526:, Hans Holbein d. J. Augsburg um 1497/98-1543 London

Two skulls window niche c. 1520 mixed technique
Two skulls in a window niche, c. 1520, mixed technique on basswood, 33 x 25 x 0.5 cm, unmarked, Hans Holbein d. J. Augsburg um 1497/98-1543 London

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"Exploring the Marvels of Mixed Technique in Art: From Unbelieving Thomas to Notre-Dame" Discover the captivating world art, where creativity knows no bounds. In this diverse collection, we encounter a range of masterpieces that showcase the skillful fusion of different artistic methods and materials. One such masterpiece is "Annunciation, " created around 1460/70 using softwood and mixed technique. This artwork depicts the momentous event when Mary receives news from God through an angel, leaving us in awe of her faith. Moving forward, we encounter "Marientod inside Stoning hl. Stephanus outside, " another striking piece crafted with mixed technique on softwood. It portrays both the sorrowful death of Mary and the stoning of Saint Stephen, reminding us of their unwavering devotion. Next, we are captivated by "Coronation Thorns, " dating back to around 1500 and also executed with mixed technique on softwood. This artwork invites contemplation as it portrays Christ's coronation with thorny branches – a poignant symbolization of his sacrifice for humanity. Continuing our journey through time, we come across "Cross Carrying Christ" from approximately 1500 - a powerful depiction showcasing Christ's burden as he carries his cross towards Calvary using various techniques combined harmoniously. Intriguingly contrasting these religious themes is "Bathsheba bath front death soldier includes young woman. " This piece presents an enigmatic scene featuring Bathsheba amidst tragedy and vulnerability alongside a young woman caught in turmoil – inviting interpretation and reflection. Delving further into history, we discover the mesmerizing portrait titled "Prophet Isaiah" from the first third of the 15th century - an exemplary representation created using mixed techniques that bring this biblical figure to life before our eyes.