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Mores Collection

"Mores: Unveiling the Intricacies of 18th Century Society" Step into the enchanting world of the eighteenth century

Background imageMores Collection: An orgiastic dinner at the time of the regency of Philippe II, duke of Orleans between 1715 and 1723

An orgiastic dinner at the time of the regency of Philippe II, duke of Orleans between 1715 and 1723
ELD4957857 An orgiastic dinner at the time of the regency of Philippe II, duke of Orleans between 1715 and 1723, at the Palais Royal

Background imageMores Collection: An orgiastic dinner at the time of the Regency, 19th century (engraving)

An orgiastic dinner at the time of the Regency, 19th century (engraving)
ELD4900008 An orgiastic dinner at the time of the Regency, 19th century (engraving); Private Collection; (add.info.: An orgiastic dinner at the time of the regency of Philippe II)

Background imageMores Collection: The Good Pope: Time, 1836 (illustration)

The Good Pope: Time, 1836 (illustration)
7485453 The Good Pope: Time, 1836 (illustration) by Grandville (Jean Ignace Isidore Gerard) (1803-47); (add.info.: Le Bon Pape: Le Temps)

Background imageMores Collection: The whiskey war in Ohio. Women singing hymns at the door of a cabaretier to force him to close shop

The whiskey war in Ohio. Women singing hymns at the door of a cabaretier to force him to close shop
5313575 The whiskey war in Ohio. Women singing hymns at the door of a cabaretier to force him to close shop, 19th century (engraving) by American School

Background imageMores Collection: Man courting a woman in a park in the eighteenth century. ca. 1910 (illustration)

Man courting a woman in a park in the eighteenth century. ca. 1910 (illustration)
6438205 Man courting a woman in a park in the eighteenth century. ca. 1910 (illustration) by Pean, Rene (1875-1940); Private Collection; (add.info.: Company. Mours)

Background imageMores Collection: A lady and a nun arguing over a dildo in a parlour, 18th century, 1911 (engraving)

A lady and a nun arguing over a dildo in a parlour, 18th century, 1911 (engraving)
7234382 A lady and a nun arguing over a dildo in a parlour, 18th century, 1911 (engraving) by Borel, Antoine (1743-1810) (after); Private Collection; (add.info)

Background imageMores Collection: A gentleman kneels before a monk in a library, 18th century. 1911 (engraving)

A gentleman kneels before a monk in a library, 18th century. 1911 (engraving)
7234827 A gentleman kneels before a monk in a library, 18th century. 1911 (engraving) by Borel, Antoine (1743-1810) (after); Private Collection; (add.info)

Background imageMores Collection: A monk exposing himself to maids in a bedroom, 18th century. 1911 (engraving)

A monk exposing himself to maids in a bedroom, 18th century. 1911 (engraving)
7234387 A monk exposing himself to maids in a bedroom, 18th century. 1911 (engraving) by Borel, Antoine (1743-1810) (after); Private Collection; (add.info)

Background imageMores Collection: All The Girls Are Loverly Loverly (colour litho)

All The Girls Are Loverly Loverly (colour litho)
2815991 All The Girls Are Loverly Loverly (colour litho) by English School, (20th century); Private Collection; (add.info.: All The Girls Are Loverly Loverly)

Background imageMores Collection: Growing babies from cabbages (chromolitho)

Growing babies from cabbages (chromolitho)
667093 Growing babies from cabbages (chromolitho) by German School, (19th century); Private Collection; (add.info.: Growing babies from cabbages.); © Look and Learn

Background imageMores Collection: Les Armes De L Amour (colour litho)

Les Armes De L Amour (colour litho)
1095089 Les Armes De L Amour (colour litho) by French School, (20th century); Private Collection; (add.info.: Les Armes De L Amour. Postcard, early 20th century.); © Look and Learn

Background imageMores Collection: Conjugal habits: 'Crenom, if we thought!... ', 1839 (illustration)

Conjugal habits: "Crenom, if we thought!... ", 1839 (illustration)
7211598 Conjugal habits: " Crenom, if we thought!...", 1839 (illustration) by Daumier, Honore (1808-79); (add.info.: Conjugal customs)

Background imageMores Collection: A Prince of the Old School, published by Hannah Humphrey in 1800 (hand-coloured etching)

A Prince of the Old School, published by Hannah Humphrey in 1800 (hand-coloured etching)
NCO190100 A Prince of the Old School, published by Hannah Humphrey in 1800 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageMores Collection: Manca de Vallombrosa marquis de Mores (1858-1897) (b / w photo)

Manca de Vallombrosa marquis de Mores (1858-1897) (b / w photo)
5219852 Manca de Vallombrosa marquis de Mores (1858-1897) (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Manca de Vallombrosa marquis de Mores (1858-1897)

Background imageMores Collection: Notes on Etiquette (colour litho)

Notes on Etiquette (colour litho)
3093064 Notes on Etiquette (colour litho) by American School, (20th century); Private Collection; (add.info.: Notes on Etiquette)

Background imageMores Collection: Bride

Bride
LLM456265 Bride by English School, (19th century); Private Collection; (add.info.: Bride. Illustration for the weekly magazine Boys of the Empire (Edwin Brett, 1888).); © Look and Learn

Background imageMores Collection: MORES UTOPIA

MORES UTOPIA
The imaginary island of UTOPIA, as described by Sir Thomas More Date: 1518

Background imageMores Collection: The sin, 1893

The sin, 1893. Found in the Collection of Muzeum Narodowe, Warsaw

Background imageMores Collection: The vision of a Priest: a girl who has concealed a sin in confession

The vision of a Priest: a girl who has concealed a sin in confession, Early 19th cen Artist: Russian Master
The vision of a Priest: a girl who has concealed a sin in confession, Early 19th cen.. Found in the collection of the State Open-air Museum Kirillo-Belozersky Monastery

Background imageMores Collection: The Sin

The Sin. Found in the Collection of Galleria d arte moderna, Palermo

Background imageMores Collection: The Vision of Saint John: daughter of a whore sitting on a chariot of fire

The Vision of Saint John: daughter of a whore sitting on a chariot of fire, Early 19th cen Artist: Russian Master
The Vision of Saint John: daughter of a whore sitting on a chariot of fire, Early 19th cen.. Found in the collection of the State Open-air Museum Kirillo-Belozersky Monastery

Background imageMores Collection: The Way to Work, 1926. Artist: Buchholz, Fyodor Fyodorovich (1857-1942)

The Way to Work, 1926. Artist: Buchholz, Fyodor Fyodorovich (1857-1942)
The Way to Work, 1926. From a private collection

Background imageMores Collection: Indecency, 1799. Artist: Cruikshank, Isaac Robert (1789-1856)

Indecency, 1799. Artist: Cruikshank, Isaac Robert (1789-1856)
Indecency, 1799. From a private collection

Background imageMores Collection: The Sin, 1899. Artist: Stuck, Franz, Ritter von (1863-1928)

The Sin, 1899. Artist: Stuck, Franz, Ritter von (1863-1928)
The Sin, 1899. Found in the collection of the Wallraf-Richartz-Museum, Cologne

Background imageMores Collection: Italy, Sardinia Region, Mores, province of Sassari, Dolmen Sa Coveccada

Italy, Sardinia Region, Mores, province of Sassari, Dolmen Sa Coveccada
Italy - Sardinia Region - Mores, province of Sassari - Dolmen Sa Coveccada

Background imageMores Collection: Italy, Sardinia, Mores, province of Sassari, Dolmen Sa Coveccada

Italy, Sardinia, Mores, province of Sassari, Dolmen Sa Coveccada
Italy - Sardinia Region - Mores, province of Sassari - Dolmen Sa Coveccada

Background imageMores Collection: Mores Utopia

Mores Utopia
The imaginary island of UTOPIA, as described by Sir Thomas More

Background imageMores Collection: Mores Household

Mores Household
SIR THOMAS MORE English statesman and author with his household


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"Mores: Unveiling the Intricacies of 18th Century Society" Step into the enchanting world of the eighteenth century, where societal norms and customs shaped every aspect of life. Through a series of captivating illustrations and engravings from 1910-1911, we catch glimpses into an era defined by its intricate mores. In one scene, amidst the serene beauty of a park, a man ardently courts a woman. Their elegant attire and graceful gestures reflect the refined courtship rituals that governed relationships during this time. Delving deeper into these complex mores, we encounter three bourgeois women engaging in an unexpected act within the confines of a parlour. This provocative engraving challenges our preconceived notions about societal boundaries and unveils hidden desires lurking beneath their composed facades. Further exploring forbidden territories, another engraving reveals a shocking encounter between a nun and a monk in the depths of a wood. The scandalous discovery exposes human vulnerabilities even within religious orders, shedding light on how deeply ingrained desires can transcend social expectations. Venturing into more intimate spaces, we witness heated debates over taboo objects such as dildos in parlours. Here lies evidence that even those bound by strict moral codes were not immune to curiosity or temptation - revealing cracks in society's façade. A gentleman humbly kneels before a monk in an atmospheric library setting; this depiction highlights power dynamics prevalent during this period while hinting at unspoken desires simmering beneath propriety's surface. However, not all encounters were consensual or respectful. In one unsettling engraving set within a bedroom, maids are subjected to indecent exposure by an audacious monk - exposing darker aspects hidden behind closed doors. Beyond matters of love and desire lie whimsical lithographs depicting fantastical scenes like growing babies from cabbages or playful depictions titled "All The Girls Are Loverly Loverly.