Mortimer L Menpes Collection (page 9)

The Miser, c1851 (1904). Artist: James Abbott McNeill Whistler
The Miser, c1851 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Fumette, Standing 1859 (1904). Artist: James Abbott McNeill Whistler
Fumette, Standing 1859 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Tyzac Whiteley and Co, 1859 (1904). Artist: James Abbott McNeill Whistler
Tyzac Whiteley and Co, 1859 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Whistler, 1859 (1904). Artist: James Abbott McNeill Whistler
Whistler, 1859 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Limehouse, 19th century (1904). Artist: James Abbott McNeill Whistler
Limehouse, 19th century (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Thames Warehouse, 19th century (1904). Artist: James Abbott McNeill Whistler
Thames Warehouse, 19th century (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

A Bye Canal, Venice, 19th century, (1904). Artist: James Abbott McNeill Whistler
A Bye Canal, Venice, 19th century, (1904). From a pastel. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Street at Saverne, 19th century (1904). Artist: James Abbott McNeill Whistler
Street at Saverne, 19th century (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

The Wood, 19th century (1904). Artist: James Abbott McNeill Whistler
The Wood, 19th century (1904). Signed by J M Whistler and Seymour Haden and done in collaboration. Plate taken from Whistler As I Knew Him, by Mortimer Menpes

A Cairo Street, 1903. Artist: Mortimer L Menpes
A Cairo Street, 1903. From World Pictures, by Mortimer Menpes. Text by Dorothy Menpes. [A. & C. Black, London, 1903]

Fruit Stall, 1903. Artist: Mortimer L Menpes
Fruit Stall, 1903. From World Pictures, by Mortimer Menpes. Text by Dorothy Menpes. [A. & C. Black, London, 1903]

A Street Scene at Asakusa, c1897. Artist: Mortimer L Menpes
A Street Scene at Asakusa, c1897. From The Studio Volume 10 [London Offices of the Studio, London, 1897]

Procession of Archers at Kioto, c1897. Artist: Mortimer L Menpes
Procession of Archers at Kioto, c1897. From The Studio Volume 10 [London Offices of the Studio, London, 1897]

The Sabot Shop, c19th century. Artist: Mortimer L Menpes
The Sabot Shop, c19th century. A sabot is a type of clog

Alfred Milner, 1st Viscount Milner, British statesman, early 20th century. Artist: Mortimer L Menpes
Alfred Milner, 1st Viscount Milner, British statesman, early 20th century. Milner (1854-1925) was High Commissioner to South Africa from 1897-1905

Portrait of American artist James McNeill Whistler, 1834 - 1903. After an etching by Australian-born artist Mortimer L. Menpes

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Mortimer L Menpes: A Master of Artistic Versatility Step into the world of Mortimer L Menpes, a talented artist who captivated audiences with his diverse range of subjects and styles. From capturing the essence of a tailor in the 1920s to depicting the vibrant streets of Venice in 1903, Menpes showcased his artistic prowess through various mediums. In "A Tailor, " created in the c1920s, Menpes skillfully brings to life the meticulous craftsmanship and attention to detail that goes into tailoring. The viewer is transported back in time, witnessing an artisan at work, immersed in their craft. Venturing further into his repertoire, we encounter "Street in Venice" from 1903. With bold brushstrokes and vivid colors, Menpes transports us to the enchanting canals and bustling streets of this Italian city. Every corner exudes charm as he captures Venetian life with remarkable accuracy. Menpes also excelled at portraiture as seen in "James McNeill Whistler. " Through delicate lines and shading techniques, he immortalizes one great artist by another's hand—a testament to their shared passion for artistry. Not limited to European scenes alone, Menpes ventured across continents. In Mexico City (1903), Puebla (1903), and A Mexican Village (1903), he showcases his ability to capture exotic landscapes rich with culture and history. These works transport viewers on a visual journey through Mexico's vibrant cities and picturesque villages. But it wasn't just far-flung locations that fascinated him; even closer to home, Menpes found inspiration within family settings. In "A Family Group, " created around c1887 but revised later in 1901, he portrays familial bonds with warmth and tenderness—an intimate glimpse into domestic life during different eras. Menpes didn't confine himself solely to painting others; he also turned the spotlight on himself.