Motsu Collection

Asagao no hachi o motsu bijin, Beauty carrying morning glory in a basin. Utagawa, Kuniyasu, 1794-1832, artist, [between 1818 and 1830], 1 print : woodcut, color; 38.8 x 26.2 cm

ChAcchi o motsu onna, Woman carrying a paper lantern. Ikeda, Eisen, 1790-1848, artist, [between 1818 and 1822], 1 print : woodcut, color; 35.4 x 23.8 cm

Onagadori o motsu onna to kamuro, Woman holding a rooster accompanied by a young attendant. 1801. 1 print : woodcut, color; 13.1 x 8.7 cm

Ne no ji no kakejiku o motsu musume, Beauty holding a calendar scroll for the year of the rat. 1804. 1 print : woodcut, color; 13 x 8.6 cm. Print shows a woman holding a calendar scroll

Tanzaku o motsu yA'jo, Courtesan holding a poem card (Tanzaku). Katsushika, Hokumei, artist, [between 1818 and 1830], 1 print : woodcut, color; 21.3 x 18.5 cm

Kiseru o motsu onna, Beauty holding a pipe. Utagawa, Toyokuni, approximately 1777-1835, artist, [between 1830 and 1834], 1 print : woodcut, color; 38.2 x 25.5 cm

ChAcchin o motsu onna, Woman carrying a lantern. Kikukawa, Eizan, 1787-1867, artist, [between 1818 and 1820], 1 print (2 sheets) : woodcut, color; 35.8 x 24.1 cm (top), 35.6 x 24 cm (bottom)

TenaraichAc o motsu musume, Young lady carrying a calendar. Utagawa, Kunisada, 1823-1880, artist, 1843. 1 print : woodcut, color; 36.1 x 24.5 cm (top print), 33.1 x 22.3 cm (bottom print)

Mushikago o motsu wakazamurai, Young man holding an insect carrier. Utagawa, Kunisada, 1823-1880, artist, [1843 or 1844], 1 print : woodcut, color; 34.0 x 22.6 cm (top print)

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"Motsu: The Art of Carrying" In the world of traditional Japanese art, there is a captivating theme that often emerges - the portrayal of individuals carrying various objects. From beautiful women to young men, these depictions showcase not only their grace and elegance but also offer glimpses into their daily lives. One such artwork titled "Beauty Carrying Morning Glory in a Basin" by Utagawa captures the essence of femininity as a stunning woman delicately holds a basin adorned with morning glory flowers. Her poise and serenity reflect the beauty she carries both within herself and in her hands. Another masterpiece, "Woman Carrying a Paper Lantern" by Ikeda Eisen, transports us to an enchanting evening scene. This mysterious lady gracefully walks through the darkness, illuminating her path with the soft glow emanating from her lantern. Her presence evokes curiosity and intrigue. The motif continues with "Woman Holding a Rooster Accompanied by a Young" where we witness an elegant lady accompanied by a child while holding onto a majestic rooster. This depiction symbolizes nurturing qualities and perhaps hints at motherhood or guardianship. Moving on to another piece called "Beauty Holding A Calendar Scroll for The Year, " we are introduced to an exquisite maiden who carries not just any scroll but one that represents time itself. With gracefulness in every movement, she reminds us of our connection to both past and future. A courtesan takes center stage in "Courtesan Holding A Poem Card. " Katsushika Hokumei's artwork portrays this alluring figure clutching onto tanzaku - small poem cards traditionally used during poetry competitions or love exchanges between lovers. She exudes confidence as she presents her poetic prowess alongside her physical beauty. Utagawa Toyokuni's creation showcases yet another fascinating character -a woman holding a pipe in "Beauty Holding A Pipe.