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Musical Note Collection (page 2)

"From the haunting melodies of Mozart's Requiem to the explosive energy of Stravinsky's Rite of Spring

Background imageMusical Note Collection: Violin, Sheet Music, and Rose

Violin, Sheet Music, and Rose

Background imageMusical Note Collection: Violin And Sheet Music

Violin And Sheet Music

Background imageMusical Note Collection: Guitar music

Guitar music
Bubbles rise from guitar strings like music notes at sunset

Background imageMusical Note Collection: VIVALDI MANUSCRIPT. Manuscript for Gloria by Antonio Vivaldi, c1708

VIVALDI MANUSCRIPT. Manuscript for Gloria by Antonio Vivaldi, c1708

Background imageMusical Note Collection: MOZART: REQUIEM, 1791. The penultimate manuscript page of Wolfgang Amadeus Mozart s

MOZART: REQUIEM, 1791. The penultimate manuscript page of Wolfgang Amadeus Mozart s
MOZART: REQUIEM, 1791. The penultimate manuscript page of Wolfgang Amadeus Mozarts Requiem in the composers own hand at the beginning of the Lacrymosa

Background imageMusical Note Collection: MOZART: COSI FAN TUTTE. Manuscript of the score of Wolfgang Amadeus Mozarts Cosi Fan Tutte

MOZART: COSI FAN TUTTE. Manuscript of the score of Wolfgang Amadeus Mozarts Cosi Fan Tutte, the final scene of Act I, 1789

Background imageMusical Note Collection: LUTE TABLATURE. Page from a lute tablature of msuci. Italian, 16th century

LUTE TABLATURE. Page from a lute tablature of msuci. Italian, 16th century

Background imageMusical Note Collection: SONG: FLORENCE NIGHTINGALE. Sheet music for the song, Florence Nightingale, by

SONG: FLORENCE NIGHTINGALE. Sheet music for the song, Florence Nightingale, by John Liptrott Hatton and with lyrics by Francis Bennoch, 1856

Background imageMusical Note Collection: WAGNER: MANUSCRIPT, 1866. Orchestral score for Act II ( cudgel scene ) of Richard

WAGNER: MANUSCRIPT, 1866. Orchestral score for Act II ( cudgel scene ) of Richard Wagners Der Meistersinger von Nurnberg, 1866

Background imageMusical Note Collection: BACH: MANUSCRIPT, c1729. Autograph manuscript of Johann Sebastian Bachs cantata 112

BACH: MANUSCRIPT, c1729. Autograph manuscript of Johann Sebastian Bachs cantata 112, Der Herr ist mein getreuer Hirt, c1729

Background imageMusical Note Collection: Two kittens sitting on piano keyboard by sheet music

Two kittens sitting on piano keyboard by sheet music

Background imageMusical Note Collection: Piano music

Piano music
Bubbles rise from piano strings like music notes

Background imageMusical Note Collection: Treble clef and musical notes of a full octave on a stave, and the corresponding keys on an organ

Treble clef and musical notes of a full octave on a stave, and the corresponding keys on an organ

Background imageMusical Note Collection: Treble clef, sharp sign and musical note on stave, close up

Treble clef, sharp sign and musical note on stave, close up

Background imageMusical Note Collection: Woman holding staved sheets for musical notation singing with notes flying out of her mouth

Woman holding staved sheets for musical notation singing with notes flying out of her mouth, front view

Background imageMusical Note Collection: Illustration, music notes on staff

Illustration, music notes on staff

Background imageMusical Note Collection: Musical notes

Musical notes

Background imageMusical Note Collection: Illustration of ballet dancer leaning forward on one leg with other leg in the air using

Illustration of ballet dancer leaning forward on one leg with other leg in the air using vestibulocochlear nerves to balance

Background imageMusical Note Collection: Cartoon of man singing as deaf senior man cups hand to ear to hear

Cartoon of man singing as deaf senior man cups hand to ear to hear and girl holds hands over ears to block noise

Background imageMusical Note Collection: Digital illustration of red musical notes

Digital illustration of red musical notes

Background imageMusical Note Collection: Digital illustration of man playing brass trumpet with musical notes above head

Digital illustration of man playing brass trumpet with musical notes above head

Background imageMusical Note Collection: Digital illustration of colourful music notes

Digital illustration of colourful music notes

Background imageMusical Note Collection: Black and white illustration of CD out of case

Black and white illustration of CD out of case

Background imageMusical Note Collection: Cartoon of grasshopper attracting a mate by rubbing its back legs to chirp as she looks down

Cartoon of grasshopper attracting a mate by rubbing its back legs to chirp as she looks down from balcony

Background imageMusical Note Collection: Origami note

Origami note
Notes made folded out of paper, origami style

Background imageMusical Note Collection: SWEDISH NATIONAL ANTHEM. Du Gamla Du Fria (Ye Ancient, Free Country)

SWEDISH NATIONAL ANTHEM. Du Gamla Du Fria (Ye Ancient, Free Country). Words written in 1844 by Richard Dybeck from an old folk song

Background imageMusical Note Collection: LUTHER: HYMN, 1526. Title page from the Zwickauer Gesangsbuechlein, 1526

LUTHER: HYMN, 1526. Title page from the Zwickauer Gesangsbuechlein, 1526, on which appears Martin Luthers first hymn, Nun freut euch lieben Christen gemein (Dear Christians, let us now rejoice)

Background imageMusical Note Collection: SAINTS PETER AND PAUL. St. Peter and St

SAINTS PETER AND PAUL. St. Peter and St. Paul in an initial E. Illumination from an English Latin Missal, early 14th century

Background imageMusical Note Collection: ROSSINI: MANUSCRIPT PAGE. Gioacchino Rossinis Mi lagnero tacendo, 1830

ROSSINI: MANUSCRIPT PAGE. Gioacchino Rossinis Mi lagnero tacendo, 1830

Background imageMusical Note Collection: ROSSINI: MANUSCRIPT PAGE. Gioacchino Rossinis Almaviva ossia L inutile precauzione

ROSSINI: MANUSCRIPT PAGE. Gioacchino Rossinis Almaviva ossia L inutile precauzione, 19th century

Background imageMusical Note Collection: VERDI: RIGOLETTO, 1850. A page from the autograph manuscript of Giuseppe Verdis Rigoletto

VERDI: RIGOLETTO, 1850. A page from the autograph manuscript of Giuseppe Verdis Rigoletto, 1850-51

Background imageMusical Note Collection: MOZART: MANUSCRIPT, 1786. Autograph manuscript for the overture to Wolfgang Amadeus

MOZART: MANUSCRIPT, 1786. Autograph manuscript for the overture to Wolfgang Amadeus Mozarts one act comic opera The Impresario (Der Schauspieldirektor), 1786

Background imageMusical Note Collection: MOZART: EARLY MANUSCRIPT. One of Wolfgang Amadeus Mozarts earliest works (Koechel catalogue no)

MOZART: EARLY MANUSCRIPT. One of Wolfgang Amadeus Mozarts earliest works (Koechel catalogue no)
MOZART: EARLY MANUSCRIPT. One of Wolfgang Amadeus Mozarts earliest works (Koechel catalogue no. la-d), composed in 1761 at age five and written down for him by his father, Leopold Mozart

Background imageMusical Note Collection: MOZART: EARLY MANUSCRIPT. One of Mozarts earliest works (Koechel catalogue no

MOZART: EARLY MANUSCRIPT. One of Mozarts earliest works (Koechel catalogue no. la-d), composed in 1761 at age five and written down for him by his father, Leopold Mozart

Background imageMusical Note Collection: MOZART: MAGIC FLUTE. Papagenos aria, from Wolfgang Amadeus Mozarts manuscript

MOZART: MAGIC FLUTE. Papagenos aria, from Wolfgang Amadeus Mozarts manuscript of The Magic Flute

Background imageMusical Note Collection: MOZART: MINUET IN G, 1762. Manuscript of the Minuet in G in G Major (K

MOZART: MINUET IN G, 1762. Manuscript of the Minuet in G in G Major (K. 1) composed by Wolfgang Amadeus Mozart at the age of six

Background imageMusical Note Collection: MOZART: QUARTET IN C MAJOR. The beginning of the autograph manuscript of Wolfgang

MOZART: QUARTET IN C MAJOR. The beginning of the autograph manuscript of Wolfgang Amadeus Mozarts Quartet in C Major ( The Dissonance ), K. 465, completed in January 1785

Background imageMusical Note Collection: MOZART: MOTET MANUSCRIPT. Part of the autograph of the motet, God is Our Refuge (K

MOZART: MOTET MANUSCRIPT. Part of the autograph of the motet, God is Our Refuge (K. 20), written by Wolfgang Amadeus Mozart at age 9

Background imageMusical Note Collection: CLAUDIO MONTEVERDI (1567-1643). Italian composer. Manuscript page, in his own hand

CLAUDIO MONTEVERDI (1567-1643). Italian composer. Manuscript page, in his own hand, of his L Incoronazione di Poppea, 1642

Background imageMusical Note Collection: HAYDN: SHEET MUSIC. Telling, from Franz Joseph Haydns autographed ms. of The Creation

HAYDN: SHEET MUSIC. Telling, from Franz Joseph Haydns autographed ms. of The Creation
HAYDN: SHEET MUSIC. Telling, from Franz Joseph Haydns autographed ms. of " The Creation, " 1798

Background imageMusical Note Collection: WAGNER: DAS RHEINGOLD. Composition sketch for Richard Wagners Das Rheingold, 1854

WAGNER: DAS RHEINGOLD. Composition sketch for Richard Wagners Das Rheingold, 1854

Background imageMusical Note Collection: SHEET MUSIC, 1917. American sheet music, 1917, for George M

SHEET MUSIC, 1917. American sheet music, 1917, for George M. Cohans World War I composition Over There

Background imageMusical Note Collection: ORLANDO DI LASSO: MUSIC. Fastnachtslied, a German Leid, or solo song, composed

ORLANDO DI LASSO: MUSIC. Fastnachtslied, a German Leid, or solo song, composed by Franco-Flemish composer, Orlando di Lasso, 1547

Background imageMusical Note Collection: MEISTERGESANG, 16th CENTURY. Meistergesang, or solo song, composed by Meistersinger

MEISTERGESANG, 16th CENTURY. Meistergesang, or solo song, composed by Meistersinger, Adam Puschmann (1532-1600), a student of Hans Sachs

Background imageMusical Note Collection: GOTHIC MUSIC MANUSCRIPT. Gothic German hymn from the 12th-16th century written

GOTHIC MUSIC MANUSCRIPT. Gothic German hymn from the 12th-16th century written in a style known as horseshoe nail notation

Background imageMusical Note Collection: STAR SPANGLED BANNER. The second page of the first printed sheet music edition

STAR SPANGLED BANNER. The second page of the first printed sheet music edition of Francis Scott Keys The Star Spangled Banner, Baltimore, Maryland, 1814

Background imageMusical Note Collection: BEETHOVEN: SCHERZO. Page from the first published edition of Ludwig van Beethovens Symphony No

BEETHOVEN: SCHERZO. Page from the first published edition of Ludwig van Beethovens Symphony No. 9, Op. 125, showing the final version of the Scherzo ritmo di 3 battute



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"From the haunting melodies of Mozart's Requiem to the explosive energy of Stravinsky's Rite of Spring, musical notes have the power to transport us through time and emotions. Take a glimpse into the world of classical music with these captivating hints: - The last page of Stravinsky's Rite of Spring score, a revolutionary masterpiece that caused uproar during its premiere. - Richard Wagner's Gotterdammerung, an epic opera showcasing his grandiose compositions. - Beethoven's manuscript from 1806, revealing the beginning of the final movement in his String Quartet in C Major. - Brahms' orchestral score for Symphony No. , displaying his meticulous attention to detail and rich harmonies. - Ludwig van Beethoven's sketches for his Ninth Symphony, featuring quotes from Schiller’s Ode to Joy - a testament to his genius creativity. - A precious manuscript by Wolfgang Amadeus Mozart containing Ave Verum Corpus (K), showcasing his divine talent as an Austrian composer. - An intricate detail from Johann Sebastian Bach’s Cantata No. , demonstrating his mastery in composing complex choral works. - The Guidonian Hand developed by Guido d Arezzo, providing singers with a visual aid to read music notation effectively. - The first printed sheet music edition of Francis Scott Key’s Star Spangled Banner, highlighting a misprint in its subtitle but not diminishing its patriotic significance. - An angelic figure with halo and butterfly wings playing harp reminds us that music can be heavenly and ethereal. Lastly, Ludwig van Beethoven’s poignant question "Must it be? It must be, " adorning the beginning of the fourth movement in his String Quartet Op. 135 – reflecting both personal struggles and artistic triumphs. These glimpses into musical history remind us that each note carries within it stories untold; they are windows into composers' souls.