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Nagasaki Collection (page 3)

"Nagasaki: A Tapestry of History, Culture, and Resilience" From the iconic Headington Shark to the enchanting Dutch banquet depicted in Bankan-zu

Background imageNagasaki Collection: Interior of Meoken - Do Pagoda, Japan

Interior of Meoken - Do Pagoda, Japan
The interior of the Meoken - Do Pagoda located in Nagasaki, Japan. Pagodas were originally used as reliquaries (a container for relics) and are typically used by Buddhists

Background imageNagasaki Collection: Sketches in Japan and Corea (engraving)

Sketches in Japan and Corea (engraving)
1609490 Sketches in Japan and Corea (engraving) by English School, (19th century); Private Collection; (add.info.: Sketches in Japan and Corea)

Background imageNagasaki Collection: Sketches in Japan and Corea (engraving)

Sketches in Japan and Corea (engraving)
1609489 Sketches in Japan and Corea (engraving) by English School, (19th century); Private Collection; (add.info.: Sketches in Japan and Corea)

Background imageNagasaki Collection: Nagasaki, which the Japanese Government has permitted the United States to use as a Military Base

Nagasaki, which the Japanese Government has permitted the United States to use as a Military Base (b / w photo)
1600573 Nagasaki, which the Japanese Government has permitted the United States to use as a Military Base (b/w photo) by English Photographer

Background imageNagasaki Collection: Nagasaki (chromolitho)

Nagasaki (chromolitho)
735676 Nagasaki (chromolitho) by European School, (19th century); Private Collection; (add.info.: Nagasaki. Liebig card, late 19th century/early 20th century.); Look and Learn / Rosenberg Collection

Background imageNagasaki Collection: Arrival of the Southern Barbarians (Portuguese traders at Nagasaki), Kano school

Arrival of the Southern Barbarians (Portuguese traders at Nagasaki), Kano school
1191883 Arrival of the Southern Barbarians (Portuguese traders at Nagasaki), Kano school, early 17th century (ink, colour & gold leaf on paper)

Background imageNagasaki Collection: Map of Nagasaki, c. 1801 (colour woodcut)

Map of Nagasaki, c. 1801 (colour woodcut)
1219483 Map of Nagasaki, c.1801 (colour woodcut) by Japanese School, (19th century); Private Collection; The Stapleton Collection; Japanese, out of copyright

Background imageNagasaki Collection: House of the Chief of the Dutch East India Company, from Illustrations of Japan

House of the Chief of the Dutch East India Company, from Illustrations of Japan
468654 House of the Chief of the Dutch East India Company, from Illustrations of Japan, published 1822 (colour litho) by English School

Background imageNagasaki Collection: Japan, c. 1912: Big Torii at Suwa Shrine, Nagasaki (photo)

Japan, c. 1912: Big Torii at Suwa Shrine, Nagasaki (photo)
6013095 Japan, c.1912: Big Torii at Suwa Shrine, Nagasaki (photo) by Japanese Photographer (20th century); Private Collection; (add.info.: Big Torii at Suwa Shrine, Nagasaki)

Background imageNagasaki Collection: Women coaling a Man-of-War at Nagasaki, Japan (engraving)

Women coaling a Man-of-War at Nagasaki, Japan (engraving)
1041546 Women coaling a Man-of-War at Nagasaki, Japan (engraving) by Nash, Joseph (d.1922); Private Collection; (add.info.: Women coaling a Man-of-War at Nagasaki, Japan)

Background imageNagasaki Collection: Street scene in Nagasaki, with Jinrikishas on the right (b / w photo)

Street scene in Nagasaki, with Jinrikishas on the right (b / w photo)
962677 Street scene in Nagasaki, with Jinrikishas on the right (b/w photo) by Japanese Photographer (20th century); Private Collection; (add.info.: Street scene in Nagasaki)

Background imageNagasaki Collection: Women coaling a steamer in Nagasaki (b / w photo)

Women coaling a steamer in Nagasaki (b / w photo)
3643762 Women coaling a steamer in Nagasaki (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Women coaling a steamer in Nagasaki)

Background imageNagasaki Collection: The Japanese Ports, Hakodadi and Nagasaki (engraving)

The Japanese Ports, Hakodadi and Nagasaki (engraving)
2772858 The Japanese Ports, Hakodadi and Nagasaki (engraving) by English School, (19th century); Private Collection; (add.info.: The Japanese Ports, Hakodadi and Nagasaki)

Background imageNagasaki Collection: Tattooing at Nagasaki, Japan (engraving)

Tattooing at Nagasaki, Japan (engraving)
1622168 Tattooing at Nagasaki, Japan (engraving) by English School, (19th century); Private Collection; (add.info.: Tattooing at Nagasaki, Japan)

Background imageNagasaki Collection: Sketches in Japan (engraving)

Sketches in Japan (engraving)
1601913 Sketches in Japan (engraving) by English School, (19th century); Private Collection; (add.info.: Sketches in Japan. Illustration for The Illustrated London News, 13 January 1855)

Background imageNagasaki Collection: The Anglo-Japanese Alliance, Celebrations in Japan (litho)

The Anglo-Japanese Alliance, Celebrations in Japan (litho)
1629653 The Anglo-Japanese Alliance, Celebrations in Japan (litho) by Amato, G.S. (fl.1897-1914) (after); Private Collection; (add.info.: The Anglo-Japanese Alliance, Celebrations in Japan)

Background imageNagasaki Collection: City and Harbor of Nagasaki (b / w photo)

City and Harbor of Nagasaki (b / w photo)
5212574 City and Harbor of Nagasaki (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: City and Harbor of Nagasaki)

Background imageNagasaki Collection: Nagasaki (engraving)

Nagasaki (engraving)
3655046 Nagasaki (engraving) by English School, (19th century); Private Collection; (add.info.: Nagasaki. Illustration for The Illustrated Universal Gazetteer edited by William Francis Ainsworth)

Background imageNagasaki Collection: The Manners and Customs of the Police of Japan (litho)

The Manners and Customs of the Police of Japan (litho)
1048013 The Manners and Customs of the Police of Japan (litho) by English School, (19th century); Private Collection; (add.info.: The Manners and Customs of the Police of Japan)

Background imageNagasaki Collection: Sketches in Japan, Temple-Street, Nagasaki (engraving)

Sketches in Japan, Temple-Street, Nagasaki (engraving)
1105463 Sketches in Japan, Temple-Street, Nagasaki (engraving) by English School, (19th century); Private Collection; (add.info.: Sketches in Japan, Temple-Street, Nagasaki)

Background imageNagasaki Collection: Ohata, the port at Nagasaki, Japan, circa 1880s. Date: circa 1880s

Ohata, the port at Nagasaki, Japan, circa 1880s. Date: circa 1880s

Background imageNagasaki Collection: Junks at Naminohira, Nagasaki, Japan circa 1880s. Date: circa 1880s

Junks at Naminohira, Nagasaki, Japan circa 1880s. Date: circa 1880s

Background imageNagasaki Collection: The Bund, Nagasaki, Japan, circa 1880s. Date: circa 1880s

The Bund, Nagasaki, Japan, circa 1880s. Date: circa 1880s

Background imageNagasaki Collection: Oura, Nagasaki, Japan circa 1880s. Date: circa 1880s

Oura, Nagasaki, Japan circa 1880s. Date: circa 1880s

Background imageNagasaki Collection: The island of Deshima in the bay of Nagasaki with the ships Vasco da Gama and Johanna

The island of Deshima in the bay of Nagasaki with the ships Vasco da Gama and Johanna Elisabeth, ca 1825. Found in the collection of Museum aan de Stroom

Background imageNagasaki Collection: View of the bay of Nagasaki, c. 1833. Creator: Kawahara, Keiga (1786-after 1860)

View of the bay of Nagasaki, c. 1833. Creator: Kawahara, Keiga (1786-after 1860)
View of the bay of Nagasaki, c.1833. Found in the collection of Rijksmuseum, Amsterdam

Background imageNagasaki Collection: Dutch Woman Holding a Dog, first half of the 19th century. Creator: Unknown

Dutch Woman Holding a Dog, first half of the 19th century. Creator: Unknown
Dutch Woman Holding a Dog, first half of the 19th century

Background imageNagasaki Collection: Mitsuuji in the Maruyama Pleasure District of Nagasaki (Nagasaki dejima), 3rd m

Mitsuuji in the Maruyama Pleasure District of Nagasaki (Nagasaki dejima), 3rd month, 1861

Background imageNagasaki Collection: The Catholic Church at Urakami, Nagasaki, Japan Date: circa 1910s

The Catholic Church at Urakami, Nagasaki, Japan Date: circa 1910s

Background imageNagasaki Collection: Nagasaki, japan - Mitsubishi No. 3 Dry Dock Date: circa 1910s

Nagasaki, japan - Mitsubishi No. 3 Dry Dock Date: circa 1910s
Nagasaki, japan - Mitsubishi No.3 Dry Dock Date: circa 1910s

Background imageNagasaki Collection: Nagasaki, Japan

Nagasaki, Japan

Background imageNagasaki Collection: Woman with parasol, Nagasaki, Japan, 1898. Creator: Christian Wilhelm Allers

Woman with parasol, Nagasaki, Japan, 1898. Creator: Christian Wilhelm Allers
Woman with parasol and camphor tree at the Suwa Shrine, Nagasaki, Japan, 1898. Kampfer Baum beim O Suwa Tempel. From " Rund um die Erde" [Round the Earth], written and illustrated by C. W

Background imageNagasaki Collection: Panoramic view of the city, Nagasaki, Japan, 1895. Creator: Unknown

Panoramic view of the city, Nagasaki, Japan, 1895. Creator: Unknown
Panoramic view of the city, Nagasaki, Japan, 1895. Ships in the harbour of the port city of Nagasaki at the southern end of Japan

Background imageNagasaki Collection: The island of Deshima, c. 1833-46 (silk painting)

The island of Deshima, c. 1833-46 (silk painting)
2909651 The island of Deshima, c.1833-46 (silk painting) by Kawahara Keiga (b.1786, c.1860); 51.3x75.5 cm; Rijksmuseum, Amsterdam

Background imageNagasaki Collection: Bund of Shiomisaki at Mogi, Nagasaki, Japan

Bund of Shiomisaki at Mogi, Nagasaki, Japan
Local folk fishing, swimming and relaxing at the Bund of Shiomisaki at Mogi, Nagasaki, Japan. Date: circa 1910s

Background imageNagasaki Collection: Map of Nagasaki, c1801

Map of Nagasaki, c1801
(Map of Nagasaki, c 1801 (colour woodcut)

Background imageNagasaki Collection: Bund of Nagasaki, c1910

Bund of Nagasaki, c1910. The Bund of Nagasaki, Japan

Background imageNagasaki Collection: Deshima, Nagasaki, c1890-1900

Deshima, Nagasaki, c1890-1900
52. Deshima, Nagasaki, c1890-1900

Background imageNagasaki Collection: Act of Trampling over the Images of Our Saviour & the Virgin Mary, 1765. Artist: John Hall

Act of Trampling over the Images of Our Saviour & the Virgin Mary, 1765. Artist: John Hall
Act of Trampling over the Images of Our Saviour & the Virgin Mary at the beginning of the New Year at Nagasaki, 1765. After Samuel Wale (c1721-1786)

Background imageNagasaki Collection: The Cemetery Hill at Nagasaki, Japan, before the modern expansion of the town, 1907

The Cemetery Hill at Nagasaki, Japan, before the modern expansion of the town, 1907. From Harmsworth History of the World, Volume 1, by Arthur Mee, J.A. Hammerton, & A.D. Innes, M.A

Background imageNagasaki Collection: Buddhist temple at Nagasaki, Japan, c1880

Buddhist temple at Nagasaki, Japan, c1880

Background imageNagasaki Collection: Stone torii, Suwa Temple, Nagasaki, Japan, 1904

Stone torii, Suwa Temple, Nagasaki, Japan, 1904. A torii is a traditional entrance gate to a Shinto shrine. It marks the boundary between the sacred ground of the shrine

Background imageNagasaki Collection: Coaling the Pacific mail SS Siberia, at the fortified naval station of Nagasaki, Japan, 1904

Coaling the Pacific mail SS Siberia, at the fortified naval station of Nagasaki, Japan, 1904. Stereoscopic card. Detail

Background imageNagasaki Collection: Nagasaki, Japan, 1895. Artist: Armand Kohl

Nagasaki, Japan, 1895. Artist: Armand Kohl
Nagasaki, Japan, 1895. From The Universal Geography with Illustrations and Maps, division XIV, written by Elisee Reclus and published by Virtue & Co. Limited (London, 1895)

Background imageNagasaki Collection: Looking north over vessels in the port of Nagasaki, Japan, 1904. Artist: Underwood & Underwood

Looking north over vessels in the port of Nagasaki, Japan, 1904. Artist: Underwood & Underwood
Looking north over vessels in the port of Nagasaki, Japan, 1904. Stereoscopic card. Detail. From a series called Notes of Travel

Background imageNagasaki Collection: English and Russian burial-ground, at Nagasaki, secured by treaty, November 1855, (1856)

English and Russian burial-ground, at Nagasaki, secured by treaty, November 1855, (1856). A print from The Illustrated London News, 26th January 1856

Background imageNagasaki Collection: Japanese governors house, at Nagasaki, Japan, 1855

Japanese governors house, at Nagasaki, Japan, 1855. A print from The Illustrated London News, 13th January 1855

Background imageNagasaki Collection: Osua Temple, Nagasaki, Japan, 1901. Artist: BL Singley

Osua Temple, Nagasaki, Japan, 1901. Artist: BL Singley
Osua Temple, Nagasaki, Japan, 1901. Stereoscopic card. Detail



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"Nagasaki: A Tapestry of History, Culture, and Resilience" From the iconic Headington Shark to the enchanting Dutch banquet depicted in Bankan-zu, a city that weaves together diverse elements from its past. Stepping into this vibrant city on Christmas Eve feels like entering a time capsule as we are transported back to 1797 with the mesmerizing painting "Nagasaki (Christmas Eve), from Bankan-zu. " The captivating view from Minamigama Hill circa 1890 showcases Nagasaki's breathtaking landscapes, inviting us to immerse ourselves in its natural beauty. As our gaze expands beyond Japan's shores, Johannes Vinckboons' attributed artwork reveals Cochin on the Malabar Coast of India - an intriguing connection between two distant lands. Delving further into history, Abraham Storck's depiction of Whaling Grounds in the Arctic Ocean reminds us of Nagasaki's role as a bustling port for international trade during the 17th and 18th centuries. The early 1900s capture Japan Nagasaki at a transformative phase when modernization began shaping its identity. Amidst these historical glimpses lies O-Suwa Temple - an emblematic symbol of spiritual devotion nestled within Nagasaki's heart. Its presence resonates through time as it stood near this remarkable city even during the early 1900s. Navigating through turbulent times, Nagasaki experienced immense suffering during World War II with devastating consequences etched forever in memory. The great martyrdom endured by its people serves as a testament to their resilience and unwavering spirit. Yet amidst tragedy emerged hope for peace and reconciliation. The mention of Plutonium Atomic Bomb reminds us not only of destruction but also highlights humanity's collective responsibility towards nuclear disarmament. Today, standing tall against adversity, Nagasaki thrives as a beacon of progress while cherishing its rich heritage.