Nailed Collection

Playing Darts, Worcestershire
A young boy playing darts, his board nailed to an outdoor pole, outside the Fleet (Arms?) pub, Worcestershire. Photograph by Norman Synge Waller Budd

Crucifixion'. Jesus nailed to the cross. St John 19.18, 1866 (engraving)
535420 Crucifixion'. Jesus nailed to the cross. St John 19.18, 1866 (engraving); (add.info.: Crucifixion'. Jesus nailed to the cross. St John 19.18)

Trompe l'oeil: Two bats nailed to a timber wall, knife and quill pen ("The Bat Painting"), 1738

Shoes, boots and sandals of ancient Rome. Cothurnus boot 1, rustic sandal 2, open-toe shoe 3, centurions sandal 4, spiked sandal for marching 5, nailed sandal sole 6, shoe sandal 7, emperors boot 8

Saint Luke Painting the Crucifixion, by Zurbaran
Francisco de Zurbaran (1598-1664). Spanish painter. Saint Luke Painting the Crucifixion. Prado Museum. Madrid. Spain. Date: circa 1650

Raising of the Cross, central panel, c. 1610-11 (oil on panel)
2635522 Raising of the Cross, central panel, c.1610-11 (oil on panel) by Rubens, Peter Paul (1577-1640); Onze Lieve Vrouwkerk, Antwerp Cathedral, Belgium; © Art in Flanders

Raising of the Cross, c. 1610-11 (oil on panel)
715413 Raising of the Cross, c.1610-11 (oil on panel) by Rubens, Peter Paul (1577-1640); Onze Lieve Vrouwkerk, Antwerp Cathedral, Belgium

Pieta, Parisian or Burgundian School (oil on panel)
899154 Pieta, Parisian or Burgundian School (oil on panel) by French School, (15th century); diam: 23 cm; Louvre, Paris, France; (add.info)

Lamentation over dead Christ, c. 1460-64 (oil on panel)
5310822 Lamentation over dead Christ, c. 1460-64 (oil on panel) by Weyden, Rogier van der (1399-1464); 80.6x130.1 cm; Mauritshuis, The Hague

Pieta, 1576-82 (oil on canvas)
899448 Pieta, 1576-82 (oil on canvas) by Veronese, (Paolo Caliari) (1528-88); 147x111.5 cm; State Hermitage Museum, St. Petersburg

Lamentation, 1408 (tempera on wood)
5614785 Lamentation, 1408 (tempera on wood) by Lorenzo Monaco, (Piero di Giovanni) (c.1370-1425); 68x28.5 cm; Narodni Galerie, Prague

Crucifixion (oil on canvas)
476845 Crucifixion (oil on canvas) by Sinding, Otto Ludvig (1842-1909); Sofienberg Church, Oslo, Norway; (add.info.: Sofienberg Kirke.); Photo © O. Vaering

The Crucifixion; The Last Judgment, c. 1440-41 (oil on canvas transferred from wood)
3493064 The Crucifixion; The Last Judgment, c.1440-41 (oil on canvas transferred from wood) by Eyck, Jan van (c.1390-1441); 56.5x19.7 cm; Metropolitan Museum of Art, New York, USA; Netherlandish

Pieta, 1476 (tempera on wood, gold ground)
3618003 PietA, 1476 (tempera on wood, gold ground) by Crivelli, Carlo (c.1430/35-1495); 71.1 x 63.8 cm; Metropolitan Museum of Art, New York

Jesus is nailed to the Cross (colour litho)
5226667 Jesus is nailed to the Cross (colour litho) by Fugel, Gebhard (1863-1939); Private Collection; (add.info.: Jesus is nailed to the Cross)

Station XI Jesus is Nailed to the Cross
LLM460868 Station XI Jesus is Nailed to the Cross by English School, (19th century); Private Collection; (add.info.: Station XI Jesus is Nailed to the Cross)

Crucifixion: Jesus is nailed to the cross. The eleventh Station of the Cross (chromolitho)
668801 Crucifixion: Jesus is nailed to the cross. The eleventh Station of the Cross (chromolitho) by French School, (19th century); Private Collection; (add.info.: Crucifixion)

Joseph Chamberlain, British politician, illustration for Le Rire (colour litho)
2796076 Joseph Chamberlain, British politician, illustration for Le Rire (colour litho) by French School, (20th century); Private Collection; (add.info.: Joseph Chamberlain, British politician)

Saxon Crucifix, Anglo-Saxon, c. 1000 (ivory and gold)
XCF291072 Saxon Crucifix, Anglo-Saxon, c.1000 (ivory and gold) by English School, (11th century); Victoria & Albert Museum, London, UK; English, out of copyright

Christ on the Cross with Saints Mary, John the Evangelist and Catherine of Siena, c
5242279 Christ on the Cross with Saints Mary, John the Evangelist and Catherine of Siena, c.1570 (oil on panel) by Pino, Marco (c. 1520-79); 181.6x120.7 cm; J

The Crucifixion, c. 1473-74 (tempera on poplar panel)
5895272 The Crucifixion, c.1473-74 (tempera on poplar panel) by Cossa, Francesco del (1435/6-c.1477); 60x63.2 cm; National Gallery of Art, Washington DC

The Crucifixion, c. 1440 (tempera to canvas laid on wood)
3928813 The Crucifixion, c.1440 (tempera to canvas laid on wood) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); 34 x 50.2 cm; Metropolitan Museum of Art, New York

The Isenheim Altarpiece, closed (detail of the left hand of Christ), c. 1512-16 (oil on panel)
898678 The Isenheim Altarpiece, closed (detail of the left hand of Christ), c.1512-16 (oil on panel) by Grunewald, Matthias (Mathis Nithart Gothart) (c.1480-1528); Musee d Unterlinden, Colmar

Calvary, 1649 (oil on oak wood)
3597122 Calvary, 1649 (oil on oak wood) by Flinck, Govaert (1615-60); 119x90 cm; Kunstmuseum, Basel, Switzerland; Dutch, out of copyright

The Pensive Christ and the Virgin Mary Grieving, c. 1518-20 (oil on wood)
3588542 The Pensive Christ and the Virgin Mary Grieving, c.1518-20 (oil on wood) by Holbein the Younger, Hans (1497/8-1543); each panel: 29x19.5 cm; Kunstmuseum, Basel, Switzerland; German

Proclamation of the Colony of Bay Islands
The British gained violent control of the Bay Islands from Honduras in 1838, but did little about any formalities or governance until March 1852

JESUS CRUCIFIED (BAURN)
Soldiers haul the cross on which Jesus is nailed, to get it into position. Date: circa 30

Christ Crucified between the Two Thieves: The Three Crosses
3614057 Christ Crucified between the Two Thieves: The Three Crosses, 1653 (drypoint printed on vellum) by Rembrandt Harmensz

The Crucifixion, c. 1420-23 (tempera on wood)
3928812 The Crucifixion, c.1420-23 (tempera on wood) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); 63.8 x 48.3 cm; Metropolitan Museum of Art, New York, USA; Italian

Jesus nailed to the Cross (engraving)
2787306 Jesus nailed to the Cross (engraving) by Robida, Albert (1848-1926) (after); Private Collection; (add.info.: Jesus nailed to the Cross)

Kenny Meadows: The Auctioneer (engraving)
5989588 Kenny Meadows: The Auctioneer (engraving) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: The Auctioneer)

The Slide (engraving)
3624111 The Slide (engraving) by English School, (19th century); Private Collection; (add.info.: The Slide. Illustration for Chatterbox (1867).); © Look and Learn

Saint Catherine of Siena Receiving the Stigmata, c. 1513-15 (oil and gold leaf on panel)
3545793 Saint Catherine of Siena Receiving the Stigmata, c.1513-15 (oil and gold leaf on panel) by Beccafumi, Domenico (1486-1551); 28.6x41.6 cm; J

Ms 547 fol. 21 Christ being nailed to the cross, from a Book of Hours used by a woman
473046 Ms 547 fol.21 Christ being nailed to the cross, from a Book of Hours used by a woman from Poitiers (vellum) by French School, (15th century); Bibliotheque de l Institut de France, Paris

Crucifixion, 17th century (ivory)
KAB137952 Crucifixion, 17th century (ivory) by Bezzi, Giovanni Filippo (Giambologna) (fl.1690) (attr.); Chiesa di S. Maria di Fonte Nuova, Monsummano Terme, Italy; eDario Grimaldi; Italian

The Dragons Teeth; or, Army-Seed, by E Nesbit (litho)
1593841 The Dragons Teeth; or, Army-Seed, by E Nesbit (litho) by Buckland, Arthur Herbert (1870-fl.1927); Private Collection; (add.info.: The Dragons Teeth; or, Army-Seed, by E Nesbit)

Christ Crucified with the Thieves, Saints, and a Female Donor
3959925 Christ Crucified with the Thieves, Saints, and a Female Donor, 1512 (mixed media on canvas with laminated basswood) by Baldung Grien, Hans (1484/5-1545); 138 x 140.5 cm; Kunstmuseum, Basel

The Martyrdom of St. Felicianus (fresco)
991776 The Martyrdom of St. Felicianus (fresco) by Roncalli, Cristoforo (c.1553-1626) & Tempesta, Antonio (1555-1630); Santo Stefano al Monte Celio, Rome, Italy; Italian, out of copyright

Jesus nailed to the Cross
3496480 Jesus nailed to the Cross by Campi, Vincenzo (1536-91); Museo Certosa di Pavia, Lombardy, Italy (NOT BAL Supplier); (add.info.: Certosa di Pavia, Museo, Vincenzo Campi)

Pieta, 1575-76 (oil on canvas)
6146555 Pieta, 1575-76 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); Gallerie dell Accademia, Venice, Italy; (add.info)

Crucifixion from the Isenheim Altarpiece, detail of Christs right hand, c. 1512-16 (oil on panel)
XIR254900 Crucifixion from the Isenheim Altarpiece, detail of Christs right hand, c.1512-16 (oil on panel) by Grunewald, Matthias (Mathis Nithart Gothart) (c.1480-1528); Musee d Unterlinden, Colmar

The Holy Trinity between the Lady of Sorrows and Saint Giles, c. 1513-16 (oil on wood)
5055823 The Holy Trinity between the Lady of Sorrows and Saint Giles, c.1513-16 (oil on wood) by Baldung Grien, Hans (1484/5-1545) (studio of); 60.2 x 48.6 cm; Kunstmuseum, Basel

The Crucifixion, (oil on canvas)
990239 The Crucifixion, (oil on canvas) by Zurbaran, Francisco de (1598-1664); 267x189 cm; Private Collection; (add.info.: The Crucifixion. Francisco de Zurbaran (1598-1664). Oil on canvas

Calvary, 1475-99 (oil on panel)
3709965 Calvary, 1475-99 (oil on panel) by Vergos, Pablo (d.1495); 176.8x186 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info)

The Nailing to the Cross, 1548. Creator: Augustin Hirschvogel
The Nailing to the Cross, 1548

The Crucified Christ with a Painter, c. 1650 (oil on canvas)
3247810 The Crucified Christ with a Painter, c.1650 (oil on canvas) by Zurbaran, Francisco de (1598-1664); 108x84 cm; Prado, Madrid, Spain; (add.info.: The artist is shown as Saint Luke)

The Crucifixion, c. 1380 (egg tempera & gold leaf on wood panel)
3247765 The Crucifixion, c.1380 (egg tempera & gold leaf on wood panel) by Vanni, Andrea (c.1332-c.1414); 46.9x49 cm; Corcoran Collection, National Gallery of Art, Washington D.C

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"Nailed: A Visual Journey through Time and Art" Step into the world of precision and mastery as we explore the theme of "nailed" across various artworks. From playing darts in Worcestershire to witnessing Saint Luke painting the Crucifixion by Zurbaran, this captivating journey will leave you awestruck. In ancient Rome, even their footwear was meticulously crafted. Discover the intricate details of shoes, boots, and sandals that were nailed together with utmost care. Moving forward in time, immerse yourself in Rubens' masterpiece - the Raising of the Cross - where every stroke seems perfectly nailed onto the panel. The Pieta from either Parisian or Burgundian School showcases a divine scene delicately captured on panel using oil paints. The artist's skill is evident as they nail down emotions and grief with each brushstroke. Similarly, Christ crowned with Thorns transports us back to 1500s when artists skillfully depicted suffering through meticulous panels. Marvel at Tabernacle of Cherves made from copper and champleve enamel during 1220-30; its exquisite craftsmanship truly nails our attention to its fine details. Another stunning tabernacle further emphasizes this art form's beauty as it stands tall like a testament to human ingenuity. Christ on the Cross painted between 1600-10 captures both agony and grace simultaneously through expertly applied oil on canvas technique. Meanwhile, Lamentation over dead Christ takes us back to mid-15th century where an unknown artist immortalized sorrowful moments with precise brushwork on wooden panels. Lastly, Christ Carrying the Cross beckons us closer with its vivid portrayal executed between 1577-87 using oil paints on canvas. Every step Jesus takes feels palpable thanks to skilled hands that nailed his journey onto this artwork forever. Join us for an unforgettable visual experience where artistic brilliance is truly "nailed" down throughout history.