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Naive Collection (page 3)

"Exploring the World of Naive Art

Background imageNaive Collection: Preparer Son Nid Sylvie Demers

Preparer Son Nid Sylvie Demers
Sylvie Demers

Background imageNaive Collection: Pastel Florals

Pastel Florals
Orara Studio

Background imageNaive Collection: Scandi Botanical II

Scandi Botanical II
Orara Studio

Background imageNaive Collection: Blue & Yellow Giraffe

Blue & Yellow Giraffe
Orara Studio

Background imageNaive Collection: Pastel Elephant

Pastel Elephant
Orara Studio

Background imageNaive Collection: Pastel Monkey

Pastel Monkey
Orara Studio

Background imageNaive Collection: Harnessing the atom by G. H. Davis

Harnessing the atom by G. H. Davis
The force which can move mountains: harnessing the atom to vast projects for the benefit of mankind. Showing how the use of atomic explosives could be used on ambitious engineering works

Background imageNaive Collection: Figure with removable front, Teotihuacan Culture (ceramic)

Figure with removable front, Teotihuacan Culture (ceramic)
XBP394483 Figure with removable front, Teotihuacan Culture (ceramic) by Pre-Columbian; height: 20.3 cm; American Museum of Natural History, New York, USA; Photo © Boltin Picture Library

Background imageNaive Collection: Freight train and Landscape with Cattle (pen & ink and w/c on paper)

Freight train and Landscape with Cattle (pen & ink and w/c on paper)
BRN189671 Freight train and Landscape with Cattle (pen & ink and w/c on paper) by American School; The Barnes Foundation, Philadelphia, Pennsylvania, USA

Background imageNaive Collection: Seated female figure with child (pfemba) Yombe Group, Kongo Peoples (wood, glass or mica & stain)

Seated female figure with child (pfemba) Yombe Group, Kongo Peoples (wood, glass or mica & stain)
1068138 Seated female figure with child (pfemba) Yombe Group, Kongo Peoples (wood, glass or mica & stain) by African School; 38.1x11.4x10.8 cm; Dallas Museum of Art, Texas

Background imageNaive Collection: The Lost Felice, c. 1939 (oil on canvas)

The Lost Felice, c. 1939 (oil on canvas)
3588519 The Lost Felice, c.1939 (oil on canvas) by Hartley, Marsden (1877-1943); 101.9x76.7 cm; Los Angeles County Museum of Art, CA

Background imageNaive Collection: Smithfield Sharpers, or the Countryman Defrauded, [April 10, 1787], reissued 1809-1816

Smithfield Sharpers, or the Countryman Defrauded, [April 10, 1787], reissued 1809-1816. Creator: John Keyse Sherwin
Smithfield Sharpers, or the Countryman Defrauded, [April 10, 1787], reissued 1809-1816

Background imageNaive Collection: Suffragettes House (oil on canvas)

Suffragettes House (oil on canvas)
RAV66522 Suffragettes House (oil on canvas) by Ravilious, Tirzah (nee Garwood) (1908-51); Private Collection

Background imageNaive Collection: Saint Michael, c. 1840 (water-based paint on wood panel)

Saint Michael, c. 1840 (water-based paint on wood panel)
BRN195815 Saint Michael, c. 1840 (water-based paint on wood panel) by Aragon, Jose Rafael (c.1795-1862); 26x17.5 cm; The Barnes Foundation, Philadelphia, Pennsylvania

Background imageNaive Collection: Open Your Mouth and Shut Your Eyes (Harpers Weekly), May 16, 1874. Creator: Unknown

Open Your Mouth and Shut Your Eyes (Harpers Weekly), May 16, 1874. Creator: Unknown
Open Your Mouth and Shut Your Eyes (Harpers Weekly), May 16, 1874

Background imageNaive Collection: The Rockefeller Center, New York, 1941

The Rockefeller Center, New York, 1941
MNY87950 The Rockefeller Center, New York, 1941 by Litwak, Israel (1867-1952); Museum of the City of New York, USA; © Museum of the City of New York

Background imageNaive Collection: Our Lady of Mount Carmel, c. 1749-1831 (water-based paint on wood panel)

Our Lady of Mount Carmel, c. 1749-1831 (water-based paint on wood panel)
BRN195812 Our Lady of Mount Carmel, c. 1749-1831 (water-based paint on wood panel) by Fresquis, Pedro Antonio (1749-1831); 31.8 x 24.1 cm; The Barnes Foundation, Philadelphia, Pennsylvania

Background imageNaive Collection: Weewaks Kitten, 1950

Weewaks Kitten, 1950
RAV66510 Weewaks Kitten, 1950 by Ravilious, Tirzah (nee Garwood) (1908-51); Private Collection

Background imageNaive Collection: Pure Cream Ices (collage)

Pure Cream Ices (collage)
RAV66501 Pure Cream Ices (collage) by Ravilious, Tirzah (nee Garwood) (1908-51); Private Collection

Background imageNaive Collection: Spanish Lady, 1951

Spanish Lady, 1951
RAV66517 Spanish Lady, 1951 by Ravilious, Tirzah (nee Garwood) (1908-51); Private Collection

Background imageNaive Collection: Charlottes Doll

Charlottes Doll
RAV66520 Charlottes Doll by Ravilious, Tirzah (nee Garwood) (1908-51); Private Collection

Background imageNaive Collection: English Woman (Mrs Nicholas of Copford Place, aged 96), 1950

English Woman (Mrs Nicholas of Copford Place, aged 96), 1950
RAV66515 English Woman (Mrs Nicholas of Copford Place, aged 96), 1950 by Ravilious, Tirzah (nee Garwood) (1908-51); Private Collection

Background imageNaive Collection: Asleep, 1943 (oil on canvas board)

Asleep, 1943 (oil on canvas board)
3472208 Asleep, 1943 (oil on canvas board) by Pippin, Horace (1888-1946); 22.9x30.5 cm; Metropolitan Museum of Art, New York, USA; American, out of copyright

Background imageNaive Collection: Self-Portrait II, 1944 (oil on canvas, adhered to cardboard)

Self-Portrait II, 1944 (oil on canvas, adhered to cardboard)
3472207 Self-Portrait II, 1944 (oil on canvas, adhered to cardboard) by Pippin, Horace (1888-1946); 21.6x16.5 cm; Metropolitan Museum of Art, New York, USA; American, out of copyright

Background imageNaive Collection: Victorian Interior I, 1945 (oil on canvas)

Victorian Interior I, 1945 (oil on canvas)
3472204 Victorian Interior I, 1945 (oil on canvas) by Pippin, Horace (1888-1946); 50.8x61 cm; Metropolitan Museum of Art, New York, USA; American, out of copyright

Background imageNaive Collection: Portrait of a Man, c. 1845 (oil on canvas)

Portrait of a Man, c. 1845 (oil on canvas)
746452 Portrait of a Man, c.1845 (oil on canvas) by Skynner, Thomas (fl.1840-50); 76.4x61.2 cm; National Gallery of Art, Washington DC, USA; American, out of copyright

Background imageNaive Collection: The Falls, 1935 (w / c)

The Falls, 1935 (w / c)
6198094 The Falls, 1935 (w/c) by Cadzow, James (1881-1941); 27.9x38.1 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums

Background imageNaive Collection: Chairs, 1946 (oil on canvas)

Chairs, 1946 (oil on canvas)
3472203 Chairs, 1946 (oil on canvas) by Pippin, Horace (1888-1946); 22.9x27.9 cm; Metropolitan Museum of Art, New York, USA; American, out of copyright

Background imageNaive Collection: The Tent

The Tent
RAV66525 The Tent by Ravilious, Tirzah (nee Garwood) (1908-51); Private Collection

Background imageNaive Collection: Prehistoric Encounter

Prehistoric Encounter
RAV66512 Prehistoric Encounter by Ravilious, Tirzah (nee Garwood) (1908-51); Private Collection

Background imageNaive Collection: The Cock (after G. N. Whitehead, 1882), 1944

The Cock (after G. N. Whitehead, 1882), 1944
RAV66491 The Cock (after G. N. Whitehead, 1882), 1944 by Ravilious, Tirzah (nee Garwood) (1908-51); Private Collection

Background imageNaive Collection: Madonna and Child 1 - feet crossed, 1909-10 (portland stone)

Madonna and Child 1 - feet crossed, 1909-10 (portland stone)
LMG109242 Madonna and Child 1 - feet crossed, 1909-10 (portland stone) by Gill, Eric (1882-1940); 62.2x20.3x17.1 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; Leeds Museums and Galleries

Background imageNaive Collection: Madonna wearing a red gown, c. 1820 (water-based paint on wood panel)

Madonna wearing a red gown, c. 1820 (water-based paint on wood panel)
BRN195822 Madonna wearing a red gown, c. 1820 (water-based paint on wood panel) by Fresquis, Pedro Antonio (1749-1831); 21.6 x 13.3 cm; The Barnes Foundation, Philadelphia, Pennsylvania

Background imageNaive Collection: Saint Rita of Cascia, c. 1815 (water-based paint on wood panel)

Saint Rita of Cascia, c. 1815 (water-based paint on wood panel)
BRN195824 Saint Rita of Cascia, c.1815 (water-based paint on wood panel) by Fresquis, Pedro Antonio (1749-1831); 24.8 x 16.5 cm; The Barnes Foundation, Philadelphia, Pennsylvania

Background imageNaive Collection: Archangel Saint Michael, c. 1810 (water-based paint on wood panel)

Archangel Saint Michael, c. 1810 (water-based paint on wood panel)
BRN195811 Archangel Saint Michael, c. 1810 (water-based paint on wood panel) by Fresquis, Pedro Antonio (1749-1831); 29.2 x 21.6 cm; The Barnes Foundation, Philadelphia, Pennsylvania

Background imageNaive Collection: Wither will you wander?

Wither will you wander?
RAV66518 Wither will you wander? by Ravilious, Tirzah (nee Garwood) (1908-51); Private Collection

Background imageNaive Collection: The Old Soldier, 1947

The Old Soldier, 1947
RAV66496 The Old Soldier, 1947 by Ravilious, Tirzah (nee Garwood) (1908-51); Private Collection

Background imageNaive Collection: Nativity, 1909 (limestone)

Nativity, 1909 (limestone)
3700904 Nativity, 1909 (limestone) by Gill, Eric (1882-1940); 15x15.5 cm; Wolseley Fine Arts, London, UK; (add.info.: This piece was apparently designed by Eric Gills daughter, Joanna)

Background imageNaive Collection: At The Beach, 1919

At The Beach, 1919
CH203888 At The Beach, 1919 by Kuhn, Walt (1880-1949); Private Collection; Photo © Christies Images; American, out of copyright

Background imageNaive Collection: Semi-detached Villas (collage)

Semi-detached Villas (collage)
RAV66500 Semi-detached Villas (collage) by Ravilious, Tirzah (nee Garwood) (1908-51); Private Collection

Background imageNaive Collection: Giving Thanks, c. 1942 (oil on panel)

Giving Thanks, c. 1942 (oil on panel)
BRN195085 Giving Thanks, c.1942 (oil on panel) by Pippin, Horace (1888-1946); The Barnes Foundation, Philadelphia, Pennsylvania, USA; © Barnes Foundation; American, out of copyright

Background imageNaive Collection: Family Supper, 1946 (oil on canvas)

Family Supper, 1946 (oil on canvas)
3472205 Family Supper, 1946 (oil on canvas) by Pippin, Horace (1888-1946); 45.7x55.9 cm; Metropolitan Museum of Art, New York, USA; American, out of copyright

Background imageNaive Collection: Victorian Interior II, 1945 (oil on canvas)

Victorian Interior II, 1945 (oil on canvas)
3472202 Victorian Interior II, 1945 (oil on canvas) by Pippin, Horace (1888-1946); 64.1x76.2 cm; Metropolitan Museum of Art, New York, USA; American, out of copyright

Background imageNaive Collection: Biot, c. 1925 (oil on canvas)

Biot, c. 1925 (oil on canvas)
BAL23987 Biot, c.1925 (oil on canvas) by Wadsworth, Edward Alexander (1889-1949); Mayor Gallery, London, UK

Background imageNaive Collection: Tea Caddy, Delft, c. 1700. Creators: De Metaale Pot, Delftware, Lambertus van Eenhoorn

Tea Caddy, Delft, c. 1700. Creators: De Metaale Pot, Delftware, Lambertus van Eenhoorn
Tea Caddy, Delft, c. 1700

Background imageNaive Collection: Young woman with a butterfly, c. 1710 (oil on canvas)

Young woman with a butterfly, c. 1710 (oil on canvas)
1765344 Young woman with a butterfly, c.1710 (oil on canvas) by American School, (18th century); 137.3x104.6 cm; National Gallery of Art, Washington DC, USA; American, out of copyright



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"Exploring the World of Naive Art: From Haiti to Brazil and Beyond" Immerse yourself in the vibrant world art as we take you on a journey through various captivating scenes. Starting in Santo Domingo, Dominican Republic, discover the enchanting Naive Haitian painting that beautifully captures the essence of Caribbean culture. Traveling across continents, we find ourselves in St Ives, Cornwall, where Alfred Wallis' Cottage stands as a testament to his unique artistic style. The simplicity and charm of this piece transport us to a tranquil seaside village. Venturing further into Haiti's bustling capital city, Port-au-Prince, we witness a lively market scene depicted with vivid colors and intricate details. This Haitian masterpiece showcases the raw energy and spirit of its people. Next up is an enchanting circus scene illustrated by Gérard Laplau. With whimsical characters and dazzling performances, this artwork transports us back to childhood wonderment and joy. Our journey then takes us to Salvador in Brazil where naive art flourishes. Here we encounter stunning paintings that depict everyday life with a touch of magic realism - truly capturing the soulful essence of South America. As night falls along Walton-on-Thames towpath, an oil on canvas painting evokes tranquility amidst nature's beauty. The serene ambiance invites contemplation as moonlight dances upon calm waters. Returning once more to Haiti, we are greeted by captivating portraits showcasing women painted with naivety yet profound emotion. These pieces from private collections offer glimpses into personal stories told through brushstrokes. Innocence knows no bounds as we witness a little boy engrossed in play with his model plane - reminding us all to embrace our inner childlike curiosity and imagination. Nature reveals its elegance through an exquisite portrayal of a grey heron captured gracefully within its habitat. This artwork reminds us to appreciate the delicate balance between man and wildlife coexisting harmoniously.