Native American Indian Collection

Old Bear medicine man of the Mandan Tribe, from a painting of 1832
PNP245949 Old Bear medicine man of the Mandan Tribe, from a painting of 1832 (colour litho) by Catlin, George (1796-1872) (after); Private Collection; Peter Newark American Pictures; American

An Eskimo muskrat hunter paddling through the marsh, Kotzebue, Alaska, c. 1929 (b/w photo)
7315335 An Eskimo muskrat hunter paddling through the marsh, Kotzebue, Alaska, c.1929 (b/w photo) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info)

Liberty Triumphant, or the Downfall of Oppression, 1773 (engraving)
AQS331983 Liberty Triumphant, or the Downfall of Oppression, 1773 (engraving) by American School, (18th century); 23.2x33.7 cm; American Antiquarian Society, Worcester, Massachusetts

Mih-Tutta-Hankush, a Mandan Village, plate 16 from Volume 2 of
STC101393 Mih-Tutta-Hankush, a Mandan Village, plate 16 from Volume 2 of Travels in the Interior of North America, engraved by Friedrich Salathe (1793-1858) 1844 (aquatint) by Bodmer

A Skin Lodge of an Assiniboin Chief, plate 16 from Volume 1 of
STC101375 A Skin Lodge of an Assiniboin Chief, plate 16 from Volume 1 of Travels in the Interior of North America, engraved by Friedrich Salathe (1793-1858) and J

Tombs of Assiniboin Indians on Trees, plate 30 from volume 2 of
AHE60172 Tombs of Assiniboin Indians on Trees, plate 30 from volume 2 of Travels in the Interior of North America, 1832-34, engraved by Augustin-Raymond Aubert (1781-1857) 1844 (aquatint) by Bodmer

Korvack pipe with carved Polar Bears (ivory)
XBP229257 Korvack pipe with carved Polar Bears (ivory) by Siberian School; length: 10.8 cm; Private Collection; Photo eBoltin Picture Library; out of copyright

Cherokee Alphabet, from Pendeltons Lithography, 1835 (engraving)
BAL124537 Cherokee Alphabet, from Pendeltons Lithography, 1835 (engraving) (b&w photo) by American School, (19th century); Private Collection; American, out of copyright

Tarascos Indians, inhabitants of the state of Michoacan. Mexico, 19th century, Chromolithography
AIS5388724 Tarascos Indians, inhabitants of the state of Michoacan. Mexico, 19th century, Chromolithography.

Unidentified Seminole 1831 (Oil on canvas)
8766613 Unidentified Seminole 1831 (Oil on canvas) by Inman, Henry (1801-46); 98.4x85.7 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art .

Timpoochee Barnard (Creek) 1831 (Oil on canvas)
8766612 Timpoochee Barnard (Creek) 1831 (Oil on canvas) by Inman, Henry (1801-46); 98.4x85.7 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art .

'Fort Rupert, Beaver Harbour, Vancouver's Island, July 23rd 1851 [Canada]', 1851 (watercolour)
7295636 'Fort Rupert, Beaver Harbour, Vancouver's Island, July 23rd 1851 [Canada]', 1851 (watercolour) by Fanshawe

A doll made in Quebec, Canada from a corn husk and leaves. Iroquois culture., 1827 (corn husk, cotton, wool)
7295423 A doll made in Quebec, Canada from a corn husk and leaves. Iroquois culture., 1827 (corn husk, cotton, wool, glass beads, deer skin); 4x27x12 cm; National Maritime Museum, London

George Catlin's North American Indian Portfolio
7301606 George Catlin's North American Indian Portfolio; Private Collection; (add.info.: Attacking the Grizzly Bear. Mounted Indians attack a bear with lances and an axe)

Captain Nathaniel Portlock (1747?-1817), c.1788 (oil on canvas)
7338023 Captain Nathaniel Portlock (1747?-1817), c.1788 (oil on canvas) by British School, (18th Century); 76.2x63.5 cm; National Maritime Museum, London

Osage tribe members in France. (print)
7419893 Osage tribe members in France. (print); (add.info.: In 1827 six members of the Osage tribe journeyed to France. The three shown in this 1827 print by L)

North America Red skin Indian, 1861 (engraving)
6947879 North America Red skin Indian, 1861 (engraving); Private Collection; (add.info.: North America Red skin Indian. Human races)

Indian Mother and Baby, (oil on canvas laid on masonite)
650693 Indian Mother and Baby, (oil on canvas laid on masonite) by Sharp, Joseph Henry (1859-1953); 61x51 cm; Private Collection; (add.info.: Indian Mother and Baby. Joseph Henry Sharp (1859-1953)

Indian with Drum, (oil on canvas)
985105 Indian with Drum, (oil on canvas) by Sharp, Joseph Henry (1859-1953); 40.7x51 cm; Private Collection; (add.info.: Indian with Drum. Joseph Henry Sharp (1859-1953). Oil on canvas

The Spanish in America burning an Indian village (litho)
PNP344509 The Spanish in America burning an Indian village (litho) by American School; Private Collection; Peter Newark American Pictures.

Basket, before 1832 (plant fibre)
PEM216332 Basket, before 1832 (plant fibre) by American School, (19th century); length: 35 cm; Peabody Essex Museum, Salem, Massachusetts, USA; (add.info.: possibly Twana tribe (North West Coast);).

War Shirt, 1830-40 (deer hide, ermine tails, glass pony beads, hair, porcupine quills, and trade cloth)
5862026 War Shirt, 1830-40 (deer hide, ermine tails, glass pony beads, hair, porcupine quills, and trade cloth) by Native American, (19th century); The Art Institute of Chicago, IL

Hunter and Indian Guide, 1869 (oil on canvas)
XOS5882164 Hunter and Indian Guide, 1869 (oil on canvas) by Woodhouse, C.L. (19th century); 64.5x78.1 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by C. L. Woodhouse).

Sioux warriors in flight (engraving)
8631225 Sioux warriors in flight (engraving) by Feller, Frank (1848-1908) (after); Private Collection; (add.info.: Sioux warriors in flight during a Native American uprising)

Illustration for Hiawatha by Longfellow (colour litho)
8648516 Illustration for Hiawatha by Longfellow (colour litho) by Kirk, Maria Louise (1860-1938); Private Collection; (add.info.: " 'Take my bait, O King of Fishes)

Illustration for Hiawatha by Longfellow (colour litho)
8648514 Illustration for Hiawatha by Longfellow (colour litho) by Kirk, Maria Louise (1860-1938); Private Collection; (add.info)

Illustration for Hiawatha by Longfellow (colour litho)
8648511 Illustration for Hiawatha by Longfellow (colour litho) by Kirk, Maria Louise (1860-1938); Private Collection; (add.info.: "Westward, westward)

Illustration for Hiawatha by Longfellow (colour litho)
8648509 Illustration for Hiawatha by Longfellow (colour litho) by Kirk, Maria Louise (1860-1938); Private Collection; (add.info)

Gold prospectors, New Granada, Colombia (litho)
8663750 Gold prospectors, New Granada, Colombia (litho) by French School, (19th century) (after); Private Collection; (add.info.: Gold prospectors, New Granada, Colombia)

Coffee, tea and cocoa (engraving)
8663837 Coffee, tea and cocoa (engraving) by French School, (17th century) (after); Private Collection; (add.info.: Coffee, tea and cocoa and their countries of origin)

Initiation Rites of young warriors of the Mandan tribe, 1850
3479503 Initiation Rites of young warriors of the Mandan tribe, 1850; (add.info.: Initiation Rites of young warriors of the Mandan tribe Ohio and Mississippi)

Couplets in indigenous Copan language of Indians in Guatemala. 1540's (manuscript)
3521796 Couplets in indigenous Copan language of Indians in Guatemala. 1540's (manuscript); (add.info.: Couplets in indigenous Copan language of Indians in Guatemala. 1540's)

hilkat woman weaving blanket, Alaska 1910 (photo)
682811 hilkat woman weaving blanket, Alaska 1910 (photo); (add.info.: The pattern, a painted board, was designed by the men and represented clan or lineage crests)

Coosa-Tustunnuggee (Creek) 1831 (Oil on canvas)
8766623 Coosa-Tustunnuggee (Creek) 1831 (Oil on canvas) by Inman, Henry (1801-46); 98.4x85.7 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art .

Push-Ma-Ta-Ha (Choctaw) 1831 (Oil on canvas)
8766610 Push-Ma-Ta-Ha (Choctaw) 1831 (Oil on canvas) by Inman, Henry (1801-46); 98.4x85.7 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art .

Yaha Hajo, Mad Wolf (Creek) 1836 (Oil on canvas)
8766605 Yaha Hajo, Mad Wolf (Creek) 1836 (Oil on canvas) by Inman, Henry (1801-46); 98.4x85.7 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art .

Encampment of Native Americans, a family seated near a teepee, 19th century (engraving)
AIS5336606 Encampment of Native Americans, a family seated near a teepee, 19th century (engraving); (add.info.: A family settled near a teepee)

Cherokkee indian warrior, 1861 (engraving)
6947878 Cherokkee indian warrior, 1861 (engraving); Private Collection; (add.info.: Cherokkee indian warrior. North America.Human races.From the artwork by Chenu " Encyclopedie d' Histoire)

Native indian from California, 1861 (engraving)
6947875 Native indian from California, 1861 (engraving); Private Collection; (add.info.: Native indian from California.Human races. Artwork " Encyclopedie d' Histoire Naturelle by Chenu)

Vincent de Valverde, and the Inca emperor Atahualpa, 1880 (engraving)
7241695 Vincent de Valverde, and the Inca emperor Atahualpa, 1880 (engraving); Private Collection; (add.info.: Spanish Dominican and missionary Vincent de Valverde (1498-1541)

Clay balls, c.1910 (print)
7293346 Clay balls, c.1910 (print); (add.info.: Food and beverage. Indian people of South America (Otomanguean people?) eating cooked clay from the Orinoco river

'Indians at Fort Rupert, Vancouver's Island, July 1851 [Canada]', 1851 (watercolour)
7295633 'Indians at Fort Rupert, Vancouver's Island, July 1851 [Canada]', 1851 (watercolour) by Fanshawe, Admiral Sir Edward Gennys (1814-1906); 12.6x17.8 cm; National Maritime Museum

A view of the Indians of Terra del Fuego in their hut (without title), 1760-69 (engraving & etching)
7295777 A view of the Indians of Terra del Fuego in their hut (without title), 1760-69 (engraving & etching) by Bartolozzi, Francesco (1727-1815); 23.6x30.5 cm; National Maritime Museum, London

Image series Conquest of Mexico, The Night of Affliction, 1 July 1520, Liebig painting
7277895 Image series Conquest of Mexico, The Night of Affliction, 1 July 1520, Liebig painting; Private Collection; (add.info.: Image series Conquest of Mexico, The Night of Affliction, 1 July 1520)

Zapotec Indians converting to Christianity, Mexico, 16th century (woodcut)
3521794 Zapotec Indians converting to Christianity, Mexico, 16th century (woodcut); (add.info.: Spanish woodcut); Universal History Archive/UIG.

Native american shaman, c.1850 (illustration)
8698416 Native american shaman, c.1850 (illustration) by Eastman, Seth (1808-1875); (add.info.: Paranormal. Native american shaman)

William Penn, c.1820 (engraving)
8698407 William Penn, c.1820 (engraving) by Italian School, (19th century); (add.info.: History. USA. The quaker William Penn with native americans, Pennsylvania)

Portrait of an Osage Chief. (print)
7419895 Portrait of an Osage Chief. (print); (add.info.: Portrait of an Osage Chief. After a print published in 1838.); Photo © Ken Welsh. All rights reserved 2024.

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"Preserving the Rich Heritage: A Glimpse into Native American Indian Culture" Step back in time and immerse yourself in the captivating world of Native American Indians. From the frozen marshes of Kotzebue, Alaska to the vibrant villages of Mandan, Assiniboin, and Cherokee tribes, their diverse traditions and customs paint a vivid picture of a resilient people. In an enchanting black-and-white photograph captured around 1929, we witness an Eskimo muskrat hunter gracefully paddling through the marshes. This image transports us to a simpler era when nature provided sustenance for survival. The power of art is evident in engravings such as "Liberty Triumphant, " depicting the downfall of oppression in 1773. It serves as a reminder that even during times of struggle, hope can prevail. Mih-Tutta-Hankush unveils the intricate beauty found within a Mandan village. Plate 16 from Volume 2 takes us on a visual journey where communal living harmoniously coexists with nature's bounty. As we explore further, plate 30 from volume 2 reveals tombs adorned by Assiniboin Indians on trees – an intriguing glimpse into their spiritual beliefs surrounding life after death. Moving eastward, we encounter an Assiniboin Chief's skin lodge depicted in plate 16 from Volume The craftsmanship displayed here showcases their resourcefulness and adaptability to harsh environments. Delving deeper into Native American artistry, we discover Korvack pipe intricately carved with polar bears using ivory – symbolizing strength and resilience against icy landscapes. Language plays a crucial role in preserving culture; thus, Pendleton's Lithography presents us with the Cherokee Alphabet from1835. This engraving represents efforts made to safeguard indigenous languages amidst external pressures. Waldeck's original artwork offers invaluable insights into Mesoamerican civilizations through prints contained within numerous boxes.