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Negative Concept Collection (page 7)

"Exploring the Dark Side: A Journey through Negative Concepts in Art" Step into a world where art delves into the depths of negativity

Background imageNegative Concept Collection: Lands End - New Jersey Coast, 1887 (oil on canvas)

Lands End - New Jersey Coast, 1887 (oil on canvas)
985472 Lands End - New Jersey Coast, 1887 (oil on canvas) by Richards, William Trost (1833-1905); 48.3x81.4 cm; Private Collection; (add.info.: Lands End - New Jersey Coast)

Background imageNegative Concept Collection: Indians Experiencing a Lunar Eclipse, c. 1848-50 (oil on canvas)

Indians Experiencing a Lunar Eclipse, c. 1848-50 (oil on canvas)
985469 Indians Experiencing a Lunar Eclipse, c.1848-50 (oil on canvas) by Rimmer, William (1816-79); 66.7x91.4 cm; Private Collection; (add.info.: Indians Experiencing a Lunar Eclipse)

Background imageNegative Concept Collection: A Spring Idyll, 1901 (oil on canvas)

A Spring Idyll, 1901 (oil on canvas)
985380 A Spring Idyll, 1901 (oil on canvas) by Boughton, George Henry (1833-1905); 51x76.3 cm; Private Collection; (add.info.: A Spring Idyll. George Henry Boughton (1833-1905). Oil on canvas

Background imageNegative Concept Collection: Storm Among the Alps, c. 1856 (oil on canvas)

Storm Among the Alps, c. 1856 (oil on canvas)
985358 Storm Among the Alps, c.1856 (oil on canvas) by Bierstadt, Albert (1830-1902); 73x50.8 cm; Private Collection; (add.info.: Storm Among the Alps. Albert Bierstadt (1830-1902). Oil on canvas

Background imageNegative Concept Collection: Girl Reading Under an Oak Tree, 1879 (oil on canvas)

Girl Reading Under an Oak Tree, 1879 (oil on canvas)
985216 Girl Reading Under an Oak Tree, 1879 (oil on canvas) by Homer, Winslow (1836-1910); 39.4x57.2 cm; Private Collection; (add.info.: Girl Reading Under an Oak Tree. Winslow Homer (1836-1910)

Background imageNegative Concept Collection: At the Piano, (oil on canvas)

At the Piano, (oil on canvas)
985073 At the Piano, (oil on canvas) by Weir, Julian Alden (1852-1919); 120x99.5 cm; Private Collection; (add.info.: At the Piano. Julian Alden Weir (1852-1919). Oil on canvas

Background imageNegative Concept Collection: The Pink Rose, 1910 (oil on canvas)

The Pink Rose, 1910 (oil on canvas)
984921 The Pink Rose, 1910 (oil on canvas) by Perry, Lilla Cabot (1848-1933); 102.4x76.3 cm; Private Collection; (add.info.: The Pink Rose. Lilla Cabot Perry (1848-1933). Oil on canvas

Background imageNegative Concept Collection: The Sky and the Ocean, 1913 (oil on canvas)

The Sky and the Ocean, 1913 (oil on canvas)
984903 The Sky and the Ocean, 1913 (oil on canvas) by Carlsen, Emil (1853-1932); 127x178 cm; Private Collection; (add.info.: The Sky and the Ocean. Soren Emil Carlsen (1853-1932). Oil on canvas

Background imageNegative Concept Collection: Young Hunter by a Stream (oil on canvas)

Young Hunter by a Stream (oil on canvas)
984825 Young Hunter by a Stream (oil on canvas) by Couse, Eanger Irving (1866-1936); 61x73.7 cm; Private Collection; Photo eChristies Images; American, out of copyright

Background imageNegative Concept Collection: Bonaparte in Egypt, 21st July, 1798, 1911 (oil on canvas)

Bonaparte in Egypt, 21st July, 1798, 1911 (oil on canvas)
991620 Bonaparte in Egypt, 21st July, 1798, 1911 (oil on canvas) by Woodville, Richard Caton II (1856-1927); 96.5x122 cm; Private Collection; (add.info.: Bonaparte in Egypt, 21st July, 1798)

Background imageNegative Concept Collection: Petrogale Xanthopus (yellow-footed rock-wallaby), 1845-1863 (hand-coloured lithograph)

Petrogale Xanthopus (yellow-footed rock-wallaby), 1845-1863 (hand-coloured lithograph)
991244 Petrogale Xanthopus (yellow-footed rock-wallaby), 1845-1863 (hand-coloured lithograph) by English School, (19th century); 56.3x38.7 cm; Private Collection; (add.info)

Background imageNegative Concept Collection: Woman in a Plaid Dress, 1916 (oil on canvas)

Woman in a Plaid Dress, 1916 (oil on canvas)
990683 Woman in a Plaid Dress, 1916 (oil on canvas) by Modigliani, Amedeo (1884-1920); 92x60 cm; Private Collection; (add.info.: Woman in a Plaid Dress; Femme en Robe Ecossaise)

Background imageNegative Concept Collection: Saint Francis kneeling in Meditation, (oil on canvas)

Saint Francis kneeling in Meditation, (oil on canvas)
990403 Saint Francis kneeling in Meditation, (oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614); 76x63.5 cm; Private Collection; (add.info.: Saint Francis kneeling in Meditation)

Background imageNegative Concept Collection: Fabio Albergati received by Philip II of Spain, while an Artist Secrectly Executes his

Fabio Albergati received by Philip II of Spain, while an Artist Secrectly Executes his
990360 Fabio Albergati received by Philip II of Spain, while an Artist Secrectly Executes his Portrait on the Kings Instructions (oil on canvas) by Burrini or Burino

Background imageNegative Concept Collection: Calvary (oil on canvas)

Calvary (oil on canvas)
990348 Calvary (oil on canvas) by The Master of the Death of Saint Nicholas of Munster (fl.1450-1500); 129x200 cm; Private Collection; (add.info.: Calvary)

Background imageNegative Concept Collection: Ecce Homo, (oil on panel)

Ecce Homo, (oil on panel)
990333 Ecce Homo, (oil on panel) by Coxie or Coxcie, Michiel I (1499-1592); 68x87.6 cm; Private Collection; (add.info.: Ecce Homo. Attributed to Michiel Coxie I (1499-1592). Oil on panel

Background imageNegative Concept Collection: Sunflower; Sonnenblume, (watercolour on paper)

Sunflower; Sonnenblume, (watercolour on paper)
826015 Sunflower; Sonnenblume, (watercolour on paper) by Rohlfs, Christian (1849-1938); 72x52 cm; Private Collection; (add.info.: Sunflower; Sonnenblume. Christian Rohlfs (1849-1938)

Background imageNegative Concept Collection: Faraway Thoughts, (oil on canvas)

Faraway Thoughts, (oil on canvas)
824488 Faraway Thoughts, (oil on canvas) by Harlamoff, Alexei Alexevich (1842-1922); 47x36.2 cm; Private Collection; (add.info.: Faraway Thoughts. Alexei Alexevich Harlamoff (1842-1922)

Background imageNegative Concept Collection: Lead, Kindly Light, amid the Encircling Gloom, lead thou me on

Lead, Kindly Light, amid the Encircling Gloom, lead thou me on
659901 Lead, Kindly Light, amid the Encircling Gloom, lead thou me on!...and with the Morn those Angel Faces Smile, which I Have Loved Long Since, and Lost Awhile, 1894 (oil on board) by Paton

Background imageNegative Concept Collection: The Broken Chord, (oil on canvas)

The Broken Chord, (oil on canvas)
659790 The Broken Chord, (oil on canvas) by Breakspeare, William A. (1855-1914); 41.9x62.5 cm; Private Collection; (add.info.: The Broken Chord. William A. Breakspeare (1855-1914). Oil on canvas

Background imageNegative Concept Collection: The Deserter, 1884 (pencil and watercolour with scratching out)

The Deserter, 1884 (pencil and watercolour with scratching out)
659730 The Deserter, 1884 (pencil and watercolour with scratching out) by Gregory, Charles (1810-96); 71.1x107 cm; Private Collection; (add.info.: The Deserter. Charles Gregory (1849-1920)

Background imageNegative Concept Collection: Sledging on a Frozen Pond, (oil on canvas)

Sledging on a Frozen Pond, (oil on canvas)
659627 Sledging on a Frozen Pond, (oil on canvas) by Monsted, Peder (1859-1941); 40.7x61.7 cm; Private Collection; (add.info.: Sledging on a Frozen Pond. Peder Monsted (1859-1941). Oil on canvas

Background imageNegative Concept Collection: Seated Woman with Flowers; Femme Assise aux Fleurs, (oil on canvas)

Seated Woman with Flowers; Femme Assise aux Fleurs, (oil on canvas)
657767 Seated Woman with Flowers; Femme Assise aux Fleurs, (oil on canvas) by O Conor, Roderic (1860-1940); Private Collection; (add.info.: Seated Woman with Flowers; Femme Assise aux Fleurs)

Background imageNegative Concept Collection: Portrait of Nancy Oswald Smith, seated half length, in a Red fur-lined coat

Portrait of Nancy Oswald Smith, seated half length, in a Red fur-lined coat
657714 Portrait of Nancy Oswald Smith, seated half length, in a Red fur-lined coat, 1915 (oil on canvas) by Orpen, William (1878-1931); Private Collection; (add.info.: Portrait of Nancy Oswald Smith)

Background imageNegative Concept Collection: Three Muses, (oil on canvas)

Three Muses, (oil on canvas)
657328 Three Muses, (oil on canvas) by Philpot, Glyn Warren (1884-1937); 75.5x48 cm; Private Collection; (add.info.: Three Muses. Glyn Warren Philpot (1884-1937). Oil on canvas

Background imageNegative Concept Collection: Idle Moments, (watercolour)

Idle Moments, (watercolour)
656964 Idle Moments, (watercolour) by Forbes, Elizabeth Adela Stanhope (1859-1912); Private Collection; (add.info.: Idle Moments. Elizabeth Adela Stanhope Forbes (1859-1912). Watercolour

Background imageNegative Concept Collection: First World War 1918, 1918 (oil on canvas)

First World War 1918, 1918 (oil on canvas)
656948 First World War 1918, 1918 (oil on canvas) by Hughes-Stanton, Herbert (1870-1937); 147.5x198 cm; Private Collection; (add.info.: First World War 1918. Sir Herbert Hughes-Stanton (1870-1937)

Background imageNegative Concept Collection: The Temptation of Saint Anthony; La Tentation de St, c. 1874 (oil on canvas)

The Temptation of Saint Anthony; La Tentation de St, c. 1874 (oil on canvas)
656822 The Temptation of Saint Anthony; La Tentation de St, c.1874 (oil on canvas) by Cezanne, Paul (1839-1906); 34.1x33.4 cm; Private Collection; (add.info)

Background imageNegative Concept Collection: Lever des Ouvrieres en Linge, (w / c heightened with white on paper)

Lever des Ouvrieres en Linge, (w / c heightened with white on paper)
659256 Lever des Ouvrieres en Linge, (w/c heightened with white on paper) by Bosio, Jean Francois (1764-1827); 24.5x32.8 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageNegative Concept Collection: A Nude Youth Sprawled on His Back, upon a Bank, Lying on a Standard

A Nude Youth Sprawled on His Back, upon a Bank, Lying on a Standard
659227 A Nude Youth Sprawled on His Back, upon a Bank, Lying on a Standard, (black and white chalk on grey paper) by Piazzetta

Background imageNegative Concept Collection: Grapes, Peaches, Plums and Nuts on a Draped Table, (oil on canvas)

Grapes, Peaches, Plums and Nuts on a Draped Table, (oil on canvas)
658886 Grapes, Peaches, Plums and Nuts on a Draped Table, (oil on canvas) by Preyer, Emilie (1849-1930); 21x28 cm; Private Collection; (add.info.: Grapes, Peaches, Plums and Nuts on a Draped Table)

Background imageNegative Concept Collection: Arab Warriors Advancing, 1855 (black chalk and watercolour)

Arab Warriors Advancing, 1855 (black chalk and watercolour)
outdoor, nineteenth century, foot, men only, time of day, bare feet, feet, large group of people, movement, 1850s, enemies, negative concept, man, middle eastern, mature man, men, fine art

Background imageNegative Concept Collection: Ophelia, (oil on canvas)

Ophelia, (oil on canvas)
658862 Ophelia, (oil on canvas) by Stevens, Alfred Emile (1823-1906); 128x99 cm; Private Collection; (add.info.: Ophelia. Alfred Stevens (1823-1906). Oil on canvas

Background imageNegative Concept Collection: Scene in the Tent of Edward The Black Prince after the Battle of Poitiers

Scene in the Tent of Edward The Black Prince after the Battle of Poitiers
658318 Scene in the Tent of Edward The Black Prince after the Battle of Poitiers: He Treated King John like an Honoured Guest, When at the Feast He Sate, For with Reverend Air and Forehead Bare

Background imageNegative Concept Collection: Portrait of a Lady, Three-Quarter Length, Wearing a Black and Green Dress, Holding a Fan

Portrait of a Lady, Three-Quarter Length, Wearing a Black and Green Dress, Holding a Fan
659380 Portrait of a Lady, Three-Quarter Length, Wearing a Black and Green Dress, Holding a Fan, on a Portico, (oil on canvas) by Bol

Background imageNegative Concept Collection: Christ at the Tomb, (tempera on gold ground panel)

Christ at the Tomb, (tempera on gold ground panel)
659340 Christ at the Tomb, (tempera on gold ground panel) by Giovanni di Paolo di Grazia (1403-82); 14.8x10.4 cm; Private Collection; (add.info.: Christ at the Tomb. Giovanni di Paolo di Grazia (ca)

Background imageNegative Concept Collection: The Art Lesson, 1870 (watercolour heightened with white)

The Art Lesson, 1870 (watercolour heightened with white)
658725 The Art Lesson, 1870 (watercolour heightened with white) by Trautschold, Carl Friedrich Wilhelm (1815-77); 35x50.8 cm; Private Collection; (add.info.: The Art Lesson)

Background imageNegative Concept Collection: Removing the Thorn, (oil on canvas)

Removing the Thorn, (oil on canvas)
658316 Removing the Thorn, (oil on canvas) by Lejeune, Henry (1819-1904); 35.5x27.3 cm; Private Collection; (add.info.: Removing the Thorn. Henry Lejeune (1820-1904). Oil on canvas

Background imageNegative Concept Collection: The End of the 45, 1878

The End of the 45, 1878
658258 The End of the 45, 1878 () by Hole, William Brassey (1846-1917); 86.3x125.1 cm; Private Collection; (add.info.: The End of the 45. William Brassey Hole (1846-1917). Oil on canvas

Background imageNegative Concept Collection: A Shepherdess and her Flock, 1878-9 (oil on canvas)

A Shepherdess and her Flock, 1878-9 (oil on canvas)
658242 A Shepherdess and her Flock, 1878-9 (oil on canvas) by Swan, John Macallan (1847-1910); 64.1x99 cm; Private Collection; (add.info.: A Shepherdess and her Flock. John Macallan Swan (1847-1910)

Background imageNegative Concept Collection: Cressida, (oil on canvas)

Cressida, (oil on canvas)
658237 Cressida, (oil on canvas) by Poynter, Edward John (1836-1919); 71.5x56.5 cm; Private Collection; (add.info.: Cressida emerging from a tent)

Background imageNegative Concept Collection: Bathsheba; Bethsabee, 1896 (gilt bronze)

Bathsheba; Bethsabee, 1896 (gilt bronze)
658178 Bathsheba; Bethsabee, 1896 (gilt bronze) by Gerome, Jean Leon (1824-1904); height: 82.8 cm; Private Collection; (add.info.: Bathsheba; Bethsabee. Jean Leon Gerome (1824-1904). Gilt-bronze

Background imageNegative Concept Collection: Lenore, Les Morts Vont Vite, (oil on canvas)

Lenore, Les Morts Vont Vite, (oil on canvas)
651336 Lenore, Les Morts Vont Vite, (oil on canvas) by Scheffer, Ary (1795-1858); 55x70 cm; Private Collection; (add.info.: Lenore, Les Morts Vont Vite. Ary Scheffer (1795-1858). Oil on canvas

Background imageNegative Concept Collection: Kari at Sunde; Kari paa Sunde, (oil on canvas)

Kari at Sunde; Kari paa Sunde, (oil on canvas)
824399 Kari at Sunde; Kari paa Sunde, (oil on canvas) by Astrup, Nikolai (1880-1928); 54.6x56.5 cm; Private Collection; (add.info.: Kari at Sunde; Kari paa Sunde. Nikolai Astrup (1880-1928)

Background imageNegative Concept Collection: Woman Alone; Signora a San Siro, (bodycolour on paper laid on canvas)

Woman Alone; Signora a San Siro, (bodycolour on paper laid on canvas)
823507 Woman Alone; Signora a San Siro, (bodycolour on paper laid on canvas) by Mariani, Pompeo (1857-1927); 83.7x43.2 cm; Private Collection; (add.info.: Woman Alone; Signora a San Siro)

Background imageNegative Concept Collection: Gallant Visit; Visita Galante, (oil on canvas)

Gallant Visit; Visita Galante, (oil on canvas)
823502 Gallant Visit; Visita Galante, (oil on canvas) by Andreotti, Federigo (1847-1930); 86x62 cm; Private Collection; (add.info.: Gallant Visit; Visita Galante. Federigo Andreotti (1847-1930)

Background imageNegative Concept Collection: Black Mantilla, (oil on canvas)

Black Mantilla, (oil on canvas)
823115 Black Mantilla, (oil on canvas) by Miller, Richard Emil (1875-1943); 91.7x87.1 cm; Private Collection; (add.info.: Black Mantilla. Richard Edward Miller (1875-1943). Oil on canvas

Background imageNegative Concept Collection: Portrait of a Young Woman Leaning on Her Elbow; Portrait de Jeune Fille Accoudee

Portrait of a Young Woman Leaning on Her Elbow; Portrait de Jeune Fille Accoudee
656394 Portrait of a Young Woman Leaning on Her Elbow; Portrait de Jeune Fille Accoudee, 1928 (oil on board) by Bernard, Emile (1868-1941); 100x75 cm; Private Collection; (add.info)



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"Exploring the Dark Side: A Journey through Negative Concepts in Art" Step into a world where art delves into the depths of negativity, revealing hidden emotions and challenging conventional perceptions. From historical battles to intimate moments, these captivating artworks provoke contemplation on the darker aspects of human existence. "The Battle of Trafalgar" portrays the chaos and destruction of war, capturing the intensity and sacrifice that lie beneath victorious narratives. In contrast, "A Woman Reading at a Window" hints at isolation and introspection, inviting us to ponder upon inner struggles masked by outward tranquility. "A Mediterranean Beauty" unveils an enigmatic allure tainted by melancholy, reminding us that even beauty can harbor shadows. Meanwhile, "Kittens Playing on Desk" may seem innocent at first glance but symbolizes fleeting joy amidst life's uncertainties. "The Jewel Box, " rendered delicately with pencil and watercolor on paper, explores themes of materialism and emptiness within opulence. On another note, "Portrait of Oliver Cromwell in Armour" juxtaposes power with vulnerability as it depicts a leader immersed in battle's turmoil. "Bucking Bronco, " frozen in time on canvas laid down on masonite, captures both strength and danger—a metaphor for life's unpredictable challenges. Similarly evocative is "The Wiltshire Great Coursing Meeting Held at Amesbury, " which illustrates the thrill of competition tinged with underlying tensions. Intriguingly named "The Death of Bhishma, " this artwork immortalizes mortal wounds inflicted by arrows—an allegory for mortality itself. Conversely, "Halt of Prince Charles Edward on the Banks of Nairne" reveals a momentary pause amidst tumultuous times—a reflection on resilience during adversity. "Nude Boy Standing; Stehender Knabenakt" exposes vulnerability while celebrating youthful innocence—an exploration into society's conflicting attitudes towards nudity.