Neo Impressionist Collection (page 15)

The Construction of the Sacre Coeur, c. 1900
BAL50960 The Construction of the Sacre Coeur, c.1900 by Luce, Maximilien (1858-1941); Petit Palais, Geneva, Switzerland; French, out of copyright possible copyright restrictions apply

Portrait of the Artists Mother Sewing, 1885
BAL50963 Portrait of the Artists Mother Sewing, 1885 by Angrand, Charles (1854-1926); Petit Palais, Geneva, Switzerland; (add.info.: Portrait de la mere de l artiste cousant; ); French

Bather drying himself at St. Tropez, 1893
BAL50961 Bather drying himself at St. Tropez, 1893 by Cross, Henri-Edmond (1856-1910); 147x114 cm; Petit Palais, Geneva, Switzerland; French, out of copyright

Nude at the Window, 1905
BAL50956 Nude at the Window, 1905 by Mengarini, Pietro (1869-1924); Petit Palais, Geneva, Switzerland; Italian, out of copyright possible copyright restrictions apply, consult national copyright laws

Seated man and reclining woman, study for A Sunday Afternoon on the Island of La Grande Jatte
XIR438892 Seated man and reclining woman, study for A Sunday Afternoon on the Island of La Grande Jatte, 1884 (oil on panel) by Seurat, Georges Pierre (1859-91); 15.5x25 cm; Musee d Orsay, Paris

The Slag Heaps of Sacre Madame, 1897 (oil on canvas)
XIR417040 The Slag Heaps of Sacre Madame, 1897 (oil on canvas) by Luce, Maximilien (1858-1941); 54x81 cm; Musee de la Ville de Paris, Musee du Petit-Palais

Square of the Hotel de Ville in Aix-en-Provence (pen & ink with w / c and gouache on paper)
BAL385531 Square of the Hotel de Ville in Aix-en-Provence (pen & ink with w/c and gouache on paper) by Signac, Paul (1863-1935); State Hermitage Museum, St

My Mother, 1899 (charcoal on paper)
XIR375785 My Mother, 1899 (charcoal on paper) by Angrand, Charles (1854-1926); Musee d Orsay, Paris, France; (add.info.: Ma Merel; Mme Angrand; ); French, out of copyright

Model from the Back, 1886 (oil on panel)
XIR30496 Model from the Back, 1886 (oil on panel) by Seurat, Georges Pierre (1859-91); 24.5x15.5 cm; Musee d Orsay, Paris, France; French, out of copyright

The Little Bridge, Pontoise, 1875
BAL777 The Little Bridge, Pontoise, 1875 by Pissarro, Camille (1830-1903); 65.5x81.5 cm; Kunsthalle Mannheim, Mannheim, Germany; French, out of copyright

Ile de la Cite, Paris, 1912 (oil on canvas)
XIR203258 Ile de la Cite, Paris, 1912 (oil on canvas) by Signac, Paul (1863-1935); 81x100 cm; Museum Folkwang, Essen, Germany; French, out of copyright

Harbour at Port-en-Bessin at High Tide, 1888 (oil on canvas)
XIR19980 Harbour at Port-en-Bessin at High Tide, 1888 (oil on canvas) by Seurat, Georges Pierre (1859-91); 67x82 cm; Musee d Orsay, Paris, France; French, out of copyright

Study for The Dining Room, c. 1886 (oil on canvas)
XIR181231 Study for The Dining Room, c.1886 (oil on canvas) by Signac, Paul (1863-1935); 46x58 cm; Private Collection; French, out of copyright

Model in Profile, 1886 (oil on panel)
XIR15993 Model in Profile, 1886 (oil on panel) by Seurat, Georges Pierre (1859-91); 25x16 cm; Musee d Orsay, Paris, France; French, out of copyright

Work in the Rue Reaumur, 1906-08 (oil on canvas)
XIR192891 Work in the Rue Reaumur, 1906-08 (oil on canvas) by Luce, Maximilien (1858-1941); 90x140 cm; Private Collection; (add.info.: Le Percement de la Rue Reaumur; ); French

The Toilet, 1887 (oil on canvas)
XIR192890 The Toilet, 1887 (oil on canvas) by Luce, Maximilien (1858-1941); 92x73 cm; Petit Palais, Geneva, Switzerland; French, out of copyright possible copyright restrictions apply

The Coffee, 1892 (oil on canvas)
XIR192888 The Coffee, 1892 (oil on canvas) by Luce, Maximilien (1858-1941); 81x65 cm; Private Collection; French, out of copyright possible copyright restrictions apply

Bathers at Asnieres, 1884 (oil on canvas)
XOS1109248 Bathers at AsniAšres, 1884 (oil on canvas) by Seurat, Georges Pierre (1859-91); 201x300 cm; National Gallery, London, UK; French, out of copyright

Entrance of the port of Marseille, 1918, oil on canvas. Paul Signac (1863-1935) French Neo-Impressionist painter and exponent of Pointilism. Sailing ship being brought into port by a steam tug

Beach at Gravelines, 1890. Georges-Pierre Seurat (1859-1891) French Neo-Impressionist painter. Pointillism

Study for Bathers at Asnieres. Georges-Pierre Seurat (1859-1891) French Neo-Impressionist painter. Pointillism

Clothing on the grass. Study for Bathers at Asnieres. Georges-Pierre Seurat (1859-1891) French Neo-Impressionist painter. Pointillism

The Circus (Le Circque), 1891: Georges-Pierre Seurat (1859-1891) French Neo-Impressionist painter. This picture was exhibited in 1891 at the 7th Salon des Independants in Paris

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"Neo-Impressionism: A Journey Through Color and Light" Step into the world of Neo-Impressionism, a revolutionary art movement that transformed the way we perceive color and light. One of its most iconic masterpieces is "Study for A Sunday on La Grande Jatte, 1884" by Georges-Pierre Seurat. This painting captures the essence of leisurely horse-riders making their way towards the enchanting Bois de Boulogne. Another captivating work is "Le Jardin du Vert-Galant, c. 1928, " an oil on canvas masterpiece that transports us to a serene garden filled with vibrant hues and delicate brushstrokes. As we stroll through this artwork, we can almost feel the gentle breeze caressing our skin. "The Avenue at the Park of Voyer-d Argenson at Asnieres, 1887" takes us back in time to a bustling park where people gather to enjoy nature's beauty. The meticulous details in this oil on canvas piece allow us to immerse ourselves in every aspect of this lively scene. In contrast, "A seated Nude" invites us into an intimate moment frozen in time. The artist skillfully captures human form with soft strokes and subtle shading, creating a sense of tranquility and vulnerability. Moving forward to Collioure in 1929, we encounter "Collioure (w/c), " a watercolor painting that showcases Henri-Edmond Cross's mastery over capturing coastal landscapes with vivid colors dancing across the page like sunlight reflecting off waves. Vincent Van Gogh's portrait titled "Pere Tanguy" offers insight into both his artistic genius and personal connections within the art community during his lifetime. It serves as a testament to how artists influenced each other during this period. "The Town Beach, Collioure, " painted by Opus 165 in 1887 using oil on canvas technique perfectly encapsulates seaside tranquility.