Nero Collection (page 9)

ROME: GEMMA AUGUSTEA. Engraving after the Gemma Augustea cameo depicting the glorification of Augustus, 1st century A.D

NERO (37-68 A. D. ). Roman emperor, 54-68 A. D
NERO (37-68 A.D.). Roman emperor, 54-68 A.D

NERO PLAYING LYRE, 64 A. D. Nero playing his lyre at the burning of Rome in 64 A. D. Engraving, 18th century
NERO PLAYING LYRE, 64 A.D. Nero playing his lyre at the burning of Rome in 64 A.D. Engraving, 18th century

NERO (37-68 A. D. ). Emperor of Rome, 54-68 A. D. Emperor Nero watching gladiatorial combat through a concavely-ground
NERO (37-68 A.D.). Emperor of Rome, 54-68 A.D. Emperor Nero watching gladiatorial combat through a concavely-ground emerald serving as a lens to correct his myopia

George Kleine presents the Cines photo drama Quo Vadis Nero sings while Rome burns. Motion picture poster for Quo Vadis showing Nero playing lyre while citizens of Rome flee the fire. Date c1913

Organic black kale cabbage plants (Brassica oleracea Nero de Toscana ) in a wooden trug. Cabbage is used as an ingredient in cooking and is a good source of vitamin C

Nero
A rather drunk looking man smoking a pipe and playing an accordian sits ignoring the British pound note beside him going up in flames

Saint Peter Crucified
Nero crucifies the apostle Peter head downwards, despite the remonstrations of other saintly persons (there is no reason to believe this ever actually happened)

Neros Golden Palace
Reconstruction of the reservoir at the Golden Palace of Nero in Rome

Tiberius (Bust)
Claudius Nero Caesar Augustus TIBERIUS, Roman emperor

NERO CLAUDIUS CAESAR DRUSUS GERMANICUS Roman emperor, depicted giving the thumbs down sign in the circus

Racine / Britannicus
BRITANNICUS Agrippina reproaches Nero

Nero Statue Removed
Zenodores statue of the Roman emperor Nero as a musician is removed by the emperor Vespasian with the help of 24 elephants

Tiberius Caesar / Horse
Claudius Nero Caesar Augustus TIBERIUS, second Emperor of Rome (14-37 AD), looking impressive on horseback

Nero and Rome Fire - 3
For 9 days Rome is ravaged by fire. Though Nero is not in Rome at the time, rumours accuse him of starting the fire and playing the cithara while it rages

Nero and Rome Fire - 2
Rome is ravaged by fire for 9 days. Though Nero is not in Rome at the time, rumours accuse him of starting the fire and playing the cithara while it rages

Nero and Rome Fire - 1
Fire rages in Rome for 9 days. Though Nero is not in Rome at the time, he is accused of starting the fire and playing the cithara while it rages; he blames the Christians

Nero at the Games
Lucius Domitius Ahenobarbus, later NERO Claudius Caesar Drusus Germanicus, depicted at the games where, blind in one eye, he used an emerald as an eyeglass

Nero (Gucht)
Lucius Domitius Ahenobarbus, later NERO Claudius Caesar Drusus Germanicus, Roman emperor

Claudius I (Titian)
Tiberius CLAUDIUS Drusus Nero Germanicus, Roman emperor

Claudius I (Gucht)
Tiberius CLAUDIUS Drusus Nero Germanicus, Roman emperor

Claudius I (Anon)
Tiberius CLAUDIUS Drusus Nero Germanicus, Roman emperor

Claudius I (Faithorne)
Tiberius CLAUDIUS Drusus Nero Germanicus, Roman emperor

Emperor Claudius I
Tiberius Claudius Drusus Nero Germanicus Known as Claudius I Roman Emperor (41 - 54)

NERO CLAUDIUS CAESAR DRUSUS GERMANICUS (originally Lucius Domitius Ahenobarbus) Roman emperor

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"Emperor Nero: A Controversial Figure in Roman History" Victoria's Dogs, the beloved pets of Emperor Nero, were often seen by his side as he ruled over Rome with an iron fist. Despite his love for these loyal companions, Nero's reign was marked by scandal and controversy. One infamous event that defined Nero's legacy was the sight of him playing his Lyre while Rome burned. This callous act showcased his indifference towards the suffering of his people and solidified him as a tyrant in the eyes of many. Tiberius, another Roman Emperor known for his debauchery and cruelty, paled in comparison to Nero's infamy. The colossal statue depicting Nero from the 1st century stands as a haunting reminder of this dark period in history. In contrast to this imposing image, a marble sculpture at Certosa di Pavia portrays Emperor Nero with an air of regality. The play of light on this masterpiece captures both his power and complexity as a ruler. The Naumachia refers to naval battles depicted by Romans during exhibitions held in historical Rome. These grand spectacles were orchestrated by none other than Emperor Nero himself, showcasing both his extravagance and thirst for entertainment. Racine's play "Britannicus" delves into the intricate web of politics surrounding Emperor Claudius I during Nero's rise to power. It sheds light on the treacherous nature that permeated their relationship and ultimately led to Claudius' demise. However, not all aspects of Nero's rule were shrouded in darkness. His torches symbolize one particularly grim chapter - the burning of Christians at Rome - which occurred under unknown circumstances but left an indelible mark on history. The Naumachia exhibition itself is brought back to life through digital reproductions from a 17th-century original artwork. While its exact date remains elusive, it serves as a testament to the grandeur and audacity of Nero's reign.