No 4 Collection

S Clemens I M
LLM460264s Clemens I M by European School, (19th century); Private Collection; (add.info.:s Clemens I M. Illustration in Romani Pontefici by Luigi Tripepi (Roma, 1879).); © Look and Learn

Madaba, Map, No 4 (b / w photo)
5214694 Madaba, Map, No 4 (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Madaba, Map, No 4)

Kanagawa View Sea Teahouses Hill Dai No Chaya Kaijo Miharashi
Kanagawa: View over the Sea from the Teahouses on the Hill (Kanagawa, dai no chaya kaijo miharashi), no. 4 from the series Famous Sights of the Fifty-three Stations (Gojusan tsugi meisho zue)

Sinking pier no. 4 Louis-Emile Durandelle French
Sinking pier no.4; Louis-Emile Durandelle (French, 1839 - 1917); 1887; Albumen silver print

Nicolas Cochin after Balthasar Moncornet, French (1610-1686), Flower Print no. 4, 1645
Nicolas Cochin after Balthasar Moncornet, French (1610-1686), Flower Print no.4, 1645, etching

Matters of Taste No. 4 / As Regards Snuffing, print made by W & J O Clerk, c. 1835-40
XJF448247 Matters of Taste No.4 / As Regards Snuffing, print made by W & J O Clerk, c.1835-40 (litho) by English School, (19th century); Private Collection; (add.info)

Part of Wards 9, 22. Land Map Section, No. 4, Volume 1, Brooklyn Borough, New York City

Part of Ward 22. Land Map Section, No. 4, Volume 1, Brooklyn Borough, New York City

Goodwood Sussex England Hurry De Savoie 1938 A TopFoto
Goodwood Sussex England " Hurry De Savoie " 1938 eTopFoto

UK Kent, Enysford The Rat and Sparrow Club, which provided an opportunity for extra cash in convivial surroundings. Usually paid for by local farmers these clubs paid people according to the number

Silk production, Japan, artwork C016 / 2023
Silk production (circa 1799-1801). Artwork of women with trays of silk moth cocoons. This woodblock print is by the Japanese artist Kitagawa Utamaro (1753-1806)

Number 4, Cheyne Walk, Chelsea, 1881
Engraving showing the exterior of No.4 Cheyne Walk, Chelsea, London, 1881. This building was formerly the home of George Eliot, the English writer, whose real name was Mary Ann Cross (1819-1880)

Perils of Crinolines No4
A young lady in a cage crinoline is confronted with the folly of the new fashion as she is prevented from negotiating a staggered stile on a country walk

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"No. 4: A Journey Through Time and Artistic Expressions" In the vast expanse of the Red Sea, Italian sailors and officers diligently set sail on their ship Gottardo, embarking on an extraordinary expedition. Their mission was to explore uncharted territories, guided by the spirit of adventure that coursed through their veins. Meanwhile, in a quaint town called Madaba, a captivating map caught the attention of curious onlookers. No. 4 stood out amidst its black and white composition, offering glimpses into a world long gone but forever preserved in ink. Across distant shores in Kanagawa, Japan, teahouses perched upon hills offered breathtaking views of the sea below. Among them was Dai No Chaya Kaijo Miharashi - a sanctuary where tranquility met nature's grandeur. Amidst these serene scenes emerged Louis-Emile Durandelle's haunting photograph capturing the sinking pier no. 4. The French artist skillfully immortalized this momentary tragedy with his lens as if urging us to reflect upon life's fleeting nature. Art took various forms throughout history; drawings and prints became windows into different eras and cultures. "Cries London, No. 4" beckoned passersby with its vivid portrayal of street vendors peddling brickdust - an intriguing glimpse into daily life centuries ago. Flowers bloomed delicately on Nicolas Cochin's print from 1645 - Flower Print no. 4 whispered secrets from gardens long forgotten while Balthasar Moncornet's work inspired awe with its intricate details captured for eternity. Matters of taste evolved over time too; W & J O Clerk's print titled "As Regards Snuffing" transported us back to an era when snuff-taking held cultural significance – a reminder that customs change but leave traces behind. The walls within Buckingham Palace told stories themselves; East Wall showcased ornate friezes, a testament to the grandeur of British royalty.