Notes Collection (page 19)

One American dollar
Back of a banknote on one american dollar (USA) 1985. Date: 1985

Otto Bader, Soviet archaeologist
Otto Bader (lower left, 1903-1979), Soviet archaeologist, making notes at an archaeological dig in the Crimea area of Russia, on the shores of the Black Sea

EXPL2A-00269
Meriwether Lewis and William Clark expedition losing notes and specimens in a canoe accident on the upper Missouri River. Hand-colored woodcut reproduction of sketch by Patrick Goss

Frontispiece Les dix livres d architecture de
Frontispiece, Les dix livres d architecture de Vitruve, corrigez et traduits nouvellement en francois, avec des notes and des figures, Le Clerc, Sebastien, 1637-1714, Scotin, Gerard, 1643 - 1715

Planche VI Vue de L Atrium Le Laurentin maison de campagne
Planche VI: Vue de L Atrium. Le Laurentin: maison de campagne de Pline-le-consul: restitue d apres sa lettre a Gallus, Bouchet, Jules Frederic, 1799-1860, Engraving, 1852, plate 6

Planche III Plan de la Maison de Campagne Pline
Planche III: Plan de la Maison de Campagne de Pline le Consul a Laurente. Le Laurentin: maison de campagne de Pline-le-consul: restitue d apres sa lettre a Gallus, Bouchet, Jules Frederic, 1799-1860

Planche IV Vue Generale du Laurentin Le Laurentin
Planche IV: Vue Generale du Laurentin. Le Laurentin: maison de campagne de Pline-le-consul: restitue d apres sa lettre a Gallus, Bouchet, Jules Frederic, 1799-1860, Engraving, 1852, plate 4

Sketchbook Carle Vernet 1758-1836 pencil ink
Sketchbook Carle Vernet, 1758-1836, pencil, ink, watercolor, studies of hunt scenes, horses, figures, and notes about the colors

French bank notes coins Saint Thomas D Aquin
French bank notes and coins; Saint Thomas D Aquin (French, active 1860s); about 1862; Albumen silver print

Italian Sketchbook Notes page 260 1898-1899 Maurice Prendergast
Italian Sketchbook: Notes (page 260), 1898-1899. Maurice Prendergast (American, 1858-1924). Pencil; sheet: 16.7 x 10.8 cm (6 9/16 x 4 1/4 in.)

Italian Sketchbook Notes page 45 1898-1899 Maurice Prendergast
Italian Sketchbook: Notes (page 45), 1898-1899. Maurice Prendergast (American, 1858-1924). Pencil; sheet: 16.7 x 10.8 cm (6 9/16 x 4 1/4 in.)

Italian Sketchbook Notes page 97 1898-1899 Maurice Prendergast
Italian Sketchbook: Notes (page 97), 1898-1899. Maurice Prendergast (American, 1858-1924). Pencil; sheet: 16.7 x 10.8 cm (6 9/16 x 4 1/4 in.)

Italian Sketchbook Notes page 244 1898-1899 Maurice Prendergast
Italian Sketchbook: Notes (page 244), 1898-1899. Maurice Prendergast (American, 1858-1924). Pencil; sheet: 16.7 x 10.8 cm (6 9/16 x 4 1/4 in.)

Italian Sketchbook Notes page 239 1898-1899 Maurice Prendergast
Italian Sketchbook: Notes (page 239), 1898-1899. Maurice Prendergast (American, 1858-1924). Pencil; sheet: 16.7 x 10.8 cm (6 9/16 x 4 1/4 in.)

Italian Sketchbook Notes page 3 1898-1899 Maurice Prendergast
Italian Sketchbook: Notes (page 3), 1898-1899. Maurice Prendergast (American, 1858-1924). Pencil; sheet: 16.7 x 10.8 cm (6 9/16 x 4 1/4 in.)

Italian Sketchbook Notes page 62 1898-1899 Maurice Prendergast
Italian Sketchbook: Notes (page 62), 1898-1899. Maurice Prendergast (American, 1858-1924). Pencil; sheet: 16.7 x 10.8 cm (6 9/16 x 4 1/4 in.)

Sketchbook page 95 Notes Ernest Meissonier French
Sketchbook, page 95: Notes. Ernest Meissonier (French, 1815-1891). Graphite;

Sketchbook page 89 Notes Ernest Meissonier French
Sketchbook, page 89: Notes. Ernest Meissonier (French, 1815-1891). Graphite

Facsimile Of The First Bars Of "it Came Upon The Midnight Clear"By Sir Arthur Seymour Sullivan
Facsimile Of The First Bars Of " it Came Upon The Midnight Clear" By Sir Arthur Seymour Sullivan. From The Strand Magazine Published 1897

The Solitary Prisoner. Illustration By Harry Furniss For The Charles Dickens Travelogue American Notes For General Circulation, From The Testimonial Edition, Published 1910

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"Unveiling the Tales of Time: From Da Vinci's Crossbow to Saucy Dancers and Electric Guitars" In this captivating collection, a five-pound note takes us on an extraordinary journey through history. It all begins with Da Vinci's crossbow, a masterpiece that transcends time and showcases the genius of one of history's greatest minds. Flipping through the pages, we stumble upon Plate 3 from the Book of the Dead, revealing ancient Egyptian secrets etched onto delicate papyrus. The notes whisper stories of an era long gone but forever imprinted in our collective memory. As we turn further into these remarkable notes, we encounter the tumultuous year 1923 in Germany when hyperinflation wreaked havoc on its currency. Witnessing stacks of worthless banknotes piled high reminds us of the fragility and power held within paper money. But fear not. British banknotes come to our rescue like a knight in shining armor. Their intricate illustrations are reminiscent of rolled paper scrolls tied with golden ribbons—a symbol of prosperity and stability amidst chaos. Suddenly, a saucy dancer wearing only balloons catches our eye—her vibrant spirit defying conventions even after facing raids by prudish authorities. She represents rebellion against societal norms and serves as a reminder that art can never be silenced. The melody changes as an electric guitar and amplifier appear on stage—an iconic duo that revolutionized music forever. These electrifying notes transcend language barriers, uniting people across generations with their soul-stirring tunes. And then there are Leonardo da Vinci's own handwritten notes—a glimpse into his brilliant mind where ideas flowed freely like ink onto parchment. His sketches reveal his insatiable curiosity about everything under the sun—from anatomy to inventions yet to be realized. William Heath Robinson adds humor to this symphony with "More Golfing Notes, " showcasing his whimsical contraptions designed for golf enthusiasts seeking unconventional ways to conquer the course.