Nude Woman Collection (page 4)

Breakfast after the Bath, 1895-98 (pastel on paper laid down on board)
5861883 Breakfast after the Bath, 1895-98 (pastel on paper laid down on board) by Degas, Edgar (1834-1917); 92--81 cm; The Art Institute of Chicago, IL

Portrait of the Artists Mother (Eve), 1889-90 (gouache, over a white ground, on gray millboard)
5861974 Portrait of the Artists Mother (Eve), 1889-90 (gouache, over a white ground, on gray millboard) by Gauguin, Paul (1848-1903); 17--13 cm; The Art Institute of Chicago, IL

the sexual union between Leda and the swan driven by Eros, 1st-2nd century
7145294 the sexual union between Leda and the swan driven by Eros, 1st-2nd century by Roman, (1st-2nd Century AD); Archaeological Museum of Heraklion, Crete

Bathing Nymphs and Child, 1855-60 (oil on canvas)
5863030 Bathing Nymphs and Child, 1855-60 (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875); 82.6x100.3 cm; The Art Institute of Chicago, IL

Great art exhibition Dresden, 1908 (lithography)
398356 Great art exhibition Dresden, 1908 (lithography) by Baranowsky, Alexander (1874-1941); JMK Archiv, Bremen, Germany; (add.info.: Print: Oswald Enterlein, Kunstanstalt Niedersedlitz i)

Lady at the Mirror, c. 1520 (oil on canvas)
XAM66734 Lady at the Mirror, c.1520 (oil on canvas) by Romano, Giulio (1492-1546); 111x92 cm; Pushkin Museum, Moscow, Russia

Reclining nude on a riverbank (oil on canvas)
XPG366324 Reclining nude on a riverbank (oil on canvas) by Benner, Emmanuel (1836-96); Private Collection; (add.info.: by Emmanuel Benner (1836-96))

The mare of Compere Pierre. (engraving and watercolour, 1800)
FIA5379832 The mare of Compere Pierre. (engraving and watercolour, 1800) by Ramberg, Johann Heinrich (1763-1840); Private Collection; (add.info.: The mare of Compere Pierre)

Nude in the Studio, 1912 (oil on canvas)
7216662 Nude in the Studio, 1912 (oil on canvas) by Vejrych, Rudolf (1882-1939); (add.info.: Rudolf Vejrych was a Czech painter)

Leda Loved, 1929 (litho)
3643518 Leda Loved, 1929 (litho) by Gill, Eric (1882-1940); Private Collection; (add.info.: Leda Loved, 1929. Illustration for The Engraved Work of Eric Gill (V&A, 1963).); © Look and Learn

Toilet, 20th century (painting)
7215870 Toilet, 20th century (painting) by Onsager, Soren (1878-1946); 51x36 cm; Private Collection; Photo © O. Vaering

Františka (Frances), 1928 (oil on canvas)
7212902 Františka (Frances), 1928 (oil on canvas) by Kremlicka, Rudolf (1886-1932); Private Collection; (add.info.: Rudolf Kremlička was one of important painters of Czech modern painting of)

Study of naked girl (drawing)
JEB4868874 Study of naked girl (drawing) by Torrents y de Amat, Stanislas (1839-1916); 25x18 cm; Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

The Ivy (drawing)
JEB4868264 The Ivy (drawing) by Bernard, Valere (1860-1936); 51x36 cm; Palais de Longchamp, Marseille, France; (add.info.: The Ivy Drawing by Valere Bernard (1860-1936) Dim 51, 5x36

Lying Woman, 1910 (oil on canvas)
7216660 Lying Woman, 1910 (oil on canvas) by Vejrych, Rudolf (1882-1939); (add.info.: Rudolf Vejrych was a Czech painter, graphic artist and art educator of the 1st half of 20th century)

Woman at Her Toilette, 1928 (oil on canvas)
7212909 Woman at Her Toilette, 1928 (oil on canvas) by Kremlicka, Rudolf (1886-1932); 68x54.5 cm; Narodni Galerie, Prague

Three Women at Their Bath, 1929 (oil on canvas)
7212908 Three Women at Their Bath, 1929 (oil on canvas) by Kremlicka, Rudolf (1886-1932); Private Collection; (add.info.: Rudolf Kremli─ìka was one of important painters of Czech modern painting of)

Leda and the Swan (oil on canvas)
3736758 Leda and the Swan (oil on canvas) by Jodi, Casimiro (1886-1948); 60.3x46 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop Unipol); Ghigo Roli

The Three Graces, 1st century (fresco)
LRI4639296 The Three Graces, 1st century (fresco) by Master degli Scorsi (1st century); Museo Archeologico Nazionale, Naples, Campania

Triumph of Galatea 1778-1780, fresco
7225005 Triumph of Galatea 1778-1780, fresco by Angelis, Domenico de (1735-1804); Villa Borghese, Rome, Italy; (add.info.: Frescoe in the vault of the Gallery of the emperor, villa Borghese)

The Women of the King (drawing)
JEB4870272 The Women of the King (drawing) by Lauzet, Auguste (1863-1898); Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

The Mask (drawing)
JEB4869722 The Mask (drawing) by Bernard, Valere (1860-1936); Palais de Longchamp, Marseille, France; (add.info.: The Mask Drawing by Valere Bernard (1860-1936)

Figure of Woman (Marble Sculpture)
JEB4830937 Figure of Woman (Marble Sculpture) by Lombard, Henri (1855-1929); Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

Switzerland: St Moritz and the Segantini Monument (b / w photo)
7183413 Switzerland: St Moritz and the Segantini Monument (b/w photo) by Gaberell, Jean (1887-1949); Private Collection; (add.info.: St Moritz and the Segantini Monument)

Nude study (b / w photo)
7181846 Nude study (b/w photo) by Wendt, Lionel (1900-40); Private Collection; (add.info.: Nude study. Illustration for Ceylon by Lionel Wendt (Lincolns-Prager, London, 1950).); © Look and Learn

Statue of Leda, Aetolian princess later Queen of Sparta, seduced by Zeus in the form of a swan
5323765 Statue of Leda, Aetolian princess later Queen of Sparta, seduced by Zeus in the form of a swan by David, Francois-Anne (1741-1824); (add.info.: Statue of Leda)

He is Free (Il est Libre), c. 1798 (watercolour on paper)
7244691 He is Free (Il est Libre), c. 1798 (watercolour on paper) by Lequeu, Jean-Jacques (1757-1826); 49 x 36.6 cm; Bibliotheque Nationale, Paris, France; Photo © Fine Art Images

The Alhambra Palace Patio in Grenada, 1899 (oil on canvas)
7088641 The Alhambra Palace Patio in Grenada, 1899 (oil on canvas) by Odelmark, Franz Wilhelm (1849-1937); Private Collection

Amphitrite Fountain, Place Stanislas in Nancy, France, 1751 (photo)
AIS5361049 Amphitrite Fountain, Place Stanislas in Nancy, France, 1751 (photo) by Guibal, Barthelemy (1699-1757); Nancy, Lorraine, France; © Iberfoto

Woman Study (drawing)
JEB4869087 Woman Study (drawing) by Torrents y de Amat, Stanislas (1839-1916); 38x19 cm; Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

The Source (oil on canvas)
JEB4862894 The Source (oil on canvas) by Bernard, Valere (1860-1936); Palais de Longchamp, Marseille, France; (add.info.: The Source Painting by Francois Marius Valere Bernard (1860-1936)

Fortuna Bestowing her Gifts, c. 1645 (oil on panel)
FIA5409820 Fortuna Bestowing her Gifts, c.1645 (oil on panel) by Flocquet, Floquet or Flocket, Simon (c.1608-c.78); 73.5 x 104.5 cm; Rijksmuseum, Amsterdam, The Netherlands

Susannah and the Elders (oil on canvas)
3744373 Susannah and the Elders (oil on canvas) by Gentileschi, Artemisia (1597-c.1651) (attr.to); 162.5x121.9 cm; Nottingham City Museums and Galleries (Nottingham Castle); (add.info)

Illusions, c. 1900 (oil on canvas)
6432461 Illusions, c.1900 (oil on canvas) by Fuller, Henry Brown (1867-1934); 178.6x114.6 cm; American Art Museum, Smithsonian Institute, USA

Study of Women (drawing)
JEB4869175 Study of Women (drawing) by Torrents y de Amat, Stanislas (1839-1916); 36x27 cm; Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

Mezzo forte (b / w photo)
7181851 Mezzo forte (b/w photo) by Wendt, Lionel (1900-40); Private Collection; (add.info.: Mezzo forte. Illustration for Ceylon by Lionel Wendt (Lincolns-Prager, London)

Manila Shawls, 1914 (oil on canvas)
7073262 Manila Shawls, 1914 (oil on canvas) by Fader, Fernando (1882-1935); 116x140 cm; Museo Nacional de Bellas Artes, Buenos Aires, Argentina; Argentinian, out of copyright

Leda and the Swan, 1787 (engraving)
5323766 Leda and the Swan, 1787 (engraving) by David, Francois-Anne (1741-1824); (add.info.: Statue of Leda, Aetolian princess later Queen of Sparta, seduced by Zeus in the form of a swan)

Chamber of Cupid and Psyche, Preparations for the Banquet of the Gods for the Wedding of Cupid and Psyche
884850 Chamber of Cupid and Psyche, Preparations for the Banquet of the Gods for the Wedding of Cupid and Psyche, 1528 (fresco) by Giulio Romano (1492/99-1546); Palazzo del Te, Mantua, Italy

Illustration from Hypnerotomachia Poliphili by Francesco Colonna, first published in 1499 (woodcut)
472279 Illustration from Hypnerotomachia Poliphili by Francesco Colonna, first published in 1499 (woodcut) by Italian School

Footbath in front of the fireplace
7231844 Footbath in front of the fireplace by Werenskiold, Erik Theodor (1855-1938); Private Collection; (add.info.: Artist: Erik Werenskiold (1855-1938)); Photo © O. Vaering

Leda and the Swan, Oil on canvas
7224990 Leda and the Swan, Oil on canvas by Vinci, Leonardo da (1452-1519) (after); Villa Borghese, Rome, Italy; (add.info.: Leda and the Swan)

Leda and the Swan, Oil on canvas
7224989 Leda and the Swan, Oil on canvas by Vinci, Leonardo da (1452-1519) (after); Villa Borghese, Rome, Italy; (add.info.: VillaLeda and the Swan)

Suzanne and the old men, detail. 1570 (painting)
LRI4699010 Suzanne and the old men, detail.1570 (painting) by Veronese, (Paolo Caliari) (1528-88); 175x320 cm; Collezione numismatica Banca Carige, Genoa, Italy; (add.info.: Suzanne and the old men)

Kuvadorren (The Chamber Door), 1905 (oil on canvas laid down on board)
5310851 Kuvadorren (The Chamber Door), 1905 (oil on canvas laid down on board) by Zorn, Anders Leonard (1860-1920); 53.3x33.7 cm; Private Collection; (add.info.: Zorn, Anders Leonard (1860-1920))

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Crenaia, the nymph of the Dargle, gracefully emerges from the depths of mythology, captivating our senses with her ethereal beauty. In this timeless masterpiece by the Master of the School of Fontainebleau, Gabrielle d'Estrees and her sister, duchesse de Villars, embody elegance and allure. The artist's skillful brushstrokes transport us to a world where femininity is celebrated in its purest form. Sorolla y Bastida invites us into an intimate moment as we witness a woman after her bath. With delicate strokes of color and light, he captures her vulnerability and sensuality. A testament to his mastery as an artist. The year 1917 brings us two remarkable nudes lying down; their bodies exuding both strength and vulnerability simultaneously. These works challenge societal norms while celebrating the human form in all its glory. In Diana Cacciatrice, we encounter a powerful goddess who embodies independence and strength. Her poised stance reminds us that women can be fierce hunters just like men. Renoir's Baigneuse transports us to a serene oasis where a woman indulges in self-care during her morning toilette. The soft hues evoke tranquility while reminding us of society's obsession with capturing moments of intimacy through art. Rubens' depiction in The Education of the Princess showcases female empowerment as Marie de Medici learns valuable lessons for ruling a kingdom. This painting serves as an empowering reminder that women are capable leaders who deserve equal opportunities for education and growth. Grigoriev's Prostitutes challenges societal taboos by shedding light on marginalized women who navigate life's hardships with resilience. Through his bold brushwork, he forces viewers to confront uncomfortable truths about society's treatment towards these individuals. From ancient myths to modern interpretations, these artworks celebrate women in various stages: slumbering peacefully or engaging in daily rituals such as bathing or dressing up - each capturing the essence of femininity.