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Oarsman Collection (page 4)

"Embracing the Art of Rowing: From Harvard to Venice" Step into the world of oarsmen, where strength and precision merge with grace and camaraderie

Background imageOarsman Collection: A wedding procession on boats, Norway

A wedding procession on boats, Norway. A print from Customs of the World, Volume II Hutchinson and Co, Paternoster Row, London

Background imageOarsman Collection: A state barge of a Maharaja, Kashmirs royal capital, India, 1922. Artist: GT Bookless

A state barge of a Maharaja, Kashmirs royal capital, India, 1922. Artist: GT Bookless
A state barge of a Maharaja, Kashmirs royal capital, India, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume IV: Georgia to Italy

Background imageOarsman Collection: Opening of the London Coal Exchange, Royal Procession, Custom-House Quay, London, c1888

Opening of the London Coal Exchange, Royal Procession, Custom-House Quay, London, c1888. Illustration from The Life & Times of Queen Victoria, Vol II, by Robert Wilson, (c1888)

Background imageOarsman Collection: General Garibaldi spearing fish by night off Caprera, Sardinia, Italy, 1861. Artist: Frank Vizetelly

General Garibaldi spearing fish by night off Caprera, Sardinia, Italy, 1861. Artist: Frank Vizetelly
General Garibaldi spearing fish by night off Caprera, Sardinia, Italy, 1861. Italian patriot Giuseppe Garibaldi (1807-1882) using a trident to catch fish off the island of Caprera

Background imageOarsman Collection: St Stephens Chapel and the Speakers House, Westminster, London, 1834 (c1905)

St Stephens Chapel and the Speakers House, Westminster, London, 1834 (c1905). A view from the River Thames. Print published in Parliament Past and Present by Arnold Wright and Philip Smith, (London)

Background imageOarsman Collection: Queen Elizabeths river coronation procession, London, 1558 (c1905)

Queen Elizabeths river coronation procession, London, 1558 (c1905). Print published in Parliament Past and Present by Arnold Wright and Philip Smith, (London, c1905)

Background imageOarsman Collection: The Expedition of the French and Genoese to Barbary, 15th Century

The Expedition of the French and Genoese to Barbary, 15th Century. Artist: Master of the Harley Froissart
The Expedition of the French and Genoese to Barbary, 15th Century. Miniature colour print from The Chronicler of European Chivalry by GG Coulton, (London, 1930)

Background imageOarsman Collection: The Sun God Ra, Boat Scene

The Sun God Ra, Boat Scene. Ra is the most central god of the Egyptian pantheon

Background imageOarsman Collection: The Boat, 1820-1876. Artist: George Sand

The Boat, 1820-1876. Artist: George Sand
The Boat, 1820-1876. George Sand was the pseudonym of the French novelist and feminist Amandine-Lucile-Aurore Dupin, later Baroness Dudevant (1804-1876)

Background imageOarsman Collection: Why Shouldn t Girton Rink, When Cambridge Rows?, 1876. Artist: George Du Maurier

Why Shouldn t Girton Rink, When Cambridge Rows?, 1876. Artist: George Du Maurier
Why Shouldn t Girton Rink, When Cambridge Rows?, 1876 Lady students from Girton College on the towpath waving to crews rowing on the river Cam

Background imageOarsman Collection: Wall painting from tomb of Sennefer, Abydos, Ancient Egypt, 18th Dynasty, c1450 BC

Wall painting from tomb of Sennefer, Abydos, Ancient Egypt, 18th Dynasty, c1450 BC. Detail showing a boat on the Nile with a square-rigged sail and oarsmen

Background imageOarsman Collection: A Regatta at Asnieres During the Second Empire, c1868-1905. Artist: Antony Paul Emile Morlon

A Regatta at Asnieres During the Second Empire, c1868-1905. Artist: Antony Paul Emile Morlon
A Regatta at Asnieres During the Second Empire, c1868-1905

Background imageOarsman Collection: Double canoe with oarsmen, Hawaii, 18th century. Artist: John Webber

Double canoe with oarsmen, Hawaii, 18th century. Artist: John Webber
Double canoe with oarsmen, Hawaii, 18th century. The men are wearing gourd masks. The passenger is holding an idol

Background imageOarsman Collection: Inge Schuster

Inge Schuster

Background imageOarsman Collection: Peleus and Talamon, from the series Vessels of the Argonauts

Peleus and Talamon, from the series Vessels of the Argonauts, for the wedding celebration of Cosimo de Medici in Florence, 1608, 1608

Background imageOarsman Collection: Egyptian Art. Tomb equipment of Gemniemhat. Saqqara, c. 1990

Egyptian Art. Tomb equipment of Gemniemhat. Saqqara, c. 1990 BC. Middle Kingdom. Ny Carlsberg Glyptotek. Copenhagen. Denmark

Background imageOarsman Collection: Boat. From the tomb of Wadjet-hotep at Sedment. Wood. 7th-11

Boat. From the tomb of Wadjet-hotep at Sedment. Wood. 7th-11
Egyptian Art. Boat. From the tomb of Wadjet-hotep at Sedment. Wood. 7th-11th Dynasty. c. 2150-2050 B.C. Ny Carlsberg Glyptotek. Copenhagen. Denmark

Background imageOarsman Collection: Caricature of E A Trickett, world champion oarsman

Caricature of E A Trickett, world champion oarsman. 1880

Background imageOarsman Collection: Lady and Dog in Boat

Lady and Dog in Boat
A lady and her dog are propelled along the river at sunset by an unseen oarsman. Date: 1907

Background imageOarsman Collection: Oarsman (Jugend)

Oarsman (Jugend)
THE OARSMAN Date: 1897

Background imageOarsman Collection: Banner C. Johnstone C1906

Banner C. Johnstone C1906
BANNER CARRUTHERS JOHNSTONE Oarsman Date: 1882 -

Background imageOarsman Collection: German male and female costumes, early 16th century

German male and female costumes, early 16th century.. Chromolithograph from Jakob Heinrich von Hefner-Altenecks Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt

Background imageOarsman Collection: John Teemer Oarsman World Champions Series 1

John Teemer Oarsman World Champions Series 1
Artokoloro

Background imageOarsman Collection: John McKay Oarsman World Champions Series 1 N28

John McKay Oarsman World Champions Series 1 N28
Artokoloro

Background imageOarsman Collection: Albert Hamm Oarsman World Champions Series 1

Albert Hamm Oarsman World Champions Series 1
Artokoloro

Background imageOarsman Collection: Wallace Ross Oarsman World Champions Series 1

Wallace Ross Oarsman World Champions Series 1
Artokoloro

Background imageOarsman Collection: William Beach Oarsman World Champions Series 1

William Beach Oarsman World Champions Series 1
Artokoloro

Background imageOarsman Collection: Edward Ned Hanlan Oarsman World Champions Series 1

Edward Ned Hanlan Oarsman World Champions Series 1
Artokoloro

Background imageOarsman Collection: William O Connor Oarsman World Champions Series 2

William O Connor Oarsman World Champions Series 2
Artokoloro

Background imageOarsman Collection: William O Connor Oarsman World Champions Second Series

William O Connor Oarsman World Champions Second Series
Artokoloro

Background imageOarsman Collection: Jacob Gaudaur Oarsman World Champions Series 1

Jacob Gaudaur Oarsman World Champions Series 1
Artokoloro

Background imageOarsman Collection: George Bubear Oarsman World Champions Series 1

George Bubear Oarsman World Champions Series 1
Artokoloro

Background imageOarsman Collection: E. Trickett Oarsman World Champions Series 1

E. Trickett Oarsman World Champions Series 1
Artokoloro

Background imageOarsman Collection: George H Hosmer Oarsman World Champions Series 1

George H Hosmer Oarsman World Champions Series 1
Artokoloro

Background imageOarsman Collection: Standing man wearing wetsuit, helmet and buoyancy aid, holding a double-bladed paddle

Standing man wearing wetsuit, helmet and buoyancy aid, holding a double-bladed paddle

Background imageOarsman Collection: Source Size = 2467 x 2809

Source Size = 2467 x 2809
The Late James Renforth, Champion Oarsman, 1871

Background imageOarsman Collection: Entry of Bonaparte, as First Consul, into Antwerp on 18th July 1803, 1807 (oil on canvas)

Entry of Bonaparte, as First Consul, into Antwerp on 18th July 1803, 1807 (oil on canvas)
XIR70358 Entry of Bonaparte, as First Consul, into Antwerp on 18th July 1803, 1807 (oil on canvas) by Bree, Mathieu Ignace van (1773-1839); 372x610 cm; Chateau de Versailles, France; Belgian

Background imageOarsman Collection: Ulysses and the Sirens (oil on canvas) (detail of 154170)

Ulysses and the Sirens (oil on canvas) (detail of 154170)
XIR377180 Ulysses and the Sirens (oil on canvas) (detail of 154170) by Belly, Leon-Auguste-Adolphe (1827-77); Musee de l Hotel Sandelin, Saint-Omer

Background imageOarsman Collection: Testimonial to Henry Kelley, the Champion Sculler, 1866

Testimonial to Henry Kelley, the Champion Sculler, 1866

Background imageOarsman Collection: Central Park - The Bridge (colour litho)

Central Park - The Bridge (colour litho)
XJL186994 Central Park - The Bridge (colour litho) by Currier, N. (1813-88) and Ives, J.M. (1824-95); Private Collection; American, out of copyright

Background imageOarsman Collection: Ulysses and the Sirens (oil on canvas)

Ulysses and the Sirens (oil on canvas)
XIR154170 Ulysses and the Sirens (oil on canvas) by Belly, Leon-Auguste-Adolphe (1827-77); Musee de l Hotel Sandelin, Saint-Omer, France; French, out of copyright

Background imageOarsman Collection: Boat Race

Boat Race

Background imageOarsman Collection: The Champion Single Sculls (Max Schmitt in a Single Scull), 1871 (oil on canvas)

The Champion Single Sculls (Max Schmitt in a Single Scull), 1871 (oil on canvas)
XOS1127621 The Champion Single Sculls (Max Schmitt in a Single Scull), 1871 (oil on canvas) by Eakins, Thomas Cowperthwait (1844-1916); 81.9x117.5 cm; Metropolitan Museum of Art, New York

Background imageOarsman Collection: Testimonial to Henry Kelley, the Champion Sculler, 1866

Testimonial to Henry Kelley, the Champion Sculler, 1866

Background imageOarsman Collection: Five Good Emperors, Relief depicting Emperor Trajan (Marcus Ulpius Nerva Traianus, 53 - 117 A. D)

Five Good Emperors, Relief depicting Emperor Trajan (Marcus Ulpius Nerva Traianus, 53 - 117 A. D)
Roman Art - Cast from the Trajan Column (1st-2nd century A.D.). Detail. Emperor Trajan sailing from Brindisi to start the second Dacian war

Background imageOarsman Collection: Seascape. 1868. Oil on canvas. SPAIN. Valencia

Seascape. 1868. Oil on canvas. SPAIN. Valencia. San Pio V Fine Arts Museum

Background imageOarsman Collection: Leisure, sport and fashion in the 1920s. Rowing

Leisure, sport and fashion in the 1920s. Rowing

Background imageOarsman Collection: Procession on the seaside in front of Lazarus

Procession on the seaside in front of Lazarus hospital, Brazil, 18th century. BRAZIL. Rio de Janeiro. National Historical Museum



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"Embracing the Art of Rowing: From Harvard to Venice" Step into the world of oarsmen, where strength and precision merge with grace and camaraderie. Crew teams from prestigious institutions like Harvard University in Massachusetts, USA, epitomize the spirit of rowing as they glide through tranquil waters. In a vintage postcard capturing their essence, we witness their synchronized strokes propelling them towards victory. Delve deeper into history, and you'll encounter legends such as Sir Harcourt Gilbey Gold, immortalized in Vanity Fair by Spy. His prowess on the water symbolizes the dedication and passion that fuels every oarsman's journey. From Marlow Bridge over the River Thames in Buckinghamshire to bump races at Oxford twice a year during 1948 – these iconic locations serve as battlegrounds for rowers seeking glory. Unknown creators captured this intense rivalry on film, showcasing both triumphs and defeats etched forever in time. But it is not just about competition; rowing transcends boundaries. Venture across continents to Venice - La Serenissima - where gondolas gracefully navigate misty canals amidst enchanting reflections. Here lies another facet of rowing's allure – an art form intertwined with tradition and romance. Prince Olaf stands tall among Oxford's esteemed rowers while Harold's ships are blown off course onto Count Guy of Ponthieu's territory according to Bayeux Tapestry's wool embroidery on linen masterpiece. These tales remind us that even centuries ago, rowing held significance beyond mere sport. Travel further back in time to Fingal's Cave in Staffa, Scotland during Queen Victoria’s royal visit in 1847; artist William Barnes Wollen captures this majestic moment when nature meets human endeavor harmoniously. Finally, let us revel in Venezia’s golden age when its grandeur surpassed all others.