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Obscene Collection

"Exploring the Absurdity: A Satirical Journey through Obscene Art" In this captivating collection of art, we delve into the realm of obscenity with a satirical twist

Background imageObscene Collection: Satire on Phrenology

Satire on Phrenology
Satire on the study of Phrenology - a Free Knowledgey - illustrating the worst elements of human behavious illustrated in different zones of the head (including Obscene Language, criminal activity)

Background imageObscene Collection: Nude Danae by Jean Straker

Nude Danae by Jean Straker
A woman reclining on a bed is captured in a shaft of light. A nude study by photographer Jean Straker inspired by the painting Danae by Rembrandt which appeared in his art photography book

Background imageObscene Collection: Misled: The Ambassador of the Rascals Exposes himself from the Window of t Bokki Tavern in

Misled: The Ambassador of the Rascals Exposes himself from the Window of t Bokki Tavern in the Haar Creator
Misled: The Ambassador of the Rascals Exposes himself from the Window of t Bokki Tavern in the Haarlemmerhout, c.1739-before 1750

Background imageObscene Collection: Carving depicting the Judensau, c. 1440 (stone)

Carving depicting the Judensau, c. 1440 (stone)
3609716 Carving depicting the Judensau, c.1440 (stone) by German School, (15th century); Stadtkirche St. Marien, Wittenberg, Germany; Bildarchiv Foto Marburg

Background imageObscene Collection: Frontispiece from a 1860 edition of Leaves of Grass

Frontispiece from a 1860 edition of Leaves of Grass
5668975 Frontispiece from a 1860 edition of Leaves of Grass a collection of poetry by American poet Walt Whitman (engraving) by Schoff

Background imageObscene Collection: Carved misericord in the stalls of Bristol Cathedral (pencil & w / c on paper)

Carved misericord in the stalls of Bristol Cathedral (pencil & w / c on paper)
2831268 Carved misericord in the stalls of Bristol Cathedral (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageObscene Collection: The Devil and the Coquette, copy of an illustration from Der Ritter von Turm

The Devil and the Coquette, copy of an illustration from Der Ritter von Turm
STC202574 The Devil and the Coquette, copy of an illustration from Der Ritter von Turm, Augsburg 1498, used in a History of Magic

Background imageObscene Collection: The Drunk Bacchus, c. 1520 (woodcut)

The Drunk Bacchus, c. 1520 (woodcut)
5858425 The Drunk Bacchus, c.1520 (woodcut) by Grien, Hans Baldung (1484/5-1545); 22A--15.1 cm; German, out of copyright

Background imageObscene Collection: Vanity of Vanities, All is Vanity, after 1800 (engraving)

Vanity of Vanities, All is Vanity, after 1800 (engraving)
2604220 Vanity of Vanities, All is Vanity, after 1800 (engraving) by Langlois, Eustache Hyacinthe (1777-1837); Private Collection; (add.info.: This scatological (obscene)

Background imageObscene Collection: Controversial horse rider Harvey Smith. April 1988 P009733

Controversial horse rider Harvey Smith. April 1988 P009733

Background imageObscene Collection: Fashion - Blouses: Caught in the Act! Snow White and the Seven Dwarfs are celebrated

Fashion - Blouses: Caught in the Act! Snow White and the Seven Dwarfs are celebrated their 50th anniversary last year and have now been arrested for being caught in a compromising position

Background imageObscene Collection: The Crowning with Thorns, from The Passion of Christ, 1597. Creator: Hendrik Goltzius

The Crowning with Thorns, from The Passion of Christ, 1597. Creator: Hendrik Goltzius
The Crowning with Thorns, from The Passion of Christ, 1597

Background imageObscene Collection: Salome title page by Aubrey Beardsley

Salome title page by Aubrey Beardsley
Title page designed by Aubrey Beardsley illustrating the English translation of Oscar Wildes play Salome. The more obscene details were suppressed. Date: 1894

Background imageObscene Collection: It Is Well to Remember, c. 1660-80 (etching)

It Is Well to Remember, c. 1660-80 (etching)
XJF486380 It Is Well to Remember, c.1660-80 (etching) by Schalken or Schalcken, Godfried (1643-1706); Private Collection; (add.info.: Quam meminisse juvat.); Dutch, out of copyright

Background imageObscene Collection: Zottenkermis, fair, Pieter van der Heyden, weduwe Hieronymus Cock, 1570 - 1601

Zottenkermis, fair, Pieter van der Heyden, weduwe Hieronymus Cock, 1570 - 1601

Background imageObscene Collection: Vulgar graffiti in response to public notice: no parking or clamp

Vulgar graffiti in response to public notice: no parking or clamp

Background imageObscene Collection: French Fete Des Fous

French Fete Des Fous
La Fete des fous et des Diacres - the FEAST OF FOOLS, on December 26-28, when the mass is burlesqued and all indulge in obscene dancing and singing in the churches


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"Exploring the Absurdity: A Satirical Journey through Obscene Art" In this captivating collection of art, we delve into the realm of obscenity with a satirical twist. Phrenology, once considered a scientific study of character based on skull shape, is hilariously mocked as we question its validity in today's world. Jean Straker's "Nude Danae" challenges societal norms by presenting an unabashed portrayal of the human form. With bold strokes and daring composition, Straker invites us to reconsider our perception of nudity and embrace our natural selves. A controversial carving from the 15th century, depicting the Judensau or "Jew pig, " forces us to confront historical prejudices and reflect on how far we have come in terms of tolerance and acceptance. John Cleland's scandalous "Memoirs of a Woman of Pleasure" takes us on an erotic journey through literature. This provocative title page teases readers with its suggestive imagery, reminding us that pleasure has always been an integral part of human experience. Transporting us back to ancient Greece, an Attic black-figure cup adorned with a Gorgon's head tondo captures our attention. Surrounding it are six reclining men attending a symposium—a scene that both intrigues and amuses as we ponder their conversations over wine-filled evenings. Moving forward in time but still embracing classical themes, another Attic black-figure cup entices us with its depiction of revelry at a symposium. We can't help but wonder what tales these ancient partygoers shared while indulging in merriment. A whimsical frontispiece from Leaves of Grass adds another layer to this eclectic mix. Walt Whitman's iconic work comes alive as we witness his celebration of life and freedom through vivid illustrations that challenge societal conventions. Bristol Cathedral surprises us with a carved misericord featuring devilish figures amidst religious surroundings—a reminder that even within sacred spaces, the absurd and irreverent can find a place.