Ohara Koson Collection

Egret In The Rain
Ohara Koson

Peacock - Cropped
Ohara Koson

White Chinese Geese Swimming by Reeds
Ohara Koson

Two Women In The Rain
Ohara Koson

Crow On Snowy Branch
Ohara Koson

Peacock - Wide
Ohara Koson

Heron In The Snow
Ohara Koson

Two Wild Ducks In Flight Ohara Koson Japan Japanese
Two Wild Ducks in Flight, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Five Seagulls Above A Turbulent Sea Five Seagulls
Five Seagulls Above a Turbulent Sea by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Great Spotted Woodpecker in Tree with Red Ivy by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Rabbits at Full Moon by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Five Seagulls Above a Rock in the Sea by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Tiger by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Irises by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Two moorhens (Gallinula tenebrosa) and irises, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Two Women in the Rain, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Bohemian waxwing (Bombycilla garrulus), by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Kingfisher and Irises, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Three Seagulls, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Five Chicks, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Two Wild Ducks in the Water, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Two Peacocks on a Tree Branch, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Two Little Egrets in Flight, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Four Fishing Boats, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Two Pigeons on a Branch with Autumn Leaves, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Birds and Plants, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Egret, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Chicken and Rooster, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Two Veiled Goldfish, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Great Tit on Paulownia Branch, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Kingfisher on Tree Stump, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Kingfisher Hunting For Fish, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Two Geese, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

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Ohara Koson, a renowned Japanese artist of the late 19th and early 20th centuries, captivated audiences with his exquisite prints and paintings. His attention to detail and ability to capture the beauty of nature is evident in his diverse range of works. In one piece, "Peacock - Cropped, " Koson skillfully portrays the majestic peacock's vibrant feathers against a muted background, highlighting its regal presence. The intricate patterns on each feather seem to come alive under his brush strokes. Another masterpiece by Koson is "White Chinese Geese Swimming by Reeds. " This serene scene depicts graceful geese gliding through calm waters surrounded by lush reeds. The tranquility captured in this artwork transports viewers into a peaceful oasis. Koson also showcases his talent for capturing human emotions in "Two Women In The Rain. " With delicate brushwork, he portrays two women seeking shelter from the rain under an umbrella. Their expressions convey both vulnerability and resilience amidst the downpour. "Crow On Snowy Branch" reveals Koson's ability to depict contrasting elements within nature. Against a snowy backdrop, a solitary crow perches on a branch with striking precision. This juxtaposition creates an intriguing visual narrative that leaves viewers pondering its deeper meaning. In another work titled "Peacock - Wide, " Koson presents us with a wider perspective of this magnificent bird's plumage. Each stroke seems purposeful as it brings forth the intricate details that make up its grandeur. "Egret In The Rain" captures yet another mesmerizing moment where Koson showcases his mastery over depicting birds in their natural habitat. Through subtle shades of gray and soft lines, he conveys both elegance and vulnerability as an egret stands tall amidst rainfall. "Heron In The Snow" further exemplifies Koson's talent for portraying birds against contrasting backgrounds. Here we witness a heron gracefully navigating through snow-covered branches—a testament to their adaptability and resilience.