Ohara Matao Collection

Great Spotted Woodpecker in Tree with Red Ivy by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Rabbits at Full Moon by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Five Seagulls Above a Rock in the Sea by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Tiger by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Irises by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Two moorhens (Gallinula tenebrosa) and irises, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Two Women in the Rain, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Bohemian waxwing (Bombycilla garrulus), by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Kingfisher and Irises, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Three Seagulls, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Five Chicks, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Two Wild Ducks in the Water, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Two Peacocks on a Tree Branch, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Two Little Egrets in Flight, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Four Fishing Boats, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Two Pigeons on a Branch with Autumn Leaves, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Birds and Plants, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Egret, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Chicken and Rooster, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Two Veiled Goldfish, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Great Tit on Paulownia Branch, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Kingfisher on Tree Stump, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Kingfisher Hunting For Fish, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

Two Geese, by Japanese artist Ohara Koson, 1877 - 1945. Ohara Koson was part of the shin-hanga, or new prints movement

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"Ohara Matao: A Master of Capturing Nature's Beauty" Step into the enchanting world of Ohara Matao, a renowned Japanese artist whose exquisite works celebrate the wonders of nature. From delicate birds perched on branches to vibrant flowers blooming in full glory, Matao's art transports us to a realm where wildlife and plants intertwine harmoniously. In his masterpiece "Bohemian Waxwing, " Matao skillfully portrays the elegant bird with its distinctive plumage, capturing every intricate detail that makes it truly mesmerizing. The painting exudes a sense of tranquility as we witness this magnificent creature in its natural habitat. Matao's fascination with avian life continues in "Five Chicks" and "Chicken and Rooster. " These charming depictions showcase the tender bond between mother hens and their adorable offspring, reminding us of the nurturing instincts found within all living beings. Birds are not his sole focus; Matao also showcases his talent for portraying serene landscapes. In "Two Wild Ducks in the Water, " he captures the serenity of a tranquil pond adorned by graceful waterfowl gliding effortlessly across its surface. Similarly, "Two Peacocks on a Tree Branch" presents these majestic creatures amidst lush foliage, their iridescent feathers shimmering under dappled sunlight. Moving beyond feathered friends, Matao explores other facets of nature through pieces like "Egret" and "Kingfisher and Irises. " These artworks highlight his ability to blend flora seamlessly with fauna – showcasing how they coexist symbiotically within our ecosystem. Matao's attention to detail is evident once again in paintings such as "Great Tit on Paulownia Branch" and "Kingfisher Hunting For Fish. " Each brushstroke brings forth an incredible level of realism that allows us to appreciate even the tiniest nuances present in these captivating scenes. Finally, we encounter glimpses into the human connection with nature in "Four Fishing Boats.