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Opera Collection (page 8)

"Captivating and Timeless: A Journey into the World of Opera" Step into a world where emotions soar, stories unfold, and music transcends boundaries

Background imageOpera Collection: Christine Nilsson / Cdv

Christine Nilsson / Cdv
CHRISTINA NILSSON Swedish opera singer as Violetta in Verdis La Traviata

Background imageOpera Collection: Verdi / Otello / Liebig Card

Verdi / Otello / Liebig Card
Otello arrives in Cyprus, a triumphant hero

Background imageOpera Collection: Strauss / Salome / At NY Met

Strauss / Salome / At NY Met
Salome performs her dance of the seven veils during a production at the Metropolitan Opera, New York, in 1907

Background imageOpera Collection: Rimsky, Snow Maiden 3

Rimsky, Snow Maiden 3
( Snegurochka ) Bobilicka, a peasant woman with whom the Snow Maiden goes to live

Background imageOpera Collection: Puccini / Butterfly / Record

Puccini / Butterfly / Record
Complete on 16 records, at 4 shillings and sixpence each, or complete for three pounds and twelve shillings - at least 100 pounds in todays money !

Background imageOpera Collection: Mussorgsky / Boris / Costume

Mussorgsky / Boris / Costume
Costume design for Boris

Background imageOpera Collection: Pinafore / Programme 2

Pinafore / Programme 2
Inside pages of the programme for the original production, naming George Grossmith as Sir Joseph Porter

Background imageOpera Collection: G&s / Patience (Photo)

G&s / Patience (Photo)
Winifred Lawson as Patience, the country girl who appeals to the aesthetes

Background imageOpera Collection: Flotow Martha Quartet

Flotow Martha Quartet
The delightful spinning quartet from Act Two, as the two posh ladies, disguised as country girls, reveal their inability to perform mundane household tasks

Background imageOpera Collection: Traviata - Liebig - 5

Traviata - Liebig - 5
Act two, scene 19 : at Floras ball, Alfredos father rebukes his behaviour, and the Baron, Violettas former protector, challenges him to a duel

Background imageOpera Collection: Magic Flute Liebig 2

Magic Flute Liebig 2
(The Magic Flute) Act 1, Scene 6 : Tamino is presented to the Queen of the Night by his three rescuers; he vows to rescue her daughter Pamina, kidnapped by Sarastro

Background imageOpera Collection: Berlioz Faust Liebig 4

Berlioz Faust Liebig 4
Mephistopheles and Faust ride towards the abyss - demons line the route

Background imageOpera Collection: Faust - Liebig - 1

Faust - Liebig - 1
FAUST Mephistopheles, summoned by Faust, shows him a vision of Marguerite, whereupon he signs a pact exchanging his soul for youth and pleasure

Background imageOpera Collection: Blackpool Opera House

Blackpool Opera House
Interior view during a performance of Gilbert & Sulivans The Pirates of Penzance

Background imageOpera Collection: Parsifal - Liebig 1

Parsifal - Liebig 1
Act one : Amfortas and his Holy Knights

Background imageOpera Collection: Gotterdammerung Bayreuth

Gotterdammerung Bayreuth
Act two : stage performance at Bayreuth

Background imageOpera Collection: Act 2 at Bayreuth 1908

Act 2 at Bayreuth 1908
Act two - as performed at Bayreuth in 1908

Background imageOpera Collection: Wagner / Faustin

Wagner / Faustin
RICHARD WAGNER German opera composer and conductor extraordinaire, astonishing everybody with his Music of the Future

Background imageOpera Collection: Wagner / Materna / Kikeriki

Wagner / Materna / Kikeriki
RICHARD WAGNER German composer, with the celebrated opera singer Mme Materna, taking part in a Wagnerian performance on a hot day in Paris in 1890

Background imageOpera Collection: Puccini / Boheme / Paris

Puccini / Boheme / Paris
LA BOHEME assorted scenes from the first Paris performance

Background imageOpera Collection: Laclos / Liaisons / Valmont

Laclos / Liaisons / Valmont
Le Vicomte de Valmont uses his mistress, Opera as a writing desk whilst writing to the virtuous Mme. Tourvel, whom he plans to seduce

Background imageOpera Collection: Music Scores / Berlioz

Music Scores / Berlioz
part of the score of Berliozs La Damnation de Faust, first performed in December 1846, and later turned into an opera

Background imageOpera Collection: Rossini Balestrieri

Rossini Balestrieri
GIOACCHINO ROSSINI composing his opera Il Barbieri di Seviglia, first performed on 20 February 1816

Background imageOpera Collection: Puccini Butterfly Letter

Puccini Butterfly Letter
Finally, a letter from Pinkerton

Background imageOpera Collection: Social / Paris Opera 1912

Social / Paris Opera 1912
The audience arrives at the Opera, Paris Date: circa 1912

Background imageOpera Collection: Brunnhilde and her Papa

Brunnhilde and her Papa
Act 3 : Brunnhilde pleads with Wotan, her father, to spare her the humiliation he proposes to inflict upon her

Background imageOpera Collection: L ELISIR D AMORE 1929

L ELISIR D AMORE 1929
L ELISIR D AMORE 1. Schipa & Saraceni 2. Act 1 Scene 2 at La Scala, Milan, Italy

Background imageOpera Collection: View of the Salle de Bal with a Performance of Rinaldo and Armida, 1688

View of the Salle de Bal with a Performance of Rinaldo and Armida, 1688
XIR187832 View of the Salle de Bal with a Performance of Rinaldo and Armida, 1688 (oil on canvas) by Cotelle, Jean the Younger (1642-1708); 200x140 cm; Chateau du Grand Trianon, Versailles

Background imageOpera Collection: Theaterloge / Theater Box (colour litho)

Theaterloge / Theater Box (colour litho)
8666212 Theaterloge / Theater Box (colour litho) by Christophe (Colomb, Georges) (1856-1945); Private Collection; (add.info.: Theaterloge)

Background imageOpera Collection: 8626299

8626299

Background imageOpera Collection: 8626144

8626144

Background imageOpera Collection: Countess Almalviva and Susanna, from The Marriage of Figaro (engraving)

Countess Almalviva and Susanna, from The Marriage of Figaro (engraving)
8631131 Countess Almalviva and Susanna, from The Marriage of Figaro (engraving) by English School, (19th century); Private Collection; (add.info.: Countess Almalviva and her maid Susanna)

Background imageOpera Collection: Aida, by Verdi, 1879 (sketch)

Aida, by Verdi, 1879 (sketch)
8698381 Aida, by Verdi, 1879 (sketch) by Lacroix, Eugene (1858-1950); Bibliotheque-Musee de l'Opera Garnier, Paris, France; (add.info.: Music)

Background imageOpera Collection: The Damnation of Faust, c.1900 (illustration)

The Damnation of Faust, c.1900 (illustration)
8698469 The Damnation of Faust, c.1900 (illustration) by Fraipont, Gustave (1849-1923); (add.info.: Music. La damnation de Faust (The Damnation of Faust), opera by Hector Berlioz (1845)

Background imageOpera Collection: Ludwig Schnorr von Carolsfeld

Ludwig Schnorr von Carolsfeld
5308226 Ludwig Schnorr von Carolsfeld.; (add.info.: Portrait of Ludwig Schnorr von Carolsfeld (1836-1865) a German Heldentenor

Background imageOpera Collection: Leibig card depicting the opera Lohengrin, by the German composer, Richard Wagner

Leibig card depicting the opera Lohengrin, by the German composer, Richard Wagner. 19th century (chromolithograph)
5669590 Leibig card depicting the opera Lohengrin, by the German composer, Richard Wagner. 19th century (chromolithograph); Universal History Archive/UIG.

Background imageOpera Collection: Character of 'The Barber of Seville', 19th century (engraving)

Character of "The Barber of Seville", 19th century (engraving)
FGL5466008 Character of "The Barber of Seville", 19th century (engraving); (add.info.: Character of "The Barber of Seville" (Il barbiere di Siviglia)

Background imageOpera Collection: Woman in fancy dress costume as Night (la Nuit), 1880s (lithograph)

Woman in fancy dress costume as Night (la Nuit), 1880s (lithograph)
5893506 Woman in fancy dress costume as Night (la Nuit), 1880s (lithograph); (add.info.: Woman in costume as Night (la Nuit) in a dress decorated with stars and zodiac signs for a masquerade ball

Background imageOpera Collection: Sylvie Flour in Mille & Une Nuits at the Theatre du Chatelet, 1881 (lithograph)

Sylvie Flour in Mille & Une Nuits at the Theatre du Chatelet, 1881 (lithograph)
5893504 Sylvie Flour in Mille & Une Nuits at the Theatre du Chatelet, 1881 (lithograph); (add.info.: Sylvie Flour as the First Bazaar Merchant in Mille & Une Nuits at the Theatre du Chatelet, 1881)

Background imageOpera Collection: Woman in costume of Spring for a masquerade ball, 1880s (lithograph)

Woman in costume of Spring for a masquerade ball, 1880s (lithograph)
5893502 Woman in costume of Spring for a masquerade ball, 1880s (lithograph); (add.info.: Woman in costume of spring (le printemps) for a masquerade ball. Costume designed by M. Robin

Background imageOpera Collection: Women in costume as Bebe designed by Alfred Grevin, 1880s (lithograph)

Women in costume as Bebe designed by Alfred Grevin, 1880s (lithograph)
5893499 Women in costume as Bebe designed by Alfred Grevin, 1880s (lithograph); (add.info.: Woman in costume as Bebe designed by the caricaturist Alfred Grevin)

Background imageOpera Collection: Woman in costume as a lawyer from the comedy Le Divorce

Woman in costume as a lawyer from the comedy Le Divorce
5893490 Woman in costume as a lawyer from the comedy Le Divorce.; (add.info.: Woman in costume as a lawyer from the comedy Le Divorce, Paris, late 19th century)

Background imageOpera Collection: Emilie Mily Meyer, French soprano, 1879 (lithograph)

Emilie Mily Meyer, French soprano, 1879 (lithograph)
5893488 Emilie Mily Meyer, French soprano, 1879 (lithograph); (add.info.: Emilie Mily Meyer, French soprano, as Jacqueline in the operetta La Petite Mademoiselle (1879)

Background imageOpera Collection: Mlle. Leocadie Lemercier as Petronille in 'Le Sourd ou l'Auberge Pleine' at the Opera Comique

Mlle. Leocadie Lemercier as Petronille in "Le Sourd ou l'Auberge Pleine" at the Opera Comique
5855429 Mlle. Leocadie Lemercier as Petronille in "Le Sourd ou l'Auberge Pleine" at the Opera Comique; (add.info.: French soprano opera singer Mlle)

Background imageOpera Collection: Mlle. Duprez as Angela in 'Marco Spada' at the Opera Comique

Mlle. Duprez as Angela in "Marco Spada" at the Opera Comique
5855420 Mlle. Duprez as Angela in "Marco Spada" at the Opera Comique.; (add.info.: Mlle. Caroline Duprez as Angela in "Marco Spada" at the Opera Comique)

Background imageOpera Collection: Bignon in the role of Raoul de Foulques in 'Richard III.'

Bignon in the role of Raoul de Foulques in "Richard III."
5855414 Bignon in the role of Raoul de Foulques in "Richard III."; (add.info.: Bignon in the role of Raoul de Foulques in "Richard III." Married to the celebrated Madame Albert)

Background imageOpera Collection: Louis-Henri Obin in the role of Nicephore, emperor of the Orient

Louis-Henri Obin in the role of Nicephore, emperor of the Orient, in "le Juif Errant" at the Theatre de
5855409 Louis-Henri Obin in the role of Nicephore, emperor of the Orient, in "le Juif Errant" at the Theatre de l'Opera.; (add.info.: Louis-Henri Obin in the role of Nicephore)

Background imageOpera Collection: Gouget as Belphegor in 'Les Cinq Cents Diables' at the Gaite

Gouget as Belphegor in "Les Cinq Cents Diables" at the Gaite
5855477 Gouget as Belphegor in "Les Cinq Cents Diables" at the Gaite.; (add.info.: Desire Louis Eugene Gouget (d.1897)



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"Captivating and Timeless: A Journey into the World of Opera" Step into a world where emotions soar, stories unfold, and music transcends boundaries. Opera, an art form that has enthralled audiences for centuries, is a symphony of passion and drama. From the haunting melodies of Puccini's "Madame Butterfly" to the heart-wrenching score of "La Boheme, " opera transports us to realms beyond imagination. Giacomo Puccini, a master composer revered for his evocative works, weaves tales that resonate with our deepest emotions. The iconic opera scores like "Turandot" and "Tosca" have become timeless classics cherished by generations. As we gaze upon the enchanting cover art depicting these operas' essence, we are reminded of their enduring beauty. Gilbert & Sullivan Operas bring a touch of whimsy to this grand tradition. The D'Oyly Carte Souvenir captures the spirit of these delightful productions that blend humor with musical brilliance. With posters from their first production like H. M. S Pinafore adorning walls, they remind us that laughter too finds its place in this captivating realm. The allure doesn't end there; ballet intersects with opera as graceful ballerinas take center stage alongside soaring voices. Anna Pavlova's ethereal presence in her 1910s portrait reminds us how dance intertwines seamlessly with this mesmerizing art form. It also boasts legendary performers who have left an indelible mark on its history. Maria Callas graces our memories not only for her extraordinary vocal prowess but also for her impeccable style captured in stunning Dior ensembles. Advertisements from yesteryears transport us back to moments when Verdi's operatic genius filled theaters worldwide. These vintage adverts serve as reminders of how opera has always been more than just music—it is a cultural phenomenon that captivates hearts across time. And who can forget the visionary Richard Wagner, whose compositions revolutionized opera?