Orphan Asylum Collection

Some Leading London Jews (engraving)
1046735 Some Leading London Jews (engraving) by English School, (19th century); Private Collection; (add.info.: Some Leading London Jews)

Old chimneypiece from the Orphan Asylum, Hooks Mills, 1828 (pencil & w / c on paper)
2832523 Old chimneypiece from the Orphan Asylum, Hooks Mills, 1828 (pencil & w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Scraps and Sketches: Preservation, An African Settlement
2909744 Scraps and Sketches: Preservation, An African Settlement, Spoon-bill, Botheration, A Vane Man, pub. 1831 (hand coloured engraving) by Cruikshank

2 Scenes from the life of Jonah on an Old Oak Chest in the Orphan Asylum
2832528 2 Scenes from the life of Jonah on an Old Oak Chest in the Orphan Asylum, Hooks Mills, 1828 (pencil & w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery

Old Oak Chest in the Orphan Asylum, Hooks Mills with detail of panel
2832527 Old Oak Chest in the Orphan Asylum, Hooks Mills with detail of panel (Colossus of Rhodes), 1828 (pencil & w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery

Panel from an Old Oak Chest in the Orphan Asylum, Hooks Mills
2832526 Panel from an Old Oak Chest in the Orphan Asylum, Hooks Mills, showing wood gathering during a winter month, 1828 (pencil & w/c on paper) by Manning

Panel from an Old Oak Chest in the Orphan Asylum, Hooks Mills
2832524 Panel from an Old Oak Chest in the Orphan Asylum, Hooks Mills, showing a feast scene in January, 1828 (pencil & w/c on paper) by Manning

Arrival of the Prince and Princess of Wales to lay the Foundation-Stone of the Orphan Asylum at Watford (engraving)
1104122 Arrival of the Prince and Princess of Wales to lay the Foundation-Stone of the Orphan Asylum at Watford (engraving) by English School

Lone Mountain Orphan Asylum Carleton Watkins
Lone Mountain, from the Orphan Asylum; Carleton Watkins (American, 1829 - 1916); San Francisco, California, United States; about 1868; Albumen silver print

The Orphan Asylum, Charleston, S. C. used as a hospital for sick and wounded Federal
The Orphan Asylum, Charleston, S.C. used as a hospital for sick and wounded Federal Soldiers, USA, US, Vintage photography

The Orphan Asylum at Charleston, South Carolina. Wood engraving, 1857
CHARLESTON, 1857. The Orphan Asylum at Charleston, South Carolina. Wood engraving, 1857

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"Preserving History: Exploring the Orphan Asylum Through Art and Engravings" Step into the past as we delve into the captivating world of the Orphan Asylum, a place that holds tales of resilience, compassion, and hope. Through various mediums such as engravings, sketches, and paintings, this 150-year-old institution comes to life before our eyes. The journey begins with an engraving titled "Some Leading London Jews, " showcasing influential figures who played a pivotal role in supporting the orphanage. Their benevolence paved the way for countless children to find solace within its walls. Moving on, we encounter an exquisite old chimneypiece from Hooks Mills' Orphan Asylum dating back to 1828. The delicate pencil and watercolor strokes on paper capture both its grandeur and history—a testament to the craftsmanship of yesteryears. Amongst these preserved scraps and sketches lies a poignant piece titled "Preservation: An African Settlement. " It serves as a reminder that even amidst adversity, unity can be found. This artwork reflects how diverse backgrounds converged within these asylum walls—children finding refuge regardless of their origins. As we explore further, scenes from Jonah's life adorn an ancient oak chest housed in Hooks Mills' Orphan Asylum. Each panel tells a story—a tale of struggle followed by redemption—an allegory resonating deeply with those who sought shelter here. The arrival of royalty adds another chapter to this remarkable narrative—the Prince and Princess of Wales gracing Watford's Orphan Asylum for its foundation-stone laying ceremony. This momentous occasion symbolizes societal recognition—elevating these vulnerable children onto a platform where their voices are heard. Returning once more to the intricacies carved upon oak panels reveals not only artistic mastery but also glimpses into daily life at Hooks Mills' Orphan Asylum. These fragments offer insight into cherished memories held dear by generations long gone, reminding us of the enduring legacy this institution carries.