Osona Collection

Triptych of the Virgin Mary, tempera on panel, c. 1400 to 1430. In the central panel the Virgin and Child among musical angels and in the side tables saints Catherine and Eulalia

Ramon Borrell II (972-1017)
3499681 Ramon Borrell II (972-1017); (add.info.: Ramon Borrell II (972-1017). Count of Barcelona (992-1017), Girona and Osona

Adoration of the Magis, 15th century (tapestry)
CUL4934665 Adoration of the Magis, 15th century (tapestry); (add.info.: Embroidered altar frontal Vic Episcopal Museum GERONA. Sant Joan de les Abadesses); AIC

Placa Major, Vic, Catalonia, Spain

Spain Vic Spanish Civil War Anti Aerial Shelters
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Sale to Radulf, son of Count Guifre I el Pelos (Wilfred I the Hairy), of a vineyard located in the county of Osona, parchment document, dated May 30, 911

Christ in Majesty (Maiestas domini). Second illuminated capital letter in De Civitate Dei Libri XXII, work of St. Augustine, manuscript on parchment made?

Sacramentary of Vic, manuscript on parchment dated August 31, 1038 and made, following a handwritten note at page 100, on the occasion of the consecration of the Romanesque cathedral of Vic

Andalusian gold dinar, also called Mancuso, used in Catalan counties during feudal times

Flagellation of Saint Eulalia, board by Bernat Martorell

Altarpiece of St. Mary Magdalene, detail, colored painting in tempera on wood. Representing various scenes of the life of Mary Magdalene, from the church of Santa Maria Magdalena de Perella

Death of Santa Maria Magdalena, detail of the altarpiece, colored painting in tempera on wood, representing various scenes of the life of Mary Magdalene

Altarpiece of Santa Maria Magdalena, colored painting in tempera on wood, representing various scenes of the life of Mary Magdalene, from the church of Santa Maria Magdalena of Perella

Urn of Sant Bernat Calvo, silver embossed with bas-reliefs and cast elements. Punch of Barcelona, 1701-1728. The Chapter of the Cathedral of Vic commissioned it to the silversmith Joan Matons

Punch of Vic, detail, processional cross, silver gilt and enamelled with sculptural applications, enamel plates and cast elements

Processional Cross (back). Silver gilt and enamelled with sculptural applications, enamel plates and cast elements. The Chapter of the Cathedral of Vic commissioned it on April 5

Processional Cross (front). Silver gilt and enamelled with sculptural applications, enamel plates and cast elements. The Chapter of the Cathedral of Vic commissioned it on April 5

Altarpiece of St. Francis and Franciscan orders. Table of Slaughter of the Innocents. Tempera on wood, 1414-1415, from the Church of the Convent of Santa Clara of Vic

Prehistory. Bronze Age. Vessel. Bell Beaker. From Aiguafreda
Prehistory. Bronze Age. Vessel. Bell Beaker. Iberian Peninsula. From Aiguafreda, Catalonia. Episcopal Museum. Vic. Spain

Romanesque Art. Catalonia. Espinelves. Frontal altar from Saint Vincent. Anonymous. Around 1187. Tempera on wood. The Adoration of the Magi: Melchior, Caspar and Balthasar. Episcopal Museum. VIc

SUNIFRED I (?-950). Detail of Sunyer I, count of Barcelona, Girona and Osona. Genealogy of the Crown of Aragon. ca. 1410. Gothic art. Miniature Painting. SPAIN. Vimbod� Monastery of Poblet

Prehistory. Metal Age. Bronze Age. Bronze spear head. From Castelltercol, Catalonia. Episcopal Museum. Vic. Spain

Prehistory. Metal Age. 1st Iron Age. Bronze axes and bronze spear head. From Ripoll, Catalonia. Episcopal Museum of Vic. Spain

Prehistory. Iron Age. Tubular axes. From El Brull and Plana
Prehistory. Metal Age. Iron Age. Tubular axes. From archaeological site of El Brull and Plana de Vic, Catalonia. Episcopal Museum of Vic. Catalonia. Spain

Prehistory. Iron Age. Pot. Terracota. 7th-6th c. BC. Near Ma
Prehistory. Metal Age. Iron Age. Pot. Gray terracota. 7th-6th century BC. Near Manlleu, Catalonia. Episcopal Museum of Vic. Catalonia, Spain

Prehistoric. Bronze Age. Santa Maria de Besora flat ax. From
Prehistoric. Metal Age. Bronze Age. Santa Maria de Besora flat ax. Ripolles, Catalonia. Episcopal Museum of Vic. Catalonia. Spain

Roman Art. Spain. Terracota pot. From Osona. Episcopal Museu
Roman Art. Spain. Terracota pot. Reddish. From Osona, Catalonia. Episcopal Museum. Vic

Visigothic Art. Spain. 6th-7th century. Glass container. From Merida. Episcopal Museum. Vic. Catalonia

Pins with gilt heads. 2nd-3rd century. From Can Colomer Munm
Roman Art. Pins with gilt heads. 2nd-3rd centuries. From the burial ground of Can Colomer Munmany, Vic Catalonia. Episcopal Museum. Vic

Phoenician art. Spain. Ibiza. Bird-shaped funerary vessel. Episcopal Museum. Vic. Catalonia

Prehistory. Bronze Age. Colsacabra flat ax. Osona, Catalonia
Prehistory. Metal Age. Bronze Age. Colsacabra flat ax. Osona, Catalonia. Episcopal Museum. Vic. Catalonia.. Spain

Ramon Borell I (972-1017). Count of Barcelona
" Ramon Borell I (972-1017). Count of Barcelona (992-1017), Girona and Osona. " Genealogy of the Kings of Aragon". Scroll. Genealogy of the Crown of Aragon. ca. 1410. Gothic art

Aes, Hispanic-Roman coin. SPAIN. Sabadell. Sabadell History Museum. Proc: SPAIN. Vic

The Adoration of the Magi. 15th c. Anonymous painting supposedly made by Valencian painter Rodrigo de Osona. Renaissance art. Oil on wood. SPAIN. Madrid. Prado Museum

SPAIN. CATALONIA. BARCELONA. Vic. Roman temple, built in 2nd c. It houses nowadays the Patronate of Osona Studies. Roman art. Early Empire. Architecture

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Osona, a region in Catalonia, Spain, is a treasure trove of historical and artistic wonders. From the Triptych of the Virgin Mary, a stunning piece of religious art painted with tempera on panel, to the Spanish Civil War Anti Aerial Shelters that bear witness to a tumultuous period in history. Romanesque Art also finds its place in Osona's cultural heritage. The Frontal Altar from Sa Espinelves showcases intricate craftsmanship and devotion. As you wander through Placa Major in Vic, you'll be transported back in time by its medieval charm. The sale of land to Radulf, son of Count Guifre I el Pelos (Wilfred I the Hairy), speaks volumes about Osona's rich feudal past. And if you delve into illuminated manuscripts like De Civitate or Sacramentary of Vic dated August 31st, 1038 - meticulously crafted on parchment - you'll uncover stories that have stood the test of time. Even currency holds historical significance here. The Andalusian gold dinar or Mancuso used during feudal times sheds light on trade and economic exchanges within Catalan counties. Art enthusiasts will marvel at Bernat Martorell's board depicting the Flagellation of Saint Eulalia and the detailed Altarpiece dedicated to St. Mary Magdalene. These colored paintings executed with tempera on wood exude beauty and spirituality. Lastly, we find ourselves captivated by Death itself as depicted in another altarpiece dedicated to Santa Maria Magdalena. This colored painting serves as a poignant reminder of mortality while celebrating faith and devotion. In Osona, each artwork tells a story; each artifact whispers secrets from centuries past, and is an enchanting journey through time where history comes alive before your eyes – an experience not to be missed for any lover of art and culture.