Painted Enamel Collection

Plaque with God The Father Blessing The Virgin, French, late 15th-early 16th century

Plaque with Adoration of the Shephards, French, 15th century. Creator: Unknown
Plaque with Adoration of the Shephards, French, 15th century

Plaque with the Virgin and Child, French, late 15th-early 16th century. Creator: Unknown
Plaque with the Virgin and Child, French, late 15th-early 16th century

Plaque with The Betrayal of Christ, French, 15th century. Creator: Monvaerni
Plaque with The Betrayal of Christ, French, 15th century

Triptych Panel with the Crucifixion, French, early 16th century. Creator: Unknown
Triptych Panel with the Crucifixion, French, early 16th century

Plaque with Christ Carring Cross, French, 16th century. Creator: Unknown
Plaque with Christ Carring Cross, French, 16th century

Plaque with the Crucifixion, French, 16th century. Creator: Unknown
Plaque with the Crucifixion, French, 16th century

Ring with Enamel Bezel, Byzantine, 19th or 20th century (12th-13th century style)

Plaque with the Crucifixion, French, 15th century. Creator: Monvaerni
Plaque with the Crucifixion, French, 15th century

Plaque with the Last Judgement, French, ca. 1500. Creator: Unknown
Plaque with the Last Judgement, French, ca. 1500

Plaque with St. Martin and the Beggar, French, 16th century. Creator: Unknown
Plaque with St. Martin and the Beggar, French, 16th century

Plaque with Saints and Donor, French, 16th century. Creator: Unknown
Plaque with Saints and Donor, French, 16th century

Plaque with the Raising of Lazarus, French, first half 16th century. Creator: Unknown
Plaque with the Raising of Lazarus, French, first half 16th century

Plaque with the Crucifixion, French, 16th century. Creator
Plaque with the Crucifixion, French, 16th century

Candlesticks 1565 Attributed Jean II de Court
Candlesticks, c. 1565. Attributed to Jean II de Court (French, bef 1583). Painted enamel (grisaille) on copper; overall: 33.6 cm (13 1/4 in.)

Candlestick Depicting Triumph Diana 1565 Attributed
Candlestick Depicting the Triumph of Diana, c. 1565. Attributed to Jean II de Court (French, bef 1583). Painted enamel (grisaille) on copper; overall: 33.6 cm (13 1/4 in.)

Candlestick Depicting Five Seven Labors Hercules
Candlestick Depicting Five of the Seven Labors of Hercules, c. 1565. Attributed to Jean II de Court (French, bef 1583). Painted enamel (grisaille) on copper; overall: 33.6 cm (13 1/4 in.)

Salt Dish early 1600s Jean Limousin French 1528
Salt Dish, early 1600s. Jean Limousin (French, 1528-c. 1610). Painted enamel on copper; overall: 8.6 x 14.2 x 14.2 cm (3 3/8 x 5 9/16 x 5 9/16 in.)

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"Marvels of Painted Enamel: A Glimpse into the Artistry of Centuries Past" Step back in time and immerse yourself in the exquisite world of painted enamel. These captivating plaques, triptych panels, and even a Byzantine ring with an enamel bezel transport us to different periods of French and Byzantine history, showcasing the immense talent and craftsmanship that prevailed. One such masterpiece is the "Plaque with God The Father Blessing The Virgin, " originating from late 15th-early 16th century France. This delicate piece depicts a divine blessing bestowed upon the Virgin Mary, evoking a sense of reverence and spirituality. Moving on to another French creation from the 15th century, we encounter the "Plaque with Adoration of the Shepherds. " Its unknown creator skillfully captures this biblical scene filled with awe-struck shepherds paying homage to baby Jesus. The attention to detail is simply breathtaking. The "Plaque with The Betrayal of Christ" by Monvaerni takes us deeper into religious narratives. Created during the same period as its predecessor, this plaque portrays one of Christianity's most poignant moments - Judas' betrayal leading to Christ's crucifixion. It serves as a somber reminder of human frailty amidst divine sacrifice. Speaking of crucifixions, our journey continues through time as we explore an early 16th-century French triptych panel depicting this pivotal event in Christian iconography. Although its creator remains unknown, their artistry shines through each brushstroke conveying both agony and redemption. A striking example from later centuries comes in form of a "Ring with Enamel Bezel, " reminiscent of Byzantine style dating back several hundred years prior. This intricate piece showcases how enameling techniques persisted across generations while adapting to contemporary tastes. Returning once more to France's artistic heritage is another work by Monvaerni - his "Plaque with the Crucifixion.