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Paolo Veronese Collection

Paolo Veronese, a renowned Italian painter of the Renaissance era, left an indelible mark on art history with his masterful creations

Background imagePaolo Veronese Collection: Mars and Venus United by Love, 1570s. Creator: Paolo Veronese

Mars and Venus United by Love, 1570s. Creator: Paolo Veronese
Mars and Venus United by Love, 1570s

Background imagePaolo Veronese Collection: Boy with a Greyhound, c. 1570s (oil on canvas)

Boy with a Greyhound, c. 1570s (oil on canvas)
3492923 Boy with a Greyhound, c.1570s (oil on canvas) by Veronese, (Paolo Caliari) (1528-88); 173.7x101.9 cm; Metropolitan Museum of Art, New York

Background imagePaolo Veronese Collection: Sultan Amurathus III

Sultan Amurathus III
3329414 Sultan Amurathus III; (add.info.: Portrait of Sultan Amurathus III by Paolo Veronese (1528-1588) an Italian Renaissance painter. Dated 16th Century.); Universal History Archive/UIG.

Background imagePaolo Veronese Collection: Paulo Caliari, Italian Renaissance painter

Paulo Caliari, Italian Renaissance painter
5893227 Paulo Caliari, Italian Renaissance painter.; (add.info.: Portrait of Paulo Caliari or Paolo Veronese, Italian Renaissance painter, 1528-1588. Paul Caliari)

Background imagePaolo Veronese Collection: Sultan Amurathus III

Sultan Amurathus III
3330087 Sultan Amurathus III; (add.info.: Illustration of Sultan Amurathus III by Paolo Veronese (1528-1588) an Italian Renaissance painter. Dated 16th Century.); Universal History Archive/UIG.

Background imagePaolo Veronese Collection: Venus and Cupid, 1531-1578. Creator: Simone Peterzano

Venus and Cupid, 1531-1578. Creator: Simone Peterzano
Venus and Cupid, 1531-1578

Background imagePaolo Veronese Collection: Rinaldo and Armida, c16th century. Creator: Anon

Rinaldo and Armida, c16th century. Creator: Anon
Rinaldo and Armida, c16th century

Background imagePaolo Veronese Collection: Sculpture. Creator: Unknown

Sculpture. Creator: Unknown
Sculpture, Unknown date

Background imagePaolo Veronese Collection: 'The Family of Darius Before Alexander' - in the National Gallery - painted by Paul Veronese, 1857

"The Family of Darius Before Alexander" - in the National Gallery - painted by Paul Veronese, 1857
"The Family of Darius Before Alexander" [after the battle of Issus, B.C. 333] - in the National Gallery - painted by Paul Veronese, 1857. Engraving of a painting

Background imagePaolo Veronese Collection: Portrait of Daniele Barbaro, 1556-1562. Creator: Paolo Veronese

Portrait of Daniele Barbaro, 1556-1562. Creator: Paolo Veronese
Portrait of Daniele Barbaro, 1556-1562

Background imagePaolo Veronese Collection: The Choice between Virtue and Passion, 1590-1680. Creator: Unknown

The Choice between Virtue and Passion, 1590-1680. Creator: Unknown
The Choice between Virtue and Passion, 1590-1680

Background imagePaolo Veronese Collection: Venus and Cupid, 1575-1590. Creator: Unknown

Venus and Cupid, 1575-1590. Creator: Unknown
Venus and Cupid, 1575-1590

Background imagePaolo Veronese Collection: Holy Family with Young Saint John, 1550-1575. Creator: Paolo Veronese

Holy Family with Young Saint John, 1550-1575. Creator: Paolo Veronese
Holy Family with Young Saint John, 1550-1575

Background imagePaolo Veronese Collection: The New Picture for the National Gallery - 'The Adoration of the Magi' - painted by Paul Veronese

The New Picture for the National Gallery - "The Adoration of the Magi" - painted by Paul Veronese, 1856. Sir Charles Eastlake has secured to the British nation...a square-shaped Gallery

Background imagePaolo Veronese Collection: Fortitude (or Strength) Flanked by Two Satyrs, n.d. Creator: Paolo Veronese

Fortitude (or Strength) Flanked by Two Satyrs, n.d. Creator: Paolo Veronese
Fortitude (or Strength) Flanked by Two Satyrs, n.d

Background imagePaolo Veronese Collection: Overdoor with Allegorical Male Figure, 17th century. Creator: Paolo Veronese

Overdoor with Allegorical Male Figure, 17th century. Creator: Paolo Veronese
Overdoor with Allegorical Male Figure, 17th century

Background imagePaolo Veronese Collection: Virgin Mary Handing Scapular to Saint Simon Stock, n.d. Creator: Paolo Veronese

Virgin Mary Handing Scapular to Saint Simon Stock, n.d. Creator: Paolo Veronese
Virgin Mary Handing Scapular to Saint Simon Stock, n.d

Background imagePaolo Veronese Collection: Mystic Marriage of Saint Catherine, n.d. Creator: Paolo Veronese

Mystic Marriage of Saint Catherine, n.d. Creator: Paolo Veronese
Mystic Marriage of Saint Catherine, n.d

Background imagePaolo Veronese Collection: Head of a Woman, c.1575. Creator: Paolo Veronese

Head of a Woman, c.1575. Creator: Paolo Veronese
Head of a Woman, c.1575

Background imagePaolo Veronese Collection: Circumcision of the Christ Child (recto); Marriage of the Virgin (verso), c.1577

Circumcision of the Christ Child (recto); Marriage of the Virgin (verso), c.1577

Background imagePaolo Veronese Collection: Overdoor with Satyr and Satyress, 17th century. Creator: Paolo Veronese

Overdoor with Satyr and Satyress, 17th century. Creator: Paolo Veronese
Overdoor with Satyr and Satyress, 17th century

Background imagePaolo Veronese Collection: Happy Union (The Allegory of Love), c.1575 (oil on canvas)

Happy Union (The Allegory of Love), c.1575 (oil on canvas)
8595200 Happy Union (The Allegory of Love), c.1575 (oil on canvas) by Veronese, (Caliari, Paolo) (1528-88); 187.4 x 186.7 cm; National Gallery, London, UK; (add.info.: By Paolo Veronese)

Background imagePaolo Veronese Collection: Carlos V En La Batalla De Muhlberg, (Carlos V at the Battle of Muhlberg), 1548, (c1934)

Carlos V En La Batalla De Muhlberg, (Carlos V at the Battle of Muhlberg), 1548, (c1934). Artist: Paolo Veronese
Carlos V En La Batalla De Muhlberg, (Carlos V at the Battle of Muhlberg), 1548, (c1934). Commemorating the victory of Charles V (1500-1558) over the Schmalkaldic League at Muhlberg on April 24, 1547

Background imagePaolo Veronese Collection: Faith as strength of the republic, 1575-78 (oil on canvas)

Faith as strength of the republic, 1575-78 (oil on canvas)
7294275 Faith as strength of the republic, 1575-78 (oil on canvas) by Veronese, (Caliari, Paolo) (1528-88); Doges Palace, Venice, Italy; (add.info.: Faith as strength of the republic, 1575-78)

Background imagePaolo Veronese Collection: Venice distributing honours, 1577 (fresco)

Venice distributing honours, 1577 (fresco)
7294274 Venice distributing honours, 1577 (fresco) by Veronese, (Caliari, Paolo) (1528-88); Doges Palace, Venice, Italy; (add.info.: Venice distributing honours, 1577, Paolo Caliari)

Background imagePaolo Veronese Collection: Madonna and Infant Jesus between S. Catherine of Alessandria and Peter, detail, 1550 (oil on canvas)

Madonna and Infant Jesus between S. Catherine of Alessandria and Peter, detail, 1550 (oil on canvas)
7292654 Madonna and Infant Jesus between S. Catherine of Alessandria and Peter, detail, 1550 (oil on canvas) by Veronese, (Caliari, Paolo) (1528-88); Museo Civico Palazzo Chiericati, Vicenza

Background imagePaolo Veronese Collection: Madonna and Infant Jesus between S. Catherine of Alessandria and Peter, 1550 (oil on canvas)

Madonna and Infant Jesus between S. Catherine of Alessandria and Peter, 1550 (oil on canvas)
7292667 Madonna and Infant Jesus between S. Catherine of Alessandria and Peter, 1550 (oil on canvas) by Veronese, (Caliari, Paolo) (1528-88); Museo Civico Palazzo Chiericati, Vicenza

Background imagePaolo Veronese Collection: Portrait of Livia Porto Thiene and her daughter Deidamia, 1552 (oil on canvas)

Portrait of Livia Porto Thiene and her daughter Deidamia, 1552 (oil on canvas)
7292788 Portrait of Livia Porto Thiene and her daughter Deidamia, 1552 (oil on canvas) by Veronese, (Caliari, Paolo) (1528-88); Walters Art Museum, Baltimore

Background imagePaolo Veronese Collection: Madonna and Infant Jesus between S. Catherine of Alessandria and Peter, detail, 1550 (oil on canvas)

Madonna and Infant Jesus between S. Catherine of Alessandria and Peter, detail, 1550 (oil on canvas)
7292635 Madonna and Infant Jesus between S. Catherine of Alessandria and Peter, detail, 1550 (oil on canvas) by Veronese, (Caliari, Paolo) (1528-88); Museo Civico Palazzo Chiericati, Vicenza

Background imagePaolo Veronese Collection: Adoration of the Magi, 1573

Adoration of the Magi, 1573
7292492 Adoration of the Magi, 1573 by Veronese, (Caliari, Paolo) (1528-88); Chiesa di Santa Corona, Vicenza, Italy; (add.info.: by Paolo Caliari known as il Veronese, 1573 Vicenza, Church of St)

Background imagePaolo Veronese Collection: The Creation of Eve, 1570-80 (oil on canvas)

The Creation of Eve, 1570-80 (oil on canvas)
5859553 The Creation of Eve, 1570-80 (oil on canvas) by Veronese, (Paolo Caliari) (1528-88); 81--103 cm; The Art Institute of Chicago, IL, USA; (add.info.: Veronese (Paolo Caliari) (1528-88))

Background imagePaolo Veronese Collection: Saint Catherine of Alexandria in Prison, c. 1580-5 (oil on canvas)

Saint Catherine of Alexandria in Prison, c. 1580-5 (oil on canvas)
3492924 Saint Catherine of Alexandria in Prison, c.1580-5 (oil on canvas) by Veronese, (Paolo Caliari) (1528-88); 116.2x83.8 cm; Metropolitan Museum of Art, New York

Background imagePaolo Veronese Collection: Cleopatra VII Philopator. Queen of the Ptolemaic Kingdom of Egypt

Cleopatra VII Philopator. Queen of the Ptolemaic Kingdom of Egypt
7261236 Cleopatra VII Philopator. Queen of the Ptolemaic Kingdom of Egypt. by Piloty, Karl Theodor von (1826-86); Private Collection; (add.info.: Cleopatra VII Philopator, 69 BC-30 BC)

Background imagePaolo Veronese Collection: Paolo Veronese, Italian Renaissance painter. 1817 (etching)

Paolo Veronese, Italian Renaissance painter. 1817 (etching)
7236305 Paolo Veronese, Italian Renaissance painter. 1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Profile portrait of Paolo Caliari, 1528-1588)

Background imagePaolo Veronese Collection: View of the Southern Wall of the Room of the Little Dog, 1560-1561 (fresco)

View of the Southern Wall of the Room of the Little Dog, 1560-1561 (fresco)
2632659 View of the Southern Wall of the Room of the Little Dog, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Maser, Villa Barbaro)

Background imagePaolo Veronese Collection: Universal Harmony surrounded by gods: Zeus with an eagle, Mars, Apollo with the lyre, Venus

Universal Harmony surrounded by gods: Zeus with an eagle, Mars, Apollo with the lyre, Venus, Mercury with caduceus
2632647 Universal Harmony surrounded by gods: Zeus with an eagle, Mars, Apollo with the lyre, Venus, Mercury with caduceus, Diana with dogs, and Saturn, the central octagon of the Hall of Olympus

Background imagePaolo Veronese Collection: Allegories of Winter and Spring (Vulcan and Venus), Southern Wall

Allegories of Winter and Spring (Vulcan and Venus), Southern Wall, lunette above the Door to the Crociera Room
2632642 Allegories of Winter and Spring (Vulcan and Venus), Southern Wall, lunette above the Door to the Crociera Room, Hall of Olympus, 1560-1561 (fresco) by Veronese

Background imagePaolo Veronese Collection: The Nemesis, The Room of the Oil Lamp, 1560-1561 (fresco)

The Nemesis, The Room of the Oil Lamp, 1560-1561 (fresco)
2632627 The Nemesis, The Room of the Oil Lamp, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Maser, Villa Barbaro)

Background imagePaolo Veronese Collection: The Hunter, Hall of Olympus, 1560-1561 (fresco)

The Hunter, Hall of Olympus, 1560-1561 (fresco)
2632625 The Hunter, Hall of Olympus, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Maser, Villa Barbaro)

Background imagePaolo Veronese Collection: God among the clouds, Faith showing the road to Eternity to Charity and Charity leading the Sinner

God among the clouds, Faith showing the road to Eternity to Charity and Charity leading the Sinner
2632629 God among the clouds, Faith showing the road to Eternity to Charity and Charity leading the Sinner and treading precious necklaces, The Room of the Oil Lamp, 1560-1561 (fresco) by Veronese

Background imagePaolo Veronese Collection: The Court of Love, Room of the Conjugal Love, 1560-1561 (fresco)

The Court of Love, Room of the Conjugal Love, 1560-1561 (fresco)
2632638 The Court of Love, Room of the Conjugal Love, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Room of the Conjugal Love)

Background imagePaolo Veronese Collection: Juno, or the Air, detail of the Hall of Olympus, 1560-1561 (fresco)

Juno, or the Air, detail of the Hall of Olympus, 1560-1561 (fresco)
2632657 Juno, or the Air, detail of the Hall of Olympus, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Maser, Villa Barbaro)

Background imagePaolo Veronese Collection: Donna Barbaro, the Hall of Olympus, detail of 2632651, 1560-1561 (fresco)

Donna Barbaro, the Hall of Olympus, detail of 2632651, 1560-1561 (fresco)
2632654 Donna Barbaro, the Hall of Olympus, detail of 2632651, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Maser, Villa Barbaro)

Background imagePaolo Veronese Collection: Donna Barbaro and her nurse, the Hall of Olympus, detail of 2632651, 1560-1561 (fresco)

Donna Barbaro and her nurse, the Hall of Olympus, detail of 2632651, 1560-1561 (fresco)
2632650 Donna Barbaro and her nurse, the Hall of Olympus, detail of 2632651, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Maser)

Background imagePaolo Veronese Collection: View of the Hall of Olympus, east side

View of the Hall of Olympus, east side
2632624 View of the Hall of Olympus, east side by Italian School, (16th century); Villa Barbaro, Maser, Veneto, Italy; (add.info.: View of the Hall of Olympus eastwards; in the background)

Background imagePaolo Veronese Collection: Fortune crowning the Merit, vault of the Room of the Little Dog, 1560-1561 (fresco)

Fortune crowning the Merit, vault of the Room of the Little Dog, 1560-1561 (fresco)
2632661 Fortune crowning the Merit, vault of the Room of the Little Dog, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Maser)

Background imagePaolo Veronese Collection: God among the clouds, Faith showing the road to Eternity to Charity and Charity leading the Sinner

God among the clouds, Faith showing the road to Eternity to Charity and Charity leading the Sinner
2632628 God among the clouds, Faith showing the road to Eternity to Charity and Charity leading the Sinner and treading precious necklaces, The Room of the Oil Lamp, 1560-1561 (fresco) by Veronese

Background imagePaolo Veronese Collection: Perspective with countryside view and carriages, Northern Wall, Bacchus Room, 1560-1561 (fresco)

Perspective with countryside view and carriages, Northern Wall, Bacchus Room, 1560-1561 (fresco)
2632634 Perspective with countryside view and carriages, Northern Wall, Bacchus Room, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto



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Paolo Veronese, a renowned Italian painter of the Renaissance era, left an indelible mark on art history with his masterful creations. One of his notable works is "Mars and Venus United by Love, " painted in the 1570s. In this piece, Veronese skillfully depicts the passionate union between the god of war and the goddess of love. Another captivating artwork by Veronese is "Boy with a Greyhound, " created around the same time. This oil on canvas painting showcases a young boy holding onto a majestic greyhound, symbolizing loyalty and companionship. Veronese's talent extended beyond mythological scenes to religious themes as well. His work titled "Faith as strength of the republic" portrays faith as an essential pillar for societal strength. Painted between 1575-78, this oil on canvas masterpiece exemplifies Veronese's ability to convey profound messages through his art. In "Venice distributing honors, " a fresco completed in 1577, Veronese captures Venice's grandeur and opulence while showcasing its system of awarding honors to deserving individuals. One cannot overlook Veronese's devotion to portraying Madonna and Infant Jesus in various compositions throughout his career. The detail-oriented brushwork evident in pieces like "Madonna and Infant Jesus between S. Catherine of Alexandria and Peter" (1550) demonstrates his meticulous attention to capturing divine grace. Veronese also showcased his skills as a portraitist in works such as "Portrait of Livia Porto Thiene and her daughter Deidamia" (1552). Through delicate strokes, he immortalized their elegance while capturing their unique personalities. The artist further explored biblical narratives with pieces like "Adoration of the Magi" (1573), which depicts the iconic scene where three wise men pay homage to baby Jesus. "The Creation of Eve" (1570-80) reveals Veronese's ability to breathe life into biblical stories.