Parliamentary Reform Collection

Mr. Morley, illustration from Cassells Illustrated History of England
STC385342 Mr. Morley, illustration from Cassells Illustrated History of England (engraving) (sepia photo) by Hodgson, Walker (fl.1892); Private Collection; (add.info.: John Morley)

After the second reading of the First Reform Bill, illustration from Hutchinson
IL370586 After the second reading of the First Reform Bill, illustration from Hutchinsons Story of the British Nation (litho) by McCormick

Chartists attacking the Westgate Hotel, Newport on the 4th November 1839 (oil on canvas)
NWP153559 Chartists attacking the Westgate Hotel, Newport on the 4th November 1839 (oil on canvas) by Howell, W. (fl.mid 19th century); 47.5x70.5 cm; Newport Museum and Art Gallery

The New Parliament Pudding or John Bulls Treat, ca. 1832. Creator: Unknown
The New Parliament Pudding or John Bulls Treat, ca. 1832

Oliver Cromwell 1599-1658. - Gemalde von Schrader, 1934
Oliver Cromwell 1599-1658. 1934. Oliver Cromwell (1599-1658), English soldier and statesman who commanded the forces of Parliament during the English Civil War

Pudding before Meat, 1866. Artist: John Tenniel
Pudding before Meat, 1866. Earl Gr-v-n-r exclaims Why, John! Beef before Pudding! Dizzy adds Ha! Ha! What an Absurd Idea! Lord Russell lifts the lid on the meat dish

The Reform Bill, 1866. Frantic Excitement!!!, 1866. Artist: John Tenniel
The Reform Bill, 1866. Frantic Excitement!!!, 1866. Mr and Mrs John Bull, representing the people of Britain, doze over their newspapers which, without exception

Going Down to the House, 1866. Artist: John Tenniel
Going Down to the House, 1866. Lord Russell remarks Well, Bright, What do you Want? Jonny Bright replies Anything your Honour is Willing to Give me Now

The Officious Passenger, 1866. Artist: John Tenniel
The Officious Passenger, 1866. Lord Russell is shown here as the ships captain. The Officious Passenger is John Bright. At the beginning of January

The Reform Janus, 1860. Here, Janus has the face(s) of Lord Russell, who had recently introduced an unpopular bill for Parliamentary Reform

Four Weighty Authorities on Reform, 1831 (litho)
XJF400670 Four Weighty Authorities on Reform, 1831 (litho) by Grant, Charles Jameson (fl.1830-52); Private Collection; (add.info.: Four figures give their views on reform; a Whig)

More Reform Blessings, 1832 (litho)
XJF400671 More Reform Blessings, 1832 (litho) by English School, (19th century); Private Collection; (add.info.: a tenant approaches his landlord- I should like to know, Sir, why you raised my rent)

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"Parliamentary Reform: Unveiling the Struggles and Triumphs of Democracy" In the annals of history, one cannot overlook the pivotal moments that shaped parliamentary reform. From Mr. Morley's impassioned speeches to the haunting illustrations in Cassells Illustrated History of England, these events have left an indelible mark on our collective consciousness. The Peterloo Massacre of 1819 stands as a stark reminder of the fight for democratic rights. Aquatints depicting this tragic event capture both its brutality and the resilience of those who dared to demand change. The Manchester Heroes engraving further immortalizes their courage, showcasing ordinary citizens standing up against oppression. "The Massacre at St. Peter's, or Britons Strike Home. . " etching by Thomas Tegg echoes the sentiment felt across Britain during this tumultuous period. Its black-and-white photo evokes a sense of urgency and serves as a call to action for all who witness it. After years of struggle, hope emerged with the second reading of the First Reform Bill. An illustration from Hutchinson's chronicles captures this historic moment when progress seemed within reach – a glimmering light amidst dark times. Yet challenges persisted; Chartists attacking Westgate Hotel in Newport on November 4th, 1839 is testament to that fact. Oil on canvas immortalizes their boldness and determination in demanding equal representation for all voices. Amidst these turbulent times, satirical art provided solace and commentary alike. "The New Parliament Pudding or John Bulls Treat, " ca. 1832 humorously portrays political figures indulging in power struggles while Oliver Cromwell's portrait reminds us that even centuries ago, leaders sought change through radical means. George Cruikshank's artwork titled "The Massacre of Peterloo or Britons Strike Home" (1904) encapsulates both tragedy and triumph – reminding us how far we've come since that fateful day in 1819.