Parlor Collection (page 3)

Plan and elevation of a Regency neoclassical villa. Floorplan shows dining room, drawing room, music room, library, hall, staircase, conservatory and passage

Plan and elevation of the Savoy buildings, London, 1736
Plan and elevation of the Savoy, between the Strand and the Thames River, from a view taken in the year 1736 by George Vertue

The Banqueting House, Whitehall, London. Designed by the architect Inigo Jones in the Palladian style with Corinthian and Ionic columns below a balustrade

Leopold George Christian Frederick, Duke of Saxony, Prince of Saxe-Coburg-Saalfeld. Copperplate engraving by Henry Meyer after a portrait by Alfred Edward Chalon from Rudolph Ackermanns Repository of

Perfumery prepared for the Emperor of China by Alex Ross, perfumer with a shop in Bishopsgate Street, London. Handcoloured copperplate engraving from Rudolph Ackermanns Repository of Arts, London

Design for a gothic dairy for a stately home, 1821
Design for a gothic dairy for a stately home. Handcoloured copperplate engraving from Rudolph Ackermanns Repository of Arts, London, 1821

Frontispiece with skeleton of death seated with scythe and globe. Vignettes of death attacking a baby, an invalid, a glutton and a drunkard

Design for the ceiling of the Eating Parlour, Headfort House
XYC284267 Design for the ceiling of the Eating Parlour, Headfort House, 1775 (pen & ink with w/c on laid paper) by Adam, Robert (1728-92); 47.6x64.8 cm; Yale Center for British Art

A Family Group, the Father Seated, the Mother and Daughter Standing, in an Interior
1765065 A Family Group, the Father Seated, the Mother and Daughter Standing, in an Interior, 18th century (oil on canvas) by Wheatley

Friends, (oil on canvas)
984925 Friends, (oil on canvas) by Jones, Francis Coates (1857-1932); 91.5x76.5 cm; Private Collection; (add.info.: Friends. Francis Coates Jones (1857-1932). Oil on canvas

The Seducer, 1929-30 (oil on canvas)
657483 The Seducer, 1929-30 (oil on canvas) by Sickert, Walter Richard (1860-1942); Private Collection; (add.info.: The Seducer. Walter Richard Sickert (1860-1942). Oil on canvas

Group Portrait of the Jacott-Hoppesack Family with a Hound in a Sumptuous Classical
827648 Group Portrait of the Jacott-Hoppesack Family with a Hound in a Sumptuous Classical Interior, a Lady and Gentleman Strolling in a Park Through a Doorway Beyond, (oil on canvas) by Hooch

At the Piano, Madame Juliette Pascal in the Salon of the Chateau de Malrome; Au Piano
825629 At the Piano, Madame Juliette Pascal in the Salon of the Chateau de Malrome; Au Piano, Madame Juliette Pascal dans le Salon du Chateau de Malrome

An Elegant Lady Holding a Fan, 1874 (oil on panel)
827403 An Elegant Lady Holding a Fan, 1874 (oil on panel) by Boldini, Giovanni (1842-1931); 15.8x12.6 cm; Private Collection; (add.info.: An Elegant Lady Holding a Fan. Giovanni Boldini (1842-1931)

The Silence of Pure Innocence Persuades, where Speaking Fails, 1855 (oil on canvas)
1769797 The Silence of Pure Innocence Persuades, where Speaking Fails, 1855 (oil on canvas) by Brooks, Thomas (1818-92); 86.4x116.8 cm; Private Collection; (add.info)

A Memory - In the Italian Villa, (oil on canvas)
984885 A Memory - In the Italian Villa, (oil on canvas) by Chase, William Merritt (1849-1916); 73.6x91.4 cm; Private Collection; (add.info.: A Memory - In the Italian Villa)

An Afternoon Visit, (oil on panel)
827081 An Afternoon Visit, (oil on panel) by Piltz, Otto (1864-1910); 38.5x49.5 cm; Private Collection; (add.info.: An Afternoon Visit. Otto Piltz (1864-1910). Oil on panel

The Music; Beim Musizieren, (pen and black ink and black wash on paper)
823431 The Music; Beim Musizieren, (pen and black ink and black wash on paper) by Ury, Lesser (1861-1931); 20.3x13.3 cm; Private Collection; (add.info.: The Music; Beim Musizieren)

Golden Sunlight, 1895 (oil on canvas)
650552 Golden Sunlight, 1895 (oil on canvas) by Hale, Philip Leslie (1865-1931); 76.2x63.6 cm; Private Collection; (add.info.: Golden Sunlight)

Reading in the Parlor, (oil on canvas)
650375 Reading in the Parlor, (oil on canvas) by American School; 54x37.5 cm; Private Collection; (add.info.: Reading in the Parlor. American School. Oil on canvas)

Henri de Woelmont, 1884 (oil on canvas)
653142 Henri de Woelmont, 1884 (oil on canvas) by Khnopff, Fernand (1858-1921); 26.4x29 cm; Private Collection; (add.info.: Henri de Woelmont. Fernand Khnopff (1858-1921). Oil on canvas. 26.4 x 29cm

Madame Helleu Reading, (black, red and white chalk on paper)
659149 Madame Helleu Reading, (black, red and white chalk on paper) by Helleu, Paul Cesar (1859-1927); 45.7x63.5 cm; Private Collection; (add.info.: Madame Helleu Reading)

The Little Family, (oil on canvas)
658338 The Little Family, (oil on canvas) by Hoog, Bernard de (1866-1943); 101.6x120.7 cm; Private Collection; (add.info.: The Little Family. Bernard de Hoog (1867-1943). Oil on canvas

Travellers, (pencil and watercolour)
659870 Travellers, (pencil and watercolour) by Kilburne, George Goodwin (1839-1924); 36.8x52.7 cm; Private Collection; (add.info.: Travellers. George Goodwin Kilburne (1839-1924)

In the Parlour, (oil on canvas)
822815 In the Parlour, (oil on canvas) by Jones, Francis Coates (1857-1932); 69x56 cm; Private Collection; (add.info.: In the Parlour. Francis Coates Jones (1857-1932). Oil on canvas

Paris: American Ambassadors Residence, the Parlor (b / w photo)
6007930 Paris: American Ambassadors Residence, the Parlor (b/w photo) by French Photographer, (19th century); Private Collection; (add.info.: American Ambassadors Residence, the Parlor)

Paris: Parlor of the Hotel Terminus (b / w photo)
6007785 Paris: Parlor of the Hotel Terminus (b/w photo) by French Photographer, (19th century); Private Collection; (add.info.: Parlor of the Hotel Terminus)

Paris: Parlor of the President of the Chamber of Deputies (b / w photo)
6007973 Paris: Parlor of the President of the Chamber of Deputies (b/w photo) by French Photographer, (19th century); Private Collection; (add.info)

Lady and gentleman wearing a wig in a parlor, 19th century. She says, A wig? Really, I never guessed... She thinks, Its a plain as the nose on your face

Lady and old gentleman in a parlor, 19th century. She says, But how can you live on 6, 000 francs? She thinks, Its enough, you old miser

Gentleman presenting a lady with a necklace in a parlor. She says, Its madness, my friend! Am I worth it? She thinks, The stones are so tiny

Two ladies dressing before a mirror in a parlor, 19th century. She says, The pink really suits you dear. She thinks, And makes you look 10 years older

Two mothers in a parlor with their sons, 19th century. She says, My little Charles isn t in the best of health. She thinks, Nor so common and clumsy

Two ladies talking in a parlor watching a woman paint in oils. She says, How many more virtues and talents... She thinks, To remain a woman

Lady in a parlor being kissed goodbye by an old man. Adieu, see you again. (You old fool.) Handcoloured lithograph by the Gihaut brothers after an illustration by Jean Gabriel Scheffer from Petites

The Blue Dress, (oil on canvas)
657620 The Blue Dress, (oil on canvas) by Lessore, Therese (1884-1945); Private Collection; (add.info.: The Blue Dress. Therese Lessore (1884-1945). Oil on canvas

Portrait of the Daughters of Lawrence Pilkington, 1900 (oil on canvas)
657603 Portrait of the Daughters of Lawrence Pilkington, 1900 (oil on canvas) by Dacre, Susan Isabel (1844-1933); Private Collection; (add.info.: Portrait of the Daughters of Lawrence Pilkington)

Young Boy in an Interior, 1913 (oil on canvas)
657587 Young Boy in an Interior, 1913 (oil on canvas) by Mann, Harrington (1864-1937); Private Collection; (add.info.: Young Boy in an Interior. Harrington Mann (1864-1937). Oil on canvas

A Good Book, 1899 (oil on canvas)
659660 A Good Book, 1899 (oil on canvas) by Hansen, Anne Marie (1852-1941); 79.5x78.8 cm; Private Collection; Photo eChristies Images; Danish, out of copyright

Forfeits, 1872 (oil on panel)
659077 Forfeits, 1872 (oil on panel) by O Neill, George Bernard (1828-1917); 39x53.5 cm; Private Collection; (add.info.: Forfeits. George Bernard O Neill (1828-1917). Oil on panel

The Chess Players, 1876 (oil on wood)
3493272 The Chess Players, 1876 (oil on wood) by Eakins, Thomas Cowperthwait (1844-1916); 29.8x42.6 cm; Metropolitan Museum of Art, New York

In the Farmhouse Parlour, (pencil and charcoal on paper)
1196609 In the Farmhouse Parlour, (pencil and charcoal on paper) by Anker, Albert (1831-1910); 28.5x54 cm; Private Collection; Photo eChristies Images; Swiss, out of copyright

Johnny courting Maria in a parlor while others play cards and sing songs in front of the hearth
FLO4989343 Johnny courting Maria in a parlor while others play cards and sing songs in front of the hearth. Handcoloured copperplate engraving by W

Returning Sails of the Towel Rack (Tenugui-kake no kihan)
2969419 Returning Sails of the Towel Rack (Tenugui-kake no kihan), from the series Eight Views of the Parlor (Zashiki hakkei), c.1766 (colour woodblock print; chuban, surimono) by Harunobu

Painted Salon in the Palace of Schonbrunn Called Marians Drawing Room, Schonbrunn
652010 Painted Salon in the Palace of Schonbrunn Called Marians Drawing Room, Schonbrunn, 1831 (pencil and watercolour) by Nachtmann

Vue de Salon de la Comtesse de Salverte (nee Daru) a Paris
652007 Vue de Salon de la Comtesse de Salverte (nee Daru) a Paris, 1857 (pencil and watercolour heightened with white) by Genaille

A Set of Twelve Illustrations to Tristram Shandy, (pen and grey ink and watercolour)
651811 A Set of Twelve Illustrations to Tristram Shandy, (pen and grey ink and watercolour) by Nixon, John (1760-1818); 18.4x9.2 cm; Private Collection; (add.info)

Tea Time, (oil on panel)
651435 Tea Time, (oil on panel) by Garrido, Eduardo-Leon (1856-1906); 45.7x55.8 cm; Private Collection; (add.info.: Tea Time. Eduardo Leon Garrido (1856-1949). Oil on panel

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Step into the parlor of Oxton House, Devon, seat of Rev. John Beaumont Swete, and you'll find yourself transported back to a time when poets gathered for lively discussions and breakfast parties. In 1815, the home of poet Samuel Rogers became a hub for literary giants such as William Wordsworth, Robert Southey, Samuel Coleridge, Washington Irving, and even Lord Byron himself. As captured in an engraving by Charles Mottram, these esteemed guests engaged in intellectual banter that shaped the course of English literature. Fast forward to a different setting - aboard RMS Carpathia - where Ida Stanton penned a letter filled with excitement about her recent visit to Devon House I SCREAM ice cream shop in Kingston, Jamaica. The delightful flavors tickled her taste buds as she savored each scoop amidst the vibrant atmosphere. But parlors aren't limited to England or Jamaica; they can be found across continents. Take Sylt in Schleswig-Holstein: inside the Old Frisian House from 1640 on Keitumer Watt lies a parlor that exudes history and charm. Meanwhile, Bloomfield's Holstens Ice Cream Parlor in New Jersey serves up sweet treats while also serving as an iconic location. Traveling further south brings us to Cefalu in Sicily where an ice cream seller entices passersby with their delectable gelato creations. The joy on people's faces is evident as they indulge in this frozen delight against the backdrop of Italy's picturesque streets. Art lovers will appreciate how parlors have been immortalized through various mediums over centuries. "Early Sorrow, " painted on canvas in 1861 captures raw emotions within its strokes while Torii Kiyonaga's prints transport viewers to Japan during the late 18th century with pieces like "A Fan Suggesting a Dispersed Storm" and "A Mirror on a Stand Suggesting the Autumnal Moon.