Parmigianino Collection (page 8)

Helmeted head 17th century Etching 2 5 / 16 x 1 13 / 16
Artokoloro

Drawings Prints, Print, Narcissus, Man Seated Back, Artist, Antonio da Trento, Parmigianino
Drawings and Prints, Print, Narcissus (Man Seated Seen from the Back), Artist, After, Antonio da Trento, Parmigianino (Girolamo Francesco Maria Mazzola), Italian, active Bologna, ca

Seated Goddess Diana recto Studies Nude Male Torso
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Entombment Christ legs outstretched Virgin right
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Saints Peter John healing Sick early 16th century
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St Andrew standing profile view grasping monumental cross
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Left Third Martyrdom Saint Peter Paul 1508-ca
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Male Saint 16th century Etching paper colored
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Holy Family 17th century Etching sheet 6 1 / 8 x 5 1 / 4
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Resurrection early 16th century Etching sheet
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Helmeted head copy reverse Hollar 1662-78 Etching
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Nativity early 16th century Etching sheet 4 11 / 16 x 3 1 / 16
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Virgin Child early 16th century Etching first state
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Standing Female Figure Armor Drawing Sword Minerva
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Virgin Child 1527-1530 Etching printed brown ink
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Marriage Virgin ca 1525 Engraving Sheet 17 15 / 16
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Virgin seated cloud 1580-84 Etching engraving
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Lovers 1527-1530 Etching second state two 5 7 / 8 x 4 1 / 8
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GIAN GALEAZZO SANVITALE. Count of Fontanellato. Mezzotint, American, 19th century, after a painting, 1524, by Parmigianino

Attributed to Parmigianino, Italian (1503-1540), A Skinned Rat, red chalk on laid paper

Wenceslaus Hollar after Parmigianino (Bohemian, 1607 - 1677), Standing Figure, etching

Pieter Holsteyn II after Correggio after Parmigianino (Dutch, c. 1614 - 1673), Isabella d Este, engraving

Hendrik Goltzius in the style of Parmigianino (Dutch, 1558 - 1617), The Visitation, 1593, engraving on laid paper

Anton Maria Zanetti after Parmigianino (Italian, 1679-1680 - 1767), Madonna and Child Enthroned, Saint Jerome and Saint Francis, chiaroscuro woodcut

after Parmigianino, The Sacrifice of Abraham, chiaroscuro woodcut in gray and black on laid paper

Guiseppe Nicolo Vicentino after Parmigianino (Italian, active first half 16th century), The Adoration of the Magi, chiaroscuro woodcut

Parmigianino (Italian, 1503 - 1540), The Entombment, c. 1530, etching and drypoint [second version]

Parmigianino after Raphael (Italian, 1503 - 1540), Peter and John at the Gate of the Temple, etching

Parmigianino (Italian, 1503 - 1540), The Boy and Two Old Men, etching

Ugo da Carpi after Parmigianino (Italian, c. 1480 - 1532), Diogenes, c. 1527, chiaroscuro woodcut printed from 4 blocks: brown line block and 3 tone blocks in brown and green on laid paper

after Parmigianino after Giuseppe Porta, The Presentation in the Temple, chiaroscuro woodcut

John Skippe after Parmigianino (British, 1742 - 1812), Saint John the Evangelist, 1771, chiaroscuro woodcut in light and dark olive green

Parmigianino (Italian, 1503 - 1540), Lucretia, probably c. 1539, watercolor heightened with white over black chalk

Parmigianino (Italian, 1503 - 1540), Jael and Cisera?, c. 1524-1527, red chalk on thin laid paper

The virgin, child and St. John, Parmigianino, 1503-1540, Date Created between ca.1520 and 1700, chiaroscuro woodcut, color, 5 cm x 2 cm

The holy family with St. Margaret and a bishop, Trento, Antonio da, approximately 1508-approximately 1550, artist, Vicentino, Giuseppe Niccolo, approximately 1510-, Parmigianino, 1503-1540

The sacrifice of Abraham, between ca. 1520 and 1700, Parmigianino, 1503-1540

The Virgin in an oval, between ca. 1520 and 1700, Parmigianino, 1503-1540

Diana hunting the stag, between 1530 and 1550. Trento, Antonio da, approximately 1508-approximately 1550, artist, Parmigianino, 1503-1540

The sacrifice, between ca. 1520 and 1700, Parmigianino, 1503-1540

The philosopher Diogenes and the allegory of astronomy, between 1530 and 1550. Trento, Antonio da, approximately 1508-approximately 1550, artist, Parmigianino, 1503-1540

The philosopher, between 1530 and 1550. Trento, Antonio da, approximately 1508-approximately 1550, artist. Parmigianino, 1503-1540

St. John, Trento, Antonio da, approximately 1508-approximately 1550, artist, Parmigianino, 1503-1540. chiaroscuro woodcut, Print showing Saint John carrying a goblet

Jason returning with the golden fleece / a [monogram of Andrea Andreani, approximately 1560-1623] in Mantoua 160, Carpi, Ugo da, 1480-approximately 1532, artist, Parmigianino, 1503-1540

Temperance / a [monogram of Andrea Andreani], between 1540 and 1560. Vicentino, Giuseppe Niccolo, approximately 1510-, artist, Parmigianino, 1503-1540. Andreani, Andrea, approximately 1560-1623

The adoration of the Magi / a [monogram of Andrea Andreani] MDCV. Vicentino, Giuseppe Niccolo, approximately 1510-, artist, Parmigianino, 1503-1540. Andreani, Andrea, approximately 1560-1623

Circe, dating from between 1500 and 1530, Carpi, Ugo da, 1480-approximately 1532, artist, Parmigianino, 1503-1540. Andreani, Andrea, approximately 1560-1623

Nymphs bathing / a [monogram of Andrea Andreani], between 1500 and 1530, printed 1605. Carpi, Ugo da, 1480-approximately 1532, artist, Parmigianino, 1503-1540

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Parmigianino, also known as Francesco Mazzola, was an Italian painter and printmaker born in 1503. His artistic talent emerged at a young age, earning him the nickname "Il Parmigianino" which means "the little one from Parma. " One of his notable works is "David with the Head of Goliath, " a painting that showcases his mastery in capturing emotions and details. Another remarkable piece is the "Portrait of Galeazzo Sanvitale, " where Parmigianino's skillful use of oil on panel creates a lifelike representation. In 1533, Parmigianino painted the iconic "Madonna di san Zaccaria, " depicting the Madonna and Child surrounded by saints. The delicate brushwork and vibrant colors make this artwork truly captivating. Similarly, his masterpiece titled "Virgin and Child with St Margaret and other saints" showcases his ability to create harmonious compositions. "The Holy Family with Mary Magdalene and John the Baptist who embraces Christ" portrays religious figures in an intimate setting, highlighting Parmigianino's attention to detail. On a different note, he explored mythological themes in works like "Venus and Mars Embracing as Vulcan Works at His Forge, " displaying his versatility as an artist. It also ventured into portraiture with pieces such as "The Childs Bath" which depicts innocence through tender moments. In collaboration with Ugo da Carpi, he created prints like "Diogenes, " showcasing their combined talents. Perhaps one of Parmigianino's most famous paintings is the enigmatic "Madonna of the long neck. " This work stands out for its elongated figures and unconventional composition that challenges traditional norms. Additionally, Parmigianino experimented with detached fresco transfers on masonite resulting in intriguing artworks like "Three heads.