Part I Collection

Our Lady of Nazare Church (Largo Nossa Senhora da Nazare). Our Lady of Sorrows. Portugal
7135933 Our Lady of Nazare Church (Largo Nossa Senhora da Nazare). Our Lady of Sorrows. Portugal.; ePascal Deloche/Godong; out of copyright

King Henry IV, Part I, Act II, Scene III (engraving)
971688 King Henry IV, Part I, Act II, Scene III (engraving) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: King Henry IV, Part I, Act II, Scene III)

"For fly he could not, if he would have fled"Henry VI, Part I, Act IV, Scene 4 (colour litho)
969864 " For fly he could not, if he would have fled" Henry VI, Part I, Act IV, Scene 4 (colour litho) by English School

King Henry VI, Act II, Scene III (engraving)
971695 King Henry VI, Act II, Scene III (engraving) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: King Henry VI, Act II, Scene III)

Hotspur and Lady Percy, King Henry IV, Part I, Act II, Scene III (engraving)
727178 Hotspur and Lady Percy, King Henry IV, Part I, Act II, Scene III (engraving) by English School, (19th century); Private Collection; (add.info.: Hotspur and Lady Percy, King Henry IV, Part I)

Shaksperes "Henry IV, Part I"at the Haymarket Theatre (engraving)
1605319 Shaksperes " Henry IV, Part I" at the Haymarket Theatre (engraving) by Pegram, Frederick (1870-1937); Private Collection; (add.info.: Shaksperes " Henry IV)

King Henry IV, Part I, Act V, Scene 4 (engraving)
5211719 King Henry IV, Part I, Act V, Scene 4 (engraving) by Retzsch, Friedrich August Moritz (1779-1857); Private Collection; (add.info.: King Henry IV, Part I, Act V, Scene 4)

"This jarring discord of nobility, this should ring of each other in the Court"Henry VI, Part I, Act IV
969872 " This jarring discord of nobility, this should ring of each other in the Court" Henry VI, Part I, Act IV, Scene 1 (colour litho) by English School

"Your several suits have been considered and debated on"Henry VI, Part I, Act V, Scene 1 (colour litho)
969867 " Your several suits have been considered and debated on" Henry VI, Part I, Act V, Scene 1 (colour litho) by English School

Mr H Marston as Hotspur and Mr F Robinson as Prince Henry, King Henry IV, Part I (engraving)
971691 Mr H Marston as Hotspur and Mr F Robinson as Prince Henry, King Henry IV, Part I (engraving) by English School, (19th century); Private Collection; (add.info)

The Two Roses, Henry VI, Part I, Act II, Scene IV (engraving)
727181 The Two Roses, Henry VI, Part I, Act II, Scene IV (engraving) by Watson, James Dawson (1832-92); Private Collection; (add.info.: The Two Roses, Henry VI, Part I, Act II, Scene IV)

Shakespeare, King Henry IV, Part I, Act II, Scene 3 (chromolitho)
5213824 Shakespeare, King Henry IV, Part I, Act II, Scene 3 (chromolitho) by English School, (19th century); Private Collection; (add.info.: King Henry IV, Part I, Act II, Scene 3)

"My spirit can no longer bear these harms"Henry VI, Part I, Act IV, Scene 7 (colour litho)
969866 " My spirit can no longer bear these harms" Henry VI, Part I, Act IV, Scene 7 (colour litho) by English School

Falstaff (engraving)
664688 Falstaff (engraving) by English School, (19th century); Private Collection; (add.info.: Falstaff. King Henry IV--Part I. Illustration for The Library Shakespeare (William Mackenzie, c 1890)

King Henry IV, Part I, Act III, Scene 3 (engraving)
5211714 King Henry IV, Part I, Act III, Scene 3 (engraving) by Retzsch, Friedrich August Moritz (1779-1857); Private Collection; (add.info.: King Henry IV, Part I, Act III, Scene 3)

Mr Hackett as Falstaff, King Henry IV, Part I (engraving)
971690 Mr Hackett as Falstaff, King Henry IV, Part I (engraving) by English School, (19th century); Private Collection; (add.info.: Mr Hackett as Falstaff, King Henry IV, Part I, Act IV, Scene III)

King Henry IV, Part I, Act V, Scene 4 (engraving)
5211717 King Henry IV, Part I, Act V, Scene 4 (engraving) by Retzsch, Friedrich August Moritz (1779-1857); Private Collection; (add.info.: King Henry IV, Part I, Act V, Scene 4)

King Henry IV, Part I, Act II, Scene 4 (engraving)
5211713 King Henry IV, Part I, Act II, Scene 4 (engraving) by Retzsch, Friedrich August Moritz (1779-1857); Private Collection; (add.info.: King Henry IV, Part I, Act II, Scene 4)

King Henry IV, Part I, Act II, Scene 2 (engraving)
5211712 King Henry IV, Part I, Act II, Scene 2 (engraving) by Retzsch, Friedrich August Moritz (1779-1857); Private Collection; (add.info.: King Henry IV, Part I, Act II, Scene 2)

"How I am brav d, and must perforce endure it"Henry VI, Part I, Act II, Scene 4 (colour litho)
969843 " How I am brav d, and must perforce endure it" Henry VI, Part I, Act II, Scene 4 (colour litho) by English School

Child Death Part I Opus XI Kind Vom Tode Erster Teil
Child, from On Death, Part I, Opus XI (Kind, Vom Tode, Erster Teil, Opus XI), 1889. Max Klinger (German, 1857-1920). Etching and aquatint

Title page Le feint Alcibiade P Quinault Le theater
Title page for Le feint Alcibiade, in: P. Quinault, Le theater, part I, 1697, (story of) Alcibiades, Caspar Luyken, Amsterdam, paper, etching, h 119 mm × w 65 mm

Title page La Comedie Sans Comedie P Quinault
Title page for La Comedie Sans Comedie, in: P. Quinault, Le theater, part I, 1697, sleeping on the ground - BB - out of doors, Caspar Luyken, Amsterdam, paper, etching, h 119 mm × w 65 mm

Title page Amalasonte P Quinault Le theater part I
Title page for Amalasonte, in: P. Quinault, Le theater, part I, 1697, fainting, swooning, Caspar Luyken, Amsterdam, paper, etching, h 117 mm × w 66 mm

Title page Le Fantosme Amoureux P Quinault Le theater
Title page for Le Fantosme Amoureux, in: P. Quinault, Le theater, part I, 1697, fainting, swooning - BB - out of doors, Caspar Luyken, Amsterdam, paper, etching, h 118 mm × w 94 mm

Small Herculaneum woman set garden exotic animals
Small Herculaneum woman set in garden with exotic animals, Representation des animaux de la menagerie de S.A.S. Monseigneur le prince Eugene Francois de Savoye et de Piemont

Herculaneum woman set garden exotic animals Representation des
Herculaneum woman set in garden with exotic animals, Representation des animaux de la menagerie de S.A.S. Monseigneur le prince Eugene Francois de Savoye et de Piemont

Night Death Part I Opus XI Nacht Vom Tode Erster Teil
Night, from On Death, Part I, Opus XI (Nacht, Vom Tode, Erster Teil, Opus XI), 1889. Max Klinger (German, 1857-1920). Etching and aquatint

Woman Tambourine Liber Studiorum part I plate 3
Artokoloro

Jason Liber Studiorum part I plate 6 June 11
Artokoloro

Drawings Prints, Print, Wie, Till, die, Schneider, duch, Saue, straft, How, Eugenspiegel
Drawings and Prints, Print, Wie Till die Schneider duch Saue straft (How Till Eugenspiegel Punished the Tailors), Heinrich Fuessli sammtliche Werke, 1807, part I, no

Scene French Coast Liber Studiorum part I plate 4
Artokoloro

Bridge Cows Liber Studiorum part I plate 2 June 11
Artokoloro

Drawings Prints, Print, Hercules, Slays, Diomedes, Flesh-Eating, Mares, Apollodorus
Drawings and Prints, Print, Hercules Slays Diomedes and his Flesh-Eating Mares (Apollodorus, II, 5, 8 and Quintus Smyrnaeus, VI, 247-250), Heinrich Fuessli sammtliche Werke, 1807, part I, no

Drawings Prints, Print, Das, Gespenst, des, Dion, Apparition, Appears, Dion, Wielding
Drawings and Prints, Print, Das Gespenst des Dion (The Apparition Appears to Dion Wielding a Broom, Plutarch, Dion, 55), Heinrich Fuessli sammtliche Werke, 1807, part I, no

Drawings Prints, Print, Falstaff Battlefield, Shakespeare, King Henry IV, Part I
Drawings and Prints, Print, Falstaff on the Battlefield (Shakespeare, King Henry IV, Part I, Act 5, Scene 4), Publisher, Subject, Engraver, Artist, After, Hurst, Robinson & Co

Drawings Prints, Print, Prince, Henry, Falstaff, Boars, Head, Tavern, Eastcheap
Drawings and Prints, Print, Prince Henry and Falstaff at the Boars Head Tavern, Eastcheap (Shakespeare, King Henry the Fourth, Part I, Act 2, Scene 4), Publisher, Engraver, Artist, Subject, After

Drawings Prints, Print, Falstaff Bardolph, Road Coventry, Shakespeare, King Henry IV
Drawings and Prints, Print, Falstaff and Bardolph, on a Road near Coventry (Shakespeare, King Henry IV, Part I, Act 4, Scene 2), Publisher, Artist, Subject, Engraver, After, Hurst, Robinson & Co

Drawings Prints, Print, Wie, Till, zur, Barbier, durchs, Fenster, komt, How
Drawings and Prints, Print, Wie Till zur Barbier durchs Fenster komt (How Till Eupenspiegel Came In Through the Barbers Window), Heinrich Fuessli sammtliche Werke, 1807, part I, no

Basle Liber Studiorum part I plate 5 June 11
Artokoloro

King Henry IV Illustration
Illustration of a scene from William Shakespeares play King Henry IV, Part I. (Kean Collection/Getty Images)

Falstaff enacts the part of the king in Henry IV, Part I, Act II, Scene IV
KW469532 Falstaff enacts the part of the king in Henry IV, Part I, Act II, Scene IV, from The Illustrated Library Shakespeare, published London 1890 (colour litho) by Cruikshank

Music and prime numbers, artwork
Music and prime numbers. Artwork of a blackboard displaying the opening of Part I of the Goldberg Variations (1741), an aria and set of 30 variations by German composer Johann Sebastian Bach

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"Part I: A Journey through Art, History, and Drama" Immerse yourself in the captivating world of "Part I, " where various forms of artistic expression intertwine to tell stories that span across time and space. "The Blackbird Song, c. 1908 (oil on canvas)" sets the stage with its melodic strokes, inviting us to embark on a visual symphony that will unfold before our eyes. As we venture further, we find ourselves standing in awe before the majestic "Our Lady of Nazare Church (Largo Nossa Senhora da Nazare). Our Lady of Sorrows. Portugal. " Its grandeur evokes a sense of reverence and spirituality that transcends centuries. Intriguingly, an engraving from "King Henry IV, Part I, Act II, Scene III" captures our attention next. It depicts a pivotal moment when characters face their destinies head-on – a reminder that sometimes one cannot escape their fate even if they desperately desire it. Continuing this theatrical journey is another engraving from "King Henry VI, Act II, Scene III, " which transports us into the heart of political turmoil and power struggles within royal courts. The intensity deepens as we encounter an engraving portraying Hotspur and Lady Percy in "King Henry IV, Part I. " Their complex relationship mirrors the intricate web woven by Shakespeare's pen – love entangled with duty and honor. Moving beyond engravings but still within the realm of theater history is Shaksperes' iconic play brought to life at Haymarket Theatre in yet another enchanting engraving. The vibrancy onstage resonates with audiences who witness tales unfolding right before their eyes. An engraved scene from "King Henry IV, Part I, " Act V brings forth emotions as characters confront each other amidst clashing nobility – reminding us how discord can shape both individuals and societies alike.