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Passerby Collection

In the Museum, a captivating scene unfolds on Fol. 86v as a miraculously cured person encounters two passersby depicted on vellum

Background imagePasserby Collection: Equestrian monument to Giuseppe Garibaldi in Largo Cairoli in Milan

Equestrian monument to Giuseppe Garibaldi in Largo Cairoli in Milan
3563009 Equestrian monument to Giuseppe Garibaldi in Largo Cairoli in Milan by Unknown photographer, (20th century); (add.info.: Largo Cairoli)

Background imagePasserby Collection: Balcony

Balcony
Walk Old Delhi. Prateek Dubey

Background imagePasserby Collection: Postal Square

Postal Square
Alexander Kiyashko

Background imagePasserby Collection: Old town

Old town
Alexander Kiyashko

Background imagePasserby Collection: Winter street

Winter street
Alexander Kiyashko

Background imagePasserby Collection: Podil after the rain

Podil after the rain
Alexander Kiyashko

Background imagePasserby Collection: Andriivskyi Descent

Andriivskyi Descent
Alexander Kiyashko

Background imagePasserby Collection: Podil

Podil
Alexander Kiyashko

Background imagePasserby Collection: Fol. 86v A miraculously cured person meets two passersby (vellum)

Fol. 86v A miraculously cured person meets two passersby (vellum)
ALI142908 Fol.86v A miraculously cured person meets two passersby (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont, Italy; (add.info.: Codex de Predis; ); Alinari

Background imagePasserby Collection: The Abandoned House; La Maison Abandonee, 1887 (oil on canvas)

The Abandoned House; La Maison Abandonee, 1887 (oil on canvas)
825625 The Abandoned House; La Maison Abandonee, 1887 (oil on canvas) by Sisley, Alfred (1839-99); 38.3x55.9 cm; Private Collection; (add.info.: The Abandoned House; La Maison Abandonee)

Background imagePasserby Collection: A Meeting of Umbrellas, pub. 1782 (hand coloured engraving)

A Meeting of Umbrellas, pub. 1782 (hand coloured engraving)
3025936 A Meeting of Umbrellas, pub. 1782 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; The Stapleton Collection; English, out of copyright

Background imagePasserby Collection: Buskers on a street in North London

Buskers on a street in North London
On a street in North London, one man plays the clarinet whilst his disabled partner waits to approach a passer-by for a donation. Date: circa 1940s

Background imagePasserby Collection: Snow, Carcel Road, 1883 (oil on canvas)

Snow, Carcel Road, 1883 (oil on canvas)
988643 Snow, Carcel Road, 1883 (oil on canvas) by Gauguin, Paul (1848-1903); 117x90 cm; Private Collection; (add.info.: Snow, Carcel Road; La Neige, rue Carcel. Paul Gauguin (1848-1903)

Background imagePasserby Collection: Street Scene; Strassenszene, 1913 (oil on canvas)

Street Scene; Strassenszene, 1913 (oil on canvas)
826007 Street Scene; Strassenszene, 1913 (oil on canvas) by Kirchner, Ernst Ludwig (1880-1938); 70x48 cm; Private Collection; (add.info.: Street Scene; Strassenszene)

Background imagePasserby Collection: Young gentleman walking and saluting passerby

Young gentleman walking and saluting passerby on the street, 18th century. Copperplate engraving from The Polite Academy, or Instructions for a Genteel Behaviour and Polite Address in Masters

Background imagePasserby Collection: Road; La Route, c. 1870 (oil on canvas)

Road; La Route, c. 1870 (oil on canvas)
656327 Road; La Route, c. 1870 (oil on canvas) by Pissarro, Camille (1830-1903); 40x31 cm; Private Collection; (add.info.: Road; La Route. Camille Pissarro (1830-1903). Oil on canvas

Background imagePasserby Collection: Group of Four Heads Gray Blue, Folkwang-Study III; Vier Kopfergruppe Graublau

Group of Four Heads Gray Blue, Folkwang-Study III; Vier Kopfergruppe Graublau
824314 Group of Four Heads Gray Blue, Folkwang-Study III; Vier Kopfergruppe Graublau, Folkwang-Studie III, 1928 (oil and tempera on canvas) by Schlemmer

Background imagePasserby Collection: Shirin Bathing, c. 1580 (gouache with gold paint on paper)

Shirin Bathing, c. 1580 (gouache with gold paint on paper)
1196799 Shirin Bathing, c.1580 (gouache with gold paint on paper) by Iranian school (16th century); 21x12 cm; Private Collection; Photo eChristies Images; Iranian, out of copyright

Background imagePasserby Collection: The Parable of the Good Samaritan, (oil on panel)

The Parable of the Good Samaritan, (oil on panel)
990152 The Parable of the Good Samaritan, (oil on panel) by Master of the Prodigal Son, (fl.1530-60); 93.3x124.5 cm; Private Collection; (add.info.: The Parable of the Good Samaritan)

Background imagePasserby Collection: Passerby Enjoying An Evening Concert (colour woodcut)

Passerby Enjoying An Evening Concert (colour woodcut)
1067714 Passerby Enjoying An Evening Concert (colour woodcut) by Utagawa Kuninaga (d.1829); 37.8x75.1 cm; Dallas Museum of Art, Texas, USA; bequest of Mrs. A.E. Zonne; Japanese, out of copyright

Background imagePasserby Collection: Les Passantes

Les Passantes
Laura Mexia

Background imagePasserby Collection: Through the window

Through the window
Lorenza Cancian

Background imagePasserby Collection: Kamuro arresting passerby Jongeman tries keep

Kamuro arresting passerby Jongeman tries keep
Kamuro arresting a passerby, Jongeman tries to keep a kamuro (youngest help from a courtesan) away, while a courtesan, with one foot on the windowsill, watches

Background imagePasserby Collection: Carlisle Bridge and Sackville Street, Dublin (engraving)

Carlisle Bridge and Sackville Street, Dublin (engraving)
XJF476167 Carlisle Bridge and Sackville Street, Dublin (engraving) by English School, (19th century) (after); Private Collection; (add.info.: Now renamed O Connell Bridge)

Background imagePasserby Collection: Berlin University, Berlin (coloured engraving)

Berlin University, Berlin (coloured engraving)
XIR201856 Berlin University, Berlin (coloured engraving) by German School, (19th century); Bibliotheque Nationale, Paris, France; German, out of copyright

Background imagePasserby Collection: America in the Great Depression, 1930s. Men queue for a five-cent meal. Those

America in the Great Depression, 1930s. Men queue for a five-cent meal. Those on left of sign will get their meal, those further up the queue must hope for a generous passerby


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In the Museum, a captivating scene unfolds on Fol. 86v as a miraculously cured person encounters two passersby depicted on vellum. The intricate details and vibrant colors bring this historical moment to life. Moving forward in time, we find ourselves immersed in "The Abandoned House; La Maison Abandonee" painted in 1887. The oil on canvas captures the eerie beauty of an empty dwelling, leaving us wondering about its past inhabitants and their stories. Transporting us to another era is "A Meeting of Umbrellas, " a hand-colored engraving published in 1782. This delightful artwork showcases individuals sheltering under umbrellas amidst bustling streets, reminding us of the timeless charm found in everyday moments. Venturing into North London's streets, we encounter buskers entertaining passersby with their melodic tunes. Their music fills the air with joy and adds vibrancy to the urban landscape. Nature takes center stage with "Snow, Carcel Road" painted in 1883. The artist skillfully captures the serenity and tranquility that descends upon a snow-covered street, contrasting against the warmth emanating from cozy homes nearby. "Street Scene; Strassenszene" painted in 1913 transports us to bustling city streets filled with people going about their daily lives. It serves as a snapshot of urban existence during that period while showcasing different personalities crossing paths. Intriguingly captured is a young gentleman walking confidently while saluting passersby along his way. His gesture reflects politeness and respect for those he encounters—a reminder of how small acts can brighten someone's day. Taking us on an imaginary journey down "La Route, " circa 1870, we are invited to explore an idyllic countryside road surrounded by lush greenery and peaceful solitude—a perfect escape from our busy lives. The enigmatic artwork titled "Group of Four Heads Gray Blue, Folkwang-Study III.