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Pastoralism Collection

"Embracing the Serenity of Pastoralism: A Glimpse into Timeless Traditions" In a captivating black and white photograph captured around 1899

Background imagePastoralism Collection: By The Sea, 1881 (oil on canvas)

By The Sea, 1881 (oil on canvas)
7063397 By The Sea, 1881 (oil on canvas) by Glendening, Alfred Augustus (1840-1921); Private Collection

Background imagePastoralism Collection: Church Pool, Bettws-y-coed (oil)

Church Pool, Bettws-y-coed (oil)
7064886 Church Pool, Bettws-y-coed (oil) by Parker, Henry (1858-1930); Private Collection

Background imagePastoralism Collection: Ancient Lusitanian Oak ( Quercus faginea) pollard, in dehesa, Sierra de Grazalema, Andalucia

Ancient Lusitanian Oak ( Quercus faginea) pollard, in dehesa, Sierra de Grazalema, Andalucia, South-west Spain
ROG-13308 Ancient Lusitanian Oak - pollard, in dehesa Sierra de Grazalema, Andalucia, South-west Spain Quercus faginea Bob Gibbons Please note that prints are for personal display purposes only

Background imagePastoralism Collection: Cattle grazing high in the Swiss Alps near Wengen, Switzerland

Cattle grazing high in the Swiss Alps near Wengen, Switzerland
ROG-14017 Cattle grazing high in the Swiss Alps near Wengen Switzerland Bob Gibbons Please note that prints are for personal display purposes only and may not be reproduced in any way

Background imagePastoralism Collection: Near Yokohama, Japan, 1870 (watercolour)

Near Yokohama, Japan, 1870 (watercolour)
7341539 Near Yokohama, Japan, 1870 (watercolour) by Butt, James Henry (fl.1868); 17.2x12.4 cm; National Maritime Museum, London, UK; (add.info.: Creator: Lt)

Background imagePastoralism Collection: Child and bucolic picture 19th century: two children, boy and girl in the countryside, under a tree

Child and bucolic picture 19th century: two children, boy and girl in the countryside, under a tree
PCT4295119 Child and bucolic picture 19th century: two children, boy and girl in the countryside, under a tree, in the middle of flowers

Background imagePastoralism Collection: France, Centre, Indre-et-Loire (37), Vernou: A young fisherman on the line at the edge of

France, Centre, Indre-et-Loire (37), Vernou: A young fisherman on the line at the edge of the Loire, 1895
LUX4756857 France, Centre, Indre-et-Loire (37), Vernou: A young fisherman on the line at the edge of the Loire, 1895; (add.info.: France, Centre, Indre-et-Loire (37)

Background imagePastoralism Collection: View of Logan Rock, near the Land's End, 1824 (hand coloured litho on paper)

View of Logan Rock, near the Land's End, 1824 (hand coloured litho on paper)
7483142 View of Logan Rock, near the Land's End, 1824 (hand coloured litho on paper) by Tonkin, James (1757-1846); 27x40 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Background imagePastoralism Collection: Circular dish - factory Clerissy - Joseph Clerissy (active from 1677 to 1688)

Circular dish - factory Clerissy - Joseph Clerissy (active from 1677 to 1688)
JEB4904415 Circular dish - factory Clerissy - Joseph Clerissy (active from 1677 to 1688), then his heritiers until 1733 - Musee de la faience, Marseille; Musee Borely, Marseille

Background imagePastoralism Collection: Karia [Kariya], west coast of Japan, 1868 (watercolour)

Karia [Kariya], west coast of Japan, 1868 (watercolour)
7341538 Karia [Kariya], west coast of Japan, 1868 (watercolour) by Butt, James Henry (fl.1868); 17.3x24.2 cm; National Maritime Museum, London, UK; (add.info.: Creator: Lt)

Background imagePastoralism Collection: On the River Wharfe, below Bolton Abbey, Yorkshire (engraving)

On the River Wharfe, below Bolton Abbey, Yorkshire (engraving)
8676854 On the River Wharfe, below Bolton Abbey, Yorkshire (engraving) by Lupton, Nevil Oliver (b.1823); Private Collection; (add.info.: On the River Wharfe, below Bolton Abbey, Yorkshire)

Background imagePastoralism Collection: The consequences of peace, a bucolic scene

The consequences of peace, a bucolic scene
MMM5475431 The consequences of peace, a bucolic scene by Hodges, William (1744-97); National Maritime Museum, London, UK; (add.info.: The consequences of peace, a bucolic scene)

Background imagePastoralism Collection: Happy Days, engraved by H. Cook after J. Brown

Happy Days, engraved by H. Cook after J. Brown
3501410 Happy Days, engraved by H. Cook after J. Brown; (add.info.: Happy Days, engraved by H. Cook after J. Brown).

Background imagePastoralism Collection: Stage coach driven by four horses and laden down with passengers

Stage coach driven by four horses and laden down with passengers and luggare moving along up a country lane through a
5912969 Stage coach driven by four horses and laden down with passengers and luggare moving along up a country lane through a bucolic landscape, 1822

Background imagePastoralism Collection: The rustic wreath

The rustic wreath
MMM5484699 The rustic wreath by Witherington, William Frederick (1785-1865); National Maritime Museum, London, UK; (add.info.: The rustic wreath)

Background imagePastoralism Collection: France, Pays de la Loire, Sarthe (72), Thorigne sur Due: Portrait of a couple walking by

France, Pays de la Loire, Sarthe (72), Thorigne sur Due: Portrait of a couple walking by the river, bucolic scene, 1905
LUX4805724 France, Pays de la Loire, Sarthe (72), Thorigne sur Due: Portrait of a couple walking by the river, bucolic scene, 1905; (add.info.: France, Pays de la Loire, Sarthe (72)

Background imagePastoralism Collection: France, Nord-Pas-de-Calais, Pas-de-Calais (62), Neufchatel: September 1901

France, Nord-Pas-de-Calais, Pas-de-Calais (62), Neufchatel: September 1901, dejeuner champetre Hardelot-Plage, 1901
LUX4783578 France, Nord-Pas-de-Calais, Pas-de-Calais (62), Neufchatel: September 1901, dejeuner champetre Hardelot-Plage, 1901; (add.info.: France, Nord-Pas-de-Calais, Pas-de-Calais (62)

Background imagePastoralism Collection: Goose Keeper (oil on canvas)

Goose Keeper (oil on canvas)
8683346 Goose Keeper (oil on canvas) by Previati, Gaetano (1852-1920); 25x40 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imagePastoralism Collection: a young woman asleep under a tree in the countryside, near a lake or river

a young woman asleep under a tree in the countryside, near a lake or river, her tender lover contemplates her
PCT4279599 a young woman asleep under a tree in the countryside, near a lake or river, her tender lover contemplates her. Illustration for the song " Sleep

Background imagePastoralism Collection: Portrait of couple: Couple dans la campagne tourangelle, April 1916, Chinon

Portrait of couple: Couple dans la campagne tourangelle, April 1916, Chinon, France - Autochrome anonymous
LUX4696087 Portrait of couple: Couple dans la campagne tourangelle, April 1916, Chinon, France - Autochrome anonymous; Private Collection; (add.info.: Portrait of couple)

Background imagePastoralism Collection: Sarcophagus with pastorial scenes, 270 AD circa, marble, National Roman Museum at the Baths of

Sarcophagus with pastorial scenes, 270 AD circa, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy
6384424 Sarcophagus with pastorial scenes, 270 AD circa, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome

Background imagePastoralism Collection: Daisy Nook, 1886 (watercolour on paper)

Daisy Nook, 1886 (watercolour on paper)
8615140 Daisy Nook, 1886 (watercolour on paper) by Jackson, Frederick William (1859-1918); 26.5x20.5 cm; Gallery Oldham, UK; (add.info.: By Fred Jackson (1859-1918)); Oldham Collection

Background imagePastoralism Collection: The Woods, Betts-Y-Coed, 1929 (oil on canvas)

The Woods, Betts-Y-Coed, 1929 (oil on canvas)
8615145 The Woods, Betts-Y-Coed, 1929 (oil on canvas) by Wimpenny, George (1857-1939); 59.7x89.3 cm; Gallery Oldham, UK; (add.info.: By George Wimpenny (1857-1939)); Oldham Collection

Background imagePastoralism Collection: Chadderton Fold, 1881-1887 (oil on canvas)

Chadderton Fold, 1881-1887 (oil on canvas)
8615141 Chadderton Fold, 1881-1887 (oil on canvas) by Hague, John Houghton (1842-p.1886); 26x38 cm; Gallery Oldham, UK; (add.info.: By John Houghton Hague (1842-1934)); Oldham Collection

Background imagePastoralism Collection: Water Lane, Stratford St.Mary, 1831 (watercolour on paper)

Water Lane, Stratford St.Mary, 1831 (watercolour on paper)
7528536 Water Lane, Stratford St.Mary, 1831 (watercolour on paper) by Constable, John (1776-1837); 23x18 cm; Gallery Oldham

Background imagePastoralism Collection: Landscape in Normandy (oil on canvas)

Landscape in Normandy (oil on canvas)
2654955 Landscape in Normandy (oil on canvas) by Cotman, John Sell (1782-1842); 32.9x48.1 cm; National Museum and Gallery, Cardiff, UK; National Museums & Galleries of Wales

Background imagePastoralism Collection: Peasants return from fishing in France late 19th century

Peasants return from fishing in France late 19th century
3785382 Peasants return from fishing in France late 19th century; (add.info.: A rural scene, featuring peasants nearby their cottage. Caption reads: Life in the countryside)

Background imagePastoralism Collection: Stapleton Mill, 1840 (watercolour on paper, board)

Stapleton Mill, 1840 (watercolour on paper, board)
7528578 Stapleton Mill, 1840 (watercolour on paper, board) by Muller, William James (1812-45); 34.1x54.5 cm; Gallery Oldham

Background imagePastoralism Collection: Landscape, 1841 (watercolour on paper)

Landscape, 1841 (watercolour on paper)
7528570 Landscape, 1841 (watercolour on paper) by Danby, Francis (1793-1861); 29x22 cm; Gallery Oldham, UK; (add.info.: From the Charles Lees Collection By Francis Danby (1793-1861)

Background imagePastoralism Collection: The Mowers, 1930 (painting)

The Mowers, 1930 (painting)
7432258 The Mowers, 1930 (painting) by Werenskiold, Erik Theodor (1855-1938); 115x180 cm; Private Collection; (add.info.: Erik Werenskiold (1855-1938)); Photo © O. Vaering

Background imagePastoralism Collection: Landscape [The Return Home], date unknown (watercolour on paper)

Landscape [The Return Home], date unknown (watercolour on paper)
7528523 Landscape [The Return Home], date unknown (watercolour on paper) by Barret, George the Younger (1767-1842); 32x21.5 cm; Gallery Oldham

Background imagePastoralism Collection: Windmill at the Folie-Beaujon in Paris, 1827 (oil on canvas)

Windmill at the Folie-Beaujon in Paris, 1827 (oil on canvas)
XIR196926 Windmill at the Folie-Beaujon in Paris, 1827 (oil on canvas) by Guyot, Antoine Patrice (b.1777); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imagePastoralism Collection: Preparations for the Banquet of the Gods for the Wedding of Cupid and Psyche, detail

Preparations for the Banquet of the Gods for the Wedding of Cupid and Psyche, detail, 1528-30 (fresco)
7413401 Preparations for the Banquet of the Gods for the Wedding of Cupid and Psyche, detail, 1528-30 (fresco) by Romano, Giulio (also Pippi, Giulio) (1483-1520); Palazzo del Te, Mantua

Background imagePastoralism Collection: Cattle Fording a Stream, 1862 (oil on canvas)

Cattle Fording a Stream, 1862 (oil on canvas)
3080871 Cattle Fording a Stream, 1862 (oil on canvas) by Moore, Henry (1831-95); 72x112 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imagePastoralism Collection: Only a Shower, 1869 (oil on canvas)

Only a Shower, 1869 (oil on canvas)
3268016 Only a Shower, 1869 (oil on canvas) by Mason, George Heming (1818-72); 46x92 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imagePastoralism Collection: Rochester, Kent, 1795 (w/c on paper)

Rochester, Kent, 1795 (w/c on paper)
495777 Rochester, Kent, 1795 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imagePastoralism Collection: Tray, 1772 (soft paste porcelain)

Tray, 1772 (soft paste porcelain)
7394065 Tray, 1772 (soft paste porcelain) by Boucher, Francois (1703-70) (after); Ashmolean Museum, University of Oxford, UK; (add.info.: Associated person(s)

Background imagePastoralism Collection: The Shepherd and his Family, 1644 (Etching)

The Shepherd and his Family, 1644 (Etching)
7393383 The Shepherd and his Family, 1644 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 9, 5 x 6, 7 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imagePastoralism Collection: The Sleeping Shepherd, 1644 (Etching)

The Sleeping Shepherd, 1644 (Etching)
7393382 The Sleeping Shepherd, 1644 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 7, 8 x 5, 7 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imagePastoralism Collection: Willy Lott's House from the Stour (The Valley Farm), c. 1816-1818 (oil on canvas)

Willy Lott's House from the Stour (The Valley Farm), c. 1816-1818 (oil on canvas)
7394051 Willy Lott's House from the Stour (The Valley Farm), c.1816-1818 (oil on canvas) by Constable, John (1776-1837); 61x50.8 cm; Ashmolean Museum, University of Oxford

Background imagePastoralism Collection: The Mischievous or the Flute Player, 1642 (Etching)

The Mischievous or the Flute Player, 1642 (Etching)
7393351 The Mischievous or the Flute Player, 1642 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 11, 6 x 14, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imagePastoralism Collection: The Time was Young, c. 1903-14 (Watercolour)

The Time was Young, c. 1903-14 (Watercolour)
7290945 The Time was Young, c.1903-14 (Watercolour) by Hankey, William Lee (1869-1952); 25x34.5 cm; Tyne & Wear Archives & Museums; (add.info.: William Lee-Hankey (1869-1952) The Time was Young

Background imagePastoralism Collection: Sheep in the woods, 1880 (oil on canvas)

Sheep in the woods, 1880 (oil on canvas)
CUL4929337 Sheep in the woods, 1880 (oil on canvas) by Ceramano, Charles Ferdinand (1829-1909); Musee des Beaux-Arts, Tournai, Belgium; (add.info.: Sheep in the woods - CERAMANO)

Background imagePastoralism Collection: The Mill Pond, 1882 (oil on canvas)

The Mill Pond, 1882 (oil on canvas)
7333474 The Mill Pond, 1882 (oil on canvas) by MacGregor, William York (1855-1923); 128x158.5 (framed) cm; Perth Museum & Art Gallery, Scotland; (add.info.: Artist: MacGregor, William York (b.1855)

Background imagePastoralism Collection: A Woodland Scene with Children and Goats, 1900 (oil on canvas)

A Woodland Scene with Children and Goats, 1900 (oil on canvas)
7333503 A Woodland Scene with Children and Goats, 1900 (oil on canvas) by Hornel, Edward Atkinson (1864-1933); 99.9x60.8 (framed) cm; Perth Museum & Art Gallery, Scotland; (add.info.: Artist: Hornel)

Background imagePastoralism Collection: In the countryside (The Spring), 1872 (oil on panel)

In the countryside (The Spring), 1872 (oil on panel)
7332016 In the countryside (The Spring), 1872 (oil on panel) by Boldini, Giovanni (1842-1931); Private Collection; (add.info.: Artist: Giovanni Boldini); Ghigo Roli

Background imagePastoralism Collection: Young boy and a girl with flute and sheep, 1792 (graphite with pen and black and red ink on paper)

Young boy and a girl with flute and sheep, 1792 (graphite with pen and black and red ink on paper)
7308283 Young boy and a girl with flute and sheep, 1792 (graphite with pen and black and red ink on paper) by Lanfranco, Giovanni (1582-1647); 33.2x24.4 cm; Ashmolean Museum, University of Oxford

Background imagePastoralism Collection: Three young Men and a Woman under a Shelter, 1764-1827 (pen and ink with grey wash)

Three young Men and a Woman under a Shelter, 1764-1827 (pen and ink with grey wash)
7308233 Three young Men and a Woman under a Shelter, 1764-1827 (pen and ink with grey wash) by Lanfranco, Giovanni (1582-1647); 14.6x23.3 cm; Ashmolean Museum, University of Oxford



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"Embracing the Serenity of Pastoralism: A Glimpse into Timeless Traditions" In a captivating black and white photograph captured around 1899, a young boy tenderly cradles a sheep in his arms, symbolizing the intimate bond between humans and animals in pastoralism. This image from Sicily transports us to an era where shepherding was not just a livelihood but also an art form. Moving forward to 1881, we find ourselves standing by the sea, mesmerized by an oil on canvas painting that depicts the essence of pastoral life. The tranquility exuded from this artwork reminds us of the harmonious coexistence between man and nature. As we explore further, our journey takes us to Church Pool in Bettws-y-coed through another oil painting. Here, amidst lush greenery and shimmering waters, we witness how pastoral landscapes become sanctuaries for both physical and spiritual nourishment. Traveling across borders to Sierra de Grazalema in Andalucia, South-west Spain, we encounter an ancient Lusitanian Oak pollard standing tall within a dehesa. This majestic tree embodies resilience as it thrives within its natural habitat while providing sustenance for grazing livestock. Venturing high up into the Swiss Alps near Wengen brings us face-to-face with cattle peacefully grazing against breathtaking mountain vistas. These scenes epitomize traditional alpine farming practices that have sustained communities for generations. Our next stop is Magura village nestled within Romania's Piatra Craiului mountains during autumn. Here lies a picturesque landscape adorned with old houses, barns, fruit trees, and pastures—a testament to rural traditions passed down through time. Returning once again to Switzerland's Alpine beauty reveals yet another awe-inspiring sight—cattle gracefully traversing streams as they go about their daily routines. Their synchronized movements reflect harmony between animals and nature in pastoral settings.