Philip H Delamotte Collection

The Monument of Lorenzo de Medici, by Michael Angelo, in the Italian Court, at the Crystal... 1854. Creator: Unknown
The Monument of Lorenzo de Medici, by Michael Angelo, in the Italian Court, at the Crystal Palace, 1854. Renaissance sculpture in south London

The English Mediaeval Court, at the Crystal Palace, Sydenham, 1854. Creator: Unknown
The English Mediaeval Court, at the Crystal Palace, Sydenham, [South London], 1854....the central monument is the splendid altar-tomb and recumbent effigies of Edward the Black Prince

The International Exhibition: group of articles by Messrs. Minton and Co. 1862. Creator: Unknown
The International Exhibition: group of articles by Messrs. Minton and Co. 1862. The central object...is one of a pair of vases of considerable magnitude, supported on a group of four Parian Cupids

The International Exhibition: embroidered sidesaddle, by A. Davis, 1862. Creator: Unknown
The International Exhibition: embroidered sidesaddle, by A. Davis, 1862. Saddle...from a design supplied by Philip H. De la Motte

View in Central Hall, Art Treasures Exhibition, Manchester, 1857

The Upper Gallery, 1854. Creator: Philip Henry Delamotte
The Upper Gallery, 1854

Progress of the Crystal Palace at Sydenham, 1854. Creator: Philip Henry Delamotte
Progress of the Crystal Palace at Sydenham, 1854

[Carving a Sphinx], 1854. Creator: Philip Henry Delamotte
[Carving a Sphinx], 1854

[Storeroom with Artisans and Plaster Casts, Crystal Palace], 1852

Evening, 1854. Creator: Philip Henry Delamotte
Evening, 1854

The Visit of the Emperor and Empress to the Crystal Palace, 1855

[The Grounds Looking Towards Penge], 1854. Creator: Philip Henry Delamotte
[The Grounds Looking Towards Penge], 1854

Rivaulx Abbey. General View from the South, 1850s. Creators: Joseph Cundall
Rivaulx Abbey. General View from the South, 1850s

Rivaulx Abbey. The Triforium Arches, 1850s. Creators: Joseph Cundall
Rivaulx Abbey. The Triforium Arches, 1850s

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Philip Henry Delamotte (1822-1893): A Prominent English Artist of the Victorian Era Delamotte's artistic journey began in the mid-19th century, capturing the essence of significant historical and cultural events through his paintings. His works were showcased in various exhibitions, including The International Exhibition of 1862, where his pieces were displayed alongside those by Minton and Co., A. Davis, and others. Delamotte's contribution to The Art Treasures Exhibition in Manchester in 1857 was also noteworthy. Meanwhile, his paintings of the Crystal Palace at Sydenham, such as "Progress of the Crystal Palace at Sydenham" (1854) and "Carving a Sphinx" (1854), offered a glimpse into the construction process of this architectural marvel. Delamotte's artistic abilities extended beyond architectural depictions. His works, like "Evening" (1854), showcased his skill in capturing the beauty of nature. His series on Rivaulx Abbey, created in the 1850s, is a testament to his talent in documenting historical sites, as seen in works like "Rivaulx Abbey. General View from the South" and "Rivaulx Abbey. The Triforium Arches." Delamotte's paintings of notable events, such as "The Visit of the Emperor and Empress to the Crystal Palace" (1855) and "The Grounds Looking Towards Penge" (1854), provide valuable historical records. His artistic legacy continues to inspire and captivate audiences, offering a glimpse into the past through his masterful brushstrokes.