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Philip H La Motte Collection

Philip Henry La Motte: A Visionary Artist of the Victorian Era Philip Henry La Motte (1821-1884) was a prolific English painter

Background imagePhilip H La Motte Collection: The Monument of Lorenzo de Medici, by Michael Angelo, in the Italian Court, at the Crystal

The Monument of Lorenzo de Medici, by Michael Angelo, in the Italian Court, at the Crystal... 1854. Creator: Unknown
The Monument of Lorenzo de Medici, by Michael Angelo, in the Italian Court, at the Crystal Palace, 1854. Renaissance sculpture in south London

Background imagePhilip H La Motte Collection: The English Mediaeval Court, at the Crystal Palace, Sydenham, 1854. Creator: Unknown

The English Mediaeval Court, at the Crystal Palace, Sydenham, 1854. Creator: Unknown
The English Mediaeval Court, at the Crystal Palace, Sydenham, [South London], 1854....the central monument is the splendid altar-tomb and recumbent effigies of Edward the Black Prince

Background imagePhilip H La Motte Collection: The International Exhibition: group of articles by Messrs. Minton and Co. 1862. Creator: Unknown

The International Exhibition: group of articles by Messrs. Minton and Co. 1862. Creator: Unknown
The International Exhibition: group of articles by Messrs. Minton and Co. 1862. The central object...is one of a pair of vases of considerable magnitude, supported on a group of four Parian Cupids

Background imagePhilip H La Motte Collection: The International Exhibition: embroidered sidesaddle, by A. Davis, 1862. Creator: Unknown

The International Exhibition: embroidered sidesaddle, by A. Davis, 1862. Creator: Unknown
The International Exhibition: embroidered sidesaddle, by A. Davis, 1862. Saddle...from a design supplied by Philip H. De la Motte

Background imagePhilip H La Motte Collection: View in Central Hall, Art Treasures Exhibition, Manchester, 1857

View in Central Hall, Art Treasures Exhibition, Manchester, 1857

Background imagePhilip H La Motte Collection: The Upper Gallery, 1854. Creator: Philip Henry Delamotte

The Upper Gallery, 1854. Creator: Philip Henry Delamotte
The Upper Gallery, 1854

Background imagePhilip H La Motte Collection: Progress of the Crystal Palace at Sydenham, 1854. Creator: Philip Henry Delamotte

Progress of the Crystal Palace at Sydenham, 1854. Creator: Philip Henry Delamotte
Progress of the Crystal Palace at Sydenham, 1854

Background imagePhilip H La Motte Collection: [Carving a Sphinx], 1854. Creator: Philip Henry Delamotte

[Carving a Sphinx], 1854. Creator: Philip Henry Delamotte
[Carving a Sphinx], 1854

Background imagePhilip H La Motte Collection: [Storeroom with Artisans and Plaster Casts, Crystal Palace], 1852

[Storeroom with Artisans and Plaster Casts, Crystal Palace], 1852

Background imagePhilip H La Motte Collection: Evening, 1854. Creator: Philip Henry Delamotte

Evening, 1854. Creator: Philip Henry Delamotte
Evening, 1854

Background imagePhilip H La Motte Collection: The Visit of the Emperor and Empress to the Crystal Palace, 1855

The Visit of the Emperor and Empress to the Crystal Palace, 1855

Background imagePhilip H La Motte Collection: [The Grounds Looking Towards Penge], 1854. Creator: Philip Henry Delamotte

[The Grounds Looking Towards Penge], 1854. Creator: Philip Henry Delamotte
[The Grounds Looking Towards Penge], 1854

Background imagePhilip H La Motte Collection: Rivaulx Abbey. General View from the South, 1850s. Creators: Joseph Cundall

Rivaulx Abbey. General View from the South, 1850s. Creators: Joseph Cundall
Rivaulx Abbey. General View from the South, 1850s

Background imagePhilip H La Motte Collection: Rivaulx Abbey. The Triforium Arches, 1850s. Creators: Joseph Cundall

Rivaulx Abbey. The Triforium Arches, 1850s. Creators: Joseph Cundall
Rivaulx Abbey. The Triforium Arches, 1850s


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Philip Henry La Motte: A Visionary Artist of the Victorian Era Philip Henry La Motte (1821-1884) was a prolific English painter, best known for his captivating works depicting various aspects of the Crystal Palace and its surroundings during the 1850s. His oeuvre includes a diverse range of subjects, from the bustling Central Hall at the Art Treasures Exhibition in Manchester to the serene grounds of Sydenham and the historic Rivaulx Abbey. La Motte's connection to the Crystal Palace began in the mid-1850s, as evidenced by his paintings "Progress of the Crystal Palace at Sydenham," "The Upper Gallery," and "Carving a Sphinx." These works showcase the construction process and the intricate details of the iconic structure. In addition to his Crystal Palace series, La Motte also produced evocative pieces such as "Evening," which captures the tranquil beauty of the Sydenham estate, and "The Visit of the Emperor and Empress to the Crystal Palace," a testament to the grandeur and opulence of the event. La Motte's artistic talents extended beyond the Crystal Palace, as seen in his depictions of Rivaulx Abbey. Works like "Rivaulx Abbey. General View from the South" and "Rivaulx Abbey. The Triforium Arches" showcase his ability to capture the historic charm and architectural intricacies of the abbey. Through his group of articles in "The International Exhibition" and the various paintings showcased here, we gain a unique perspective into the artistic vision of Philip Henry La Motte and the Victorian era's fascination with grand structures and historic sites.