Pierced Collection (page 2)

Caster, c. 1735. Creator: Andrew Tyler
Caster, c. 1735

Basket and Stand, c. 1790. Creator: Unknown
Basket and Stand, c. 1790. Made in China for the American market

Counter Tray, South Staffordshire, c. 1790. Creator: Staffordshire Potteries
Counter Tray, South Staffordshire, c. 1790

Pierced Iron Lantern, c. 1936. Creator: Florian Rokita
Pierced Iron Lantern, c. 1936

Pierced Metal Screen Inside Confessional, c. 1936. Creator: Geoffrey Holt
Pierced Metal Screen Inside Confessional, c. 1936

Patch Box from Ky. Rifle, c. 1938. Creator: Albert J. Levone
Patch Box from Ky. Rifle, c. 1938

Pa. German Patch Box, 1935 / 1942. Creator: Albert J. Levone
Pa. German Patch Box, 1935/1942

Patch Boxes of Kentucky Rifles, c. 1937. Creator: Albert J. Levone
Patch Boxes of Kentucky Rifles, c. 1937

Pierced Metal Screen from Confessional, c. 1936. Creator: Geoffrey Holt
Pierced Metal Screen from Confessional, c. 1936

Patch Box of Kentucky Rifle, c. 1938. Creator: Albert J. Levone
Patch Box of Kentucky Rifle, c. 1938

Rifle Patchbox, 1935 / 1942. Creator: Albert J. Levone
Rifle Patchbox, 1935/1942

Dish, Safavid period, 18th century. Creator: Unknown
Dish, Safavid period, 18th century

Small soapstone tablet, with pierced relief of Manjusri on lion, Period of Division, dated 543

A hand-made Victorian Greeting card with pressed flowers retained from a romantic evening
3604464 A hand-made Victorian Greeting card with pressed flowers retained from a romantic evening, circa 1880 (hand-made) by English School

A Victorian Christmas Card of a girl in deep thought as she sits on a swing
3604399 A Victorian Christmas Card of a girl in deep thought as she sits on a swing, in an intricate oval pierced paper-lace border, circa 1880 (coloured lithograph) by English School

Illustration for Sir Walter Scotts The Talisman (colour litho)
5993815 Illustration for Sir Walter Scotts The Talisman (colour litho) by Vedder, Simon Harmon (1866-1937) (after); Private Collection; (add.info.: Sir Kenneths lance had pierced through the shield)

The Tests of the Gathmann Gun (b / w photo)
1628725 The Tests of the Gathmann Gun (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: The Tests of the Gathmann Gun)

Virgin in mourning (wood & textile)
NUL407086 Virgin in mourning (wood & textile) by French School, (17th century); Eglise Sainte-Marie de Corneilla-de-Conflent, France; French, out of copyright

"There was an Old Person of Tring, who embellished his nose with a ring", from A Book of Nonsense
LLM386706 " There was an Old Person of Tring, who embellished his nose with a ring", from A Book of Nonsense, published by Frederick Warne and Co

King Peter I of Serbia. Illustration for Le Rire (colour litho)
2786606 King Peter I of Serbia. Illustration for Le Rire (colour litho) by Leandre, Charles (1862-1934); Private Collection; (add.info.: King Peter I of Serbia)

Saint Sebastian, (oil on panel)
827756 Saint Sebastian, (oil on panel) by Caroto, Giovanni Francesco (c.1478/82-1555); 166.5x73 cm; Private Collection; (add.info.: Saint Sebastian. Giovanni Francesco Caroto (c.1480-1555)

Mechanism of a Charles II Thirty Hour Longcase Clock, c. 1680 (mixed media)
870172 Mechanism of a Charles II Thirty Hour Longcase Clock, c.1680 (mixed media) by Tompion, Thomas (1639-1713); Private Collection; Photo eChristies Images; English, out of copyright

F. 29 A Woman of Oonalashka, c. 1773-84 (w / c)
5671414 F.29 A Woman of Oonalashka, c.1773-84 (w/c) by Webber, John (1750-93); Mitchell Library, State Library of New South Wales; (add.info.: Vol)

Cruet set, Leeds pottery, painted at the Leeds enamelling shop, c. 1770 (creamware)
LMG144876 Cruet set, Leeds pottery, painted at the Leeds enamelling shop, c.1770 (creamware) by English School, (18th century); Leeds Museums and Art Galleries (Temple Newsam House)

The Crucifixion from the Isenheim Altarpiece, detail of Christs body, c. 1512-16 (oil on panel) (detail)
XIR230167 The Crucifixion from the Isenheim Altarpiece, detail of Christs body, c.1512-16 (oil on panel) (detail) by Grunewald, Matthias (Mathis Nithart Gothart) (c.1480-1528); Musee d Unterlinden

Harold, in front of the Standard of England, is Pierced by a Falling Arrow
LLM456994 Harold, in front of the Standard of England, is Pierced by a Falling Arrow by Maclise, Daniel (1806-70) (after); Private Collection; (add.info.: Harold, in front of the Standard of England)

St. Sebastian, 1712 (marble)
XIR27652 St. Sebastian, 1712 (marble) by Coudray, Francois (1678-1727); height: 89 cm; Louvre, Paris, France; French, out of copyright

Front of a hexagonal table clock movement by Nicolas Lemaindre, 1619 (gilt-metal)
3619785 Front of a hexagonal table clock movement by Nicolas Lemaindre, 1619 (gilt-metal) by French School, (17th century); Private Collection; (add.info)

Through the Heart by Raphael Kirchner (1876-1917). Cupids arrow pierces a young woman through the heart. 1915

A Victorian Christmas Card of a girl holding a sea shell to her ear
3604393 A Victorian Christmas Card of a girl holding a sea shell to her ear and listening to the sound of the sea, with an intricate pierced paper-lace border

Australia: The medicine man & his magic markings (colour photo)
3106237 Australia: The medicine man & his magic markings (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Australia: The medicine man & his magic markings)

Footed Bowl, probably Kashan, Seljuq Period (ceramic)
955432 Footed Bowl, probably Kashan, Seljuq Period (ceramic) by Persian School; 9.8x18.2 cm; Cleveland Museum of Art, OH, USA; Gift of the John Huntington Art and Polytechnic Trust; Persian

Trade Catalogue for dessert and cake baskets 1930
Selection of sterling silver pierced dessert and cake baskets. 1930

Teapot, Wedgwood Factory, Staffordshire, c. 1775 (lead-glazed earthenware)
1127876 Teapot, Wedgwood Factory, Staffordshire, c.1775 (lead-glazed earthenware) by English School, (18th century); 13.8x20.5 cm; Fitzwilliam Museum, University of Cambridge

Masons blue and white comport, c. 1820 (porcelain)
1547593 Masons blue and white comport, c.1820 (porcelain) by English School, (19th century); height: 19 cm; Private Collection; (add.info)

A Victorian Easter Card of snowdrops, a cross and a verse in an intricate square pierced
3604398 A Victorian Easter Card of snowdrops, a cross and a verse in an intricate square pierced paper-lace border, circa 1880 (coloured lithograph) by English School

A Victorian New Year Card of a waterfall and bridge in an oval pierced paper-lace border
3604396 A Victorian New Year Card of a waterfall and bridge in an oval pierced paper-lace border, circa 1880 (coloured lithograph) by English School

A Victorian New Year Card with a hand-painted picture of a crucifix, lillies
3604394 A Victorian New Year Card with a hand-painted picture of a crucifix, lillies, snowdrops and forget-me-nots on rice paper all in an intricate pierced paper-lace border

Saint Sebastian, c. 1490 (oil on canvas)
3702642 Saint Sebastian, c.1490 (oil on canvas) by Mantegna, Andrea (1431-1506); Franchetti Gallery, Ca D Oro, Venice, Veneto

Head of an Oni, Ife, 12th - 15th century (zinc brass)
DBP412925 Head of an Oni, Ife, 12th - 15th century (zinc brass) by Nigerian; height: 47 cm; Private Collection; Photo eDirk Bakker; Nigerian, out of copyright

Tongue Piercing, c. 1860-80 (b / w photo)
498629 Tongue Piercing, c.1860-80 (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Probably in Kashmir)

Spider motif gorget, Dallas, 1300-1500 (marine shell)
DBP422917 Spider motif gorget, Dallas, 1300-1500 (marine shell) by Mississippian culture (c.800-1500); diam: 10 cm; Private Collection; Photo eDirk Bakker; American, out of copyright

Underneath of a hexagonal table clock movement by Nicolas Lemaindre, 1619 (gilt-metal)
BAL2425 Underneath of a hexagonal table clock movement by Nicolas Lemaindre, 1619 (gilt-metal) by French School, (17th century); Private Collection; (add.info)

St. Sebastian, from the Martyr of St. Sebastian, c. 1911-22 (colour litho)
STC133610 St. Sebastian, from the Martyr of St. Sebastian, c.1911-22 (colour litho) by Bakst, Leon (1866-1924); Private Collection; (add.info)

Peaches in a pierced white faience basket (oil on panel)
3931826 Peaches in a pierced white faience basket (oil on panel) by Galizia, Fede (1578-1630); 30x41.5 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Ms 62 f. 132v Winged figure in a treetop with book pierced by a sword
997113 Ms 62 f.132v Winged figure in a treetop with book pierced by a sword, from the Hours of the Holy Spirit by Guillaume de Deguillevilles 1350

Charles II Thirty Hour Longcase Clock, c. 1680 (mixed media)
870170 Charles II Thirty Hour Longcase Clock, c.1680 (mixed media) by Tompion, Thomas (1639-1713); Private Collection; Photo eChristies Images; English, out of copyright

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"Pierced: A Journey Through Time and Emotion" In the heart of The Midlands, England, a crowd gathers at Villa Park to witness an electrifying performance by Bruce Springsteen and The E Street Band. As the music fills the air, it pierces through their souls, igniting a fire within. Amidst this powerful atmosphere, Saint Teresa's words resonate deeply - "I am pierced by love. " Her profound connection with spirituality echoes in every note played on that stage. The piercing melodies transport us further back in time to 1642 when Guercino painted his masterpiece depicting Saint Sebastian. His body pierced by arrows symbolizes strength amidst suffering, reminding us of the resilience we possess within ourselves. Traveling even further back in time, we encounter an old Kikuyu lady picking coffee in the 1960s. Her weathered hands tell stories of perseverance and hard work as she pierces through each coffee bean with precision and care. Thomas the Apostle appears before us twice - once as doubt lingers in his eyes while he touches Jesus' wounds; then again as he finds solace in embracing faith despite uncertainty. These moments remind us that sometimes our doubts can lead to profound revelations if we allow ourselves to be pierced by truth. On board RMS Majestic's First Class cast iron bed single ends lies a sense of nostalgia from a bygone era. Its sturdy frame stands as a testament to enduring craftsmanship that has stood the test of time - like memories etched into our hearts that cannot be easily forgotten or erased. During World War II, heartfelt valentine cards were exchanged between loved ones separated by war. Inside these delicate tokens of affection are messages written with ink that pierce straight into one's emotions – Queen Of Hearts for her beloved King Of Hearts – reminders of love amidst chaos and uncertainty. A gold memorial medal from Maria Robinson serves as a poignant reminder of tragedy aboard RMS Titanic.