Pieter Coecke Van Aelst Collection

Adoration of the Magi, 1540-1549. Creator: Pieter Coecke van Aelst
Adoration of the Magi, 1540-1549

Saint Jerome in His Study, c1530. Creator: Pieter Coecke van Aelst
Saint Jerome in His Study, c1530. St. Jerome (ca. 341-420 CE), the greatest Christian scholar of the classics, is revered for his translation of the Bible from the original Greek

Triptych with the Adoration of the Magi, 1520-1550. Creator: Workshop of Pieter Coecke van Aelst
Triptych with the Adoration of the Magi, 1520-1550

Holy Family (oil on panel)
472294 Holy Family (oil on panel) by Coecke van Aelst, Pieter (1502-50); 82x56 cm; Museums of Louvain, Belgium

The Adoration of the Magi (oil on panel) (see 231760 for verso)
XAV101585 The Adoration of the Magi (oil on panel) (see 231760 for verso) by Coecke van Aelst, Pieter (1502-50); Musee des Beaux-Arts, Valenciennes, France

Holy Family (oil on panel)
472292 Holy Family (oil on panel) by Coecke van Aelst, Pieter (1502-50); 98x70 cm; Museums of Louvain, Belgium

The Adoration of the Magi (oil on panel) (see 101585 for recto)
XAV231760 The Adoration of the Magi (oil on panel) (see 101585 for recto) by Coecke van Aelst, Pieter (1502-50); Musee des Beaux-Arts, Valenciennes, France

The Temptation, (oil on panel)
827894 The Temptation, (oil on panel) by Coecke van Aelst, Pieter (1502-50); 112.5x87.5 cm; Private Collection; (add.info.: The Temptation. Attributed Pieter Coecke van Aelst (1502-1550)

The Madonna and Child, (oil on panel)
659351 The Madonna and Child, (oil on panel) by Coecke van Aelst, Pieter (1502-50) (school of); 48.2x33 cm; Private Collection; (add.info.: The Madonna and Child. School of Pieter Coecke van Aelst)

Ces Moeurs et fachons de faire de Turcz (Customs and Fashions of the Turks), 16th century

The Last Supper, 1585. Creator: Hendrik Goltzius
The Last Supper, 1585

Le triomphe d Anvers faict en la susception du Prince Philips, Prince d Espaign[e], 1550

Den eersten (-vijfsten) boeck van architecturen, 1546, 1549, 1553

Reigles generales de l architecture, sur les cincq manieres d edifices, 1545

Coeck, (1502-1550), 1830. Creator: Unknown
Coeck, (1502-1550), 1830. Pieter Coecke van Aelst (1502-1550) Flemish painter, sculptor, architect, author and designer of woodcuts. Court painter to Charles V, Holy Roman Emperor

Jesus on the Mount of Olives, 16th century. Artist: Pieter Coecke van Aelst
Jesus on the Mount of Olives, 16th century. From the Hermitage Museum, St Petersburg, Russia

The Agony in the Garden, detail, 1527-1530. Artist: Pieter Coecke van Aelst
The Agony in the Garden, detail, 1527-1530. In the garden of Gethsemane Christ kneels and raises his eyes towards the chalice standing on the outcrop of rock, which symbolises the chalice of fate

The Agony in the Garden, 1527-1530. Artist: Pieter Coecke van Aelst
The Agony in the Garden, 1527-1530. In the garden of Gethsemane Christ kneels and raises his eyes towards the chalice standing on the outcrop of rock, which symbolises the chalice of fate

Florence. Adam and Eve after the Fall, Brussels Tapestry, 1548, (20th century) Artists: Pieter Coecke van Aelst
Florence. Adam and Eve after the Fall, Brussels Tapestry, 1548, (20th century). In the gallery of the Accademia, Florence. Design attributed to Pieter Coecke van Aelst, ca

Triptych Adoration Magi Kings center panel Maria
Triptych with the Adoration of the Magi, Triptych with the Adoration of the Kings. On the center panel Maria with child and two kings, on the left King Balthazar, on the right Joseph

Portraits Pieter Coecke van Aelst Maarten van Heemskerck
Portraits of Pieter Coecke van Aelst, Maarten van Heemskerck and Michiel Coxie, Three numbered artists portraits. Portrait of Pieter Coecke van Aelst (no. 1), Maarten van Heemskerck (no)

Triptych with Adoration of the Magi, workshop of Pieter Coecke van Aelst (I), 1520 - 1550

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Pieter Coecke van Aelst, a renowned Flemish artist of the 16th century, left an indelible mark on the art world with his masterful works. One such masterpiece is the "Holy Family, " a captivating oil painting on panel that exudes divine serenity and grace. The delicate brushstrokes and vibrant colors bring to life this sacred scene, depicting Mary, Joseph, and baby Jesus in harmonious unity. In another remarkable creation titled "The Adoration of the Magi, " also an oil painting on panel, Van Aelst transports us to Bethlehem as we witness the arrival of the three wise men bearing gifts for baby Jesus. The meticulous attention to detail in this piece is awe-inspiring; every fold in their garments and expression on their faces tells a story of reverence and adoration. "The Temptation" is yet another mesmerizing artwork by Van Aelst. This oil painting on panel depicts a biblical scene where Christ resists temptation from Satan himself. Through skillful composition and use of light and shadow, Van Aelst captures not only the physical struggle but also conveys a powerful message about spiritual strength. Van Aelst's talent was not limited to religious themes alone; he also excelled in portraiture. "The Madonna and Child" showcases his ability to capture tender maternal love between Mary and her young son through subtle gestures and expressions. Beyond his artistic prowess, Van Aelst's contributions extended beyond paintings into other realms as well. His work titled "Ces Moeurs et fachons de faire de Turcz (Customs and Fashions of the Turks)" provides valuable insights into Turkish culture during that era. Additionally, he collaborated with Hendrik Goltzius to create "The Last Supper, " a stunning depiction of Christ sharing his final meal with his disciples before his crucifixion—a testament to both artists' skill and attention to detail.