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Pieters Collection

Pieters, a name that resonates with artistry and historical significance

Background imagePieters Collection: The Fortune of War (b / w photo)

The Fortune of War (b / w photo)
1599435 The Fortune of War (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: The Fortune of War. Illustration for The Illustrated London News, 24 March 1900)

Background imagePieters Collection: Grace before the Meal, 1927 (oil on canvas)

Grace before the Meal, 1927 (oil on canvas)
651293 Grace before the Meal, 1927 (oil on canvas) by Pieters, Evert (1856-1932); 94x81 cm; Private Collection; (add.info.: Grace before the Meal. Evert Pieters (1856-1932). Oil on canvas

Background imagePieters Collection: An Idle Afternoon, 1920 (oil on canvas)

An Idle Afternoon, 1920 (oil on canvas)
658973 An Idle Afternoon, 1920 (oil on canvas) by Pieters, Evert (1856-1932); 78.7x92.7 cm; Private Collection; (add.info.: An Idle Afternoon. Evert Pieters (1856-1932). Oil on canvas

Background imagePieters Collection: A Child Peeling Potatoes, (oil on canvas)

A Child Peeling Potatoes, (oil on canvas)
658234 A Child Peeling Potatoes, (oil on canvas) by Pieters, Evert (1856-1932); 60.4x51.5 cm; Private Collection; (add.info.: A Child Peeling Potatoes. Evert Pieters (1856-1932). Oil on canvas

Background imagePieters Collection: The Transvaal War, Scenes at the Front (b / w photo)

The Transvaal War, Scenes at the Front (b / w photo)
1593012 The Transvaal War, Scenes at the Front (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: The Transvaal War, Scenes at the Front)

Background imagePieters Collection: Spring Sunshine, 1913 (oil on canvas)

Spring Sunshine, 1913 (oil on canvas)
827104 Spring Sunshine, 1913 (oil on canvas) by Pieters, Evert (1856-1932); 63.5x75.6 cm; Private Collection; (add.info.: Spring Sunshine. Evert Pieters (1856-1932). Oil on canvas. Painted in 1913

Background imagePieters Collection: Afternoon Pastimes, (oil on canvas)

Afternoon Pastimes, (oil on canvas)
827413 Afternoon Pastimes, (oil on canvas) by Pieters, Evert (1856-1932); 88.9x108.6 cm; Private Collection; (add.info.: Afternoon Pastimes. Evert Pieters (1856-1932). Oil on canvas

Background imagePieters Collection: Jan van Rossum werkzaam 1654 - 1678 Portrait

Jan van Rossum werkzaam 1654 - 1678 Portrait
Jan van Rossum (werkzaam 1654 - 1678), Portrait of possibly Willem Jansz Verbruggen (c. 1620-1678) and his 2nd wife Geertrui Strijen, portrait painting imagery linen oil painting

Background imagePieters Collection: Johan le Ducq Portrait Willem Jansz Verbruggen

Johan le Ducq Portrait Willem Jansz Verbruggen
Johan le Ducq, Portrait of Willem Jansz Verbruggen (c.1620-1678), falconer of the Prince of Orange, for the hunting lodge Valkenbosch, portrait painting imagery linen oil painting

Background imagePieters Collection: Pieters Hill, Colenso, Natal Province, South Africa

Pieters Hill, Colenso, Natal Province, South Africa
Harts Hill and Pieters Hill, Colenso, Natal Province, South Africa, location of battles during February 1900 which led to the lifting of the Siege of Ladysmith during the Second Boer War (1899-1902)

Background imagePieters Collection: Tugela River, Colenso, Natal Province, South Africa

Tugela River, Colenso, Natal Province, South Africa
Eagles Nest and Tugela River from Pieters Hill, Colenso, Natal Province, South Africa, location of Pieters Hill Battle, 27 February 1900

Background imagePieters Collection: Stationsstraat, Lot / Loth, Bruxelles, Belgium

Stationsstraat, Lot / Loth, Bruxelles, Belgium
Stationsstraat, Lot/Loth, Bruxelles, near Sint-Pieters-Leeuw, Belgium. Captioned Rue de la Station. Date: 1918

Background imagePieters Collection: Chelsea's 4-2 Victory Over Stoke City: Bruno Martins Indi and Peter Crouch Score for Stoke at

Chelsea's 4-2 Victory Over Stoke City: Bruno Martins Indi and Peter Crouch Score for Stoke at Stamford Bridge
CHELSEA v Stoke Premier League game at Stamford Bridge 31st December 2016 final score 4-2 to Chelsea, Stoke goal scorers Bruno Martins Indi and Peter Crouch

Background imagePieters Collection: Liverpool's Dominant 4-1 Victory Over Stoke City at Anfield, December 2016

Liverpool's Dominant 4-1 Victory Over Stoke City at Anfield, December 2016
LIVERPOOL v Stoke 27DEC16 - Premier League game at Anfield 27th December 2016 - final score 4-1 win to Liverpool Stoke goal Scored by Jon Walters © phil greig 2016 - created by phil greig

Background imagePieters Collection: In the month of May, Pieters, Evert, 1856-1932, Children playing outdoors, Spring, 1900

In the month of May, Pieters, Evert, 1856-1932, Children playing outdoors, Spring, 1900


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Pieters, a name that resonates with artistry and historical significance. From the captivating black and white photograph of "The Fortune of War" to the vibrant oil paintings like "Grace before the Meal, 1927" and "An Idle Afternoon, 1920, " Pieters' talent knows no bounds. In "A Child Peeling Potatoes, " Pieters captures a tender moment frozen in time, showcasing their ability to infuse everyday scenes with profound emotion. The artist's versatility is evident in their depiction of war as well; from the haunting images of "The Transvaal War, Scenes at the Front" to the radiant beauty portrayed in "Spring Sunshine, 1913. " With brushstrokes that breathe life into every canvas they touch, Pieters transports us to idyllic afternoons filled with leisurely pursuits in works such as "Afternoon Pastimes. " Yet it is not just through paint that this artist captivates our senses; their mastery extends beyond traditional mediums. Pieters Hill stands tall as a testament to their connection with nature and history. Located in Colenso, Natal Province, South Africa, this landmark reflects both strength and resilience. Similarly, the Tugela River flows gracefully through Colenso - an eternal muse for Pieters' artistic endeavors. But Pieters' influence reaches far beyond South Africa's borders. Stationsstraat in Lot/Loth Bruxelles Belgium serves as another source of inspiration for this prolific artist. Through their skilled hand and keen eye for detail, they bring streetscapes alive on canvas. Even portraits hold no secrets from Pieters' artistic prowess. Jan van Rossum werkzaam 1654-1678 Portrait showcases their ability to capture individuality while Johan le Ducq Portrait Willem Jansz Verbruggen reveals an intimate understanding of human expression.