Pietro Santi Bartoli Collection

Scene from Petroniuss Satyricon
6340068 Scene from Petroniuss Satyricon by Corsi (19th century); (add.info.: Scene from Petroniuss Satyricon. Trimalchio comes to have dinner after a bath, led by a servant)

The Aldobrandini Wedding fresco
6339997 The Aldobrandini Wedding fresco by Corsi (19th century); (add.info.: The Aldobrandini Wedding fresco. The wedding of Peleus and Thetis, parents of Achilles)

Roman wedding ceremony
6340019 Roman wedding ceremony by Corsi (19th century); (add.info.: Roman wedding ceremony. Bride and groom hold hands embraced by the goddess Juno Pronuba)

Apotheose d Homere, bas-relief antique, en marbre (engraving)
3644493 Apotheose d Homere, bas-relief antique, en marbre (engraving) by French School, (19th century); Private Collection; (add.info.: Apotheose d Homere, bas-relief antique, en marbre)

L Imperio Vendicato, 1630-1700. Creator: Pietro Santi Bartoli
L Imperio Vendicato, 1630-1700. (The Avenged Empire). After Carlo Maratti

Io at the left as a cow, Jupiter on a cloud in the centre and Juno at the right with putti holding an eagle captive in the lower right, 1650-90

Madonna of Loreto, within a niche with an angel on either side, 1650-1724

A giant heaving a boulder at center, other giants to left and right struggling and recoiling against impending boulders, nude figures climbing rocks and struggling in the background

Giants crushed by rocks and the falling columns of the temple, clouds of smoke above, Poseidon in his chariot to left in the background, two spaces at left for doorways

Gathering of various Olympian gods and mythological figures among clouds, Apollo at center with his lyre, Vulcan, Mercury, Hercules, and Hermes to right, various figures below

Pluto, seen from behind, entering the Underwold on his chairot, Cereberus and three Furies to right, from Giove che fulmina li giganti

Gathering various Olympian gods mythological figures
Artokoloro

Plate 8 battle soldiers boat naked men trying
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Plate 2 various figures carrying out tasks include tying
Artokoloro

Giants crushed rocks falling columns temple clouds
Artokoloro

Plate 3 various figures transporting materials
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Plate 5 figures unloading goods boat right ca
Artokoloro

Plate 1 procession figures walking right carrying various objects
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Pluto entering Underwold chairot Cereberus three Furies
Artokoloro

giant heaving boulder center giants left right struggling
Artokoloro

Plate 6 figures boats decorated mythological subjects using poles
Artokoloro

Plate 4 animals transporting goods led figures going
Artokoloro

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Pietro Santi Bartoli, a renowned Italian artist of the 17th century, captivated audiences with his intricate and captivating works. In one scene from Petronius's Satyricon, he skillfully depicted Roman funeral rites for the dead, evoking a sense of solemnity and reverence. Bartoli's talent extended to capturing joyous occasions as well. The Aldobrandini Wedding fresco showcased his mastery in portraying the grandeur of a Roman wedding ceremony. Every detail was meticulously crafted, from the ornate attire to the radiant smiles on the faces of bride and groom. In Apotheose d'Homere, an ancient marble bas-relief engraving, Bartoli transported viewers into Greek mythology. With Io transformed into a cow at left and Jupiter seated on a cloud in the center, Juno stood at right with her peacock by her side – an enchanting tableau that brought these mythical characters to life. The diversity of Bartoli's artistic range is evident in Madonna of Loreto within a niche adorned by angels. Created between 1650-1724, this piece exudes ethereal beauty as heavenly beings surround Mary with adoration and grace. Plate 8 reveals another facet of Bartoli's genius: battle scenes filled with soldiers navigating treacherous waters while naked men valiantly struggle against their foes. This depiction captures both chaos and bravery amidst conflict. A giant heaving a boulder takes center stage in one artwork; other giants flank him as they grapple against unseen forces. Giants crushed by rocks symbolize their defeat while falling columns hint at crumbling power structures – an allegory for societal upheaval perhaps? Lastly, we witness gods gathering among clouds in Gathering Olympian Gods - Apollo reigning supreme at its center. Mythological figures intermingle as celestial beings observe this divine assembly – an awe-inspiring portrayal that showcases Bartoli's ability to bring legends to life.