Pietro Collection (page 11)

View rooftops Perugias Pietro left foreground S
View over the rooftops from Perugia to S. Pietro, left in the foreground S. Domenico, Drawing from a group of drawings of landscapes and cityscapes in Italy (Rome, Tivoli)

Umbria Terni Gavelli S. Michele Italy italian country
Umbria Terni Gavelli S. Michele, this is my Italy, the italian country of visual history, Exterior views of the 15th-century architecture

Ruine dell antico Tempio de SS Pietro e Marcellino
Ruine dell antico Tempio de SS. Pietro, e Marcellino, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, Page 26, volume 3, includes an, of, 1

Il liceo della pittvra Testa Pietro 1611-1650
Il liceo della pittvra, Testa, Pietro, 1611-1650, Etching, black-and-white, ca. 1638

Plate 11 Tabulae anatomicae Petrioli Gaetano
Plate 11, Tabulae anatomicae, Petrioli, Gaetano, Pietro, da Cortona, 1596-1669, Engraving, 1741

Plate 20 Tabulae anatomicae Petrioli Gaetano
Plate 20, Tabulae anatomicae, Petrioli, Gaetano, Pietro, da Cortona, 1596-1669, Engraving, 1741

Plate 19 Tabulae anatomicae Petrioli Gaetano
Plate 19, Tabulae anatomicae, Petrioli, Gaetano, Pietro, da Cortona, 1596-1669, Engraving, 1741

S Pietro Carcere Delle magnificenze Roma antica
S. Pietro in Carcere, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, plate 42, volume 3 (book contains volumes 3 and 4)

Chiesa dis Pietro e Marcellino Delle magnificenze
Chiesa di S. S. Pietro, e Marcellino, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, plate 50, volume 3 (book contains volumes 3 and 4)

Chiesa dis Pietro Vinculis Delle magnificenze
Chiesa di S. Pietro in Vinculis, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, plate 45, volume 3 (book contains volumes 3-4)

Parte del prospetto esteriore del fianco di S. Pietro in Vaticano, Stvdio d architettvra civile sopra gli ornamenti di porte e finestre tratti da alcune fabbriche insigni di Roma con le misure

Spaccato della Chiesa di Santa Maria della Pace de Canonici Regolari Lateranensi, Stvdio d architettvra civile sopra gli ornamenti di porte e finestre tratti da alcune fabbriche insigni di Roma con

Delle antichita di Ercolano Campana Pietro 1725
Delle antichita di Ercolano, Campana, Pietro, 1725 or 1727-ca. 1765, Morghen, Giovanni Elia, 1721-ca. 1789, Engraving, 1757-1792

Fontana e obelisco della Chiesa dis Pietro Roma
Fontana e obelisco della Chiesa di S. Pietro (Roma); Sommer & Behles (Italian, 1867 - 1874); 1865 - 1870; Albumen silver print

Chiesa di Pietro da Sopra Roma Sommer & Behles
Chiesa di Pietro da Sopra (Roma); Sommer & Behles (Italian, 1867 - 1874); 1865 - 1870; Albumen silver print

Ponte e Castellos Angelo e Pietro Roma Sommer & Behles
Ponte e Castello S. Angelo e S. Pietro (Roma); Sommer & Behles (Italian, 1867 - 1874); about 1870; Albumen silver print

Saint Francis Bishop Saint Fra Angelico Guido di
Saint Francis and a Bishop Saint; Fra Angelico (Guido di Pietro, Fra Giovanni da Fiesole) (Italian, about 1395, 1400 - 1455); late 1420s; Tempera and gold leaf on panel; 52.7 × 23.2 cm (20 3)

Saint Francis Bishop Saint Saint John Baptist
Saint Francis and a Bishop Saint, Saint John the Baptist and Saint Dominic; Fra Angelico (Guido di Pietro, Fra Giovanni da Fiesole) (Italian, about 1395)

Madonna Child Male Saint Catherine Alexandria
Madonna and Child with a Male Saint, Catherine of Alexandria and a Donor; Michelangelo di Pietro Membrini (Italian (Lucchese)

Panorama dalla Cupola dis Pietro Rome 1860s
Panorama dalla Cupola di S. Pietro, Rome, c. 1860s. Unidentified Photographer. Albumen print from collodion negative; image: 19.6 x 25.7 cm (7 11/16 x 10 1/8 in.); paper

Father Pietro Angelo Secchi, 1818 A

Moses, C. 1513A

Pietro Testa, 1611A

Pietro Antonio Domenico Trapassi, Aka Metastasio, 1698 To 1782. Italian Poet And Librettist. From Crabbs Historical Dictionary Published 1825

Reception For Explorer Pietro Paolo Savorgnan Di Brazz

Explorer Pietro Paolo Savorgnan Di Brazz

Congolese Tribe Accompany Explorer Pietro Paolo Savorgnan Di Brazz

Pietro Da Cortona Byname Of Pietro Berettini 1596-1669 Italian Artist From 75 Portraits Of Celebrated Painters From Authentic Originals Etched By James Girtin Published London 1817

Andrea Palladio Aka Andrea De Pietro Della Gondola, 1508-1580. Italian Architect. From The Book " Gallery Of Portraits" Published London 1833

Pietro Mascagni, 1863-1945. Italian Composer. Portrait By Chase Emerson. American Artist 1874-1922

A Woman Stands With A Red Light Trail In The Shape Of A Heart In St. Peters Square; Rome, Lazio, Italy

Trevi Fountain At Nighttime; Rome, Italy

Tourists At Trevi Fountain At Nighttime; Rome, Italy

Trevi Fountain Illuminated At Nighttime; Rome, Italy

Sacrifice of Isaac: an angel presses against the dagger-bearing arm of Abraham, who stands next to Isaac on an altar, God the Father and an angel bearing a lamb approach from the left, ca.1645-50

The prodigal son seated at the base of a tree among swine, his gaze directed upward and his hands folded at his chest, surrounded by a wooded landscape and a pigsty, ca. 1640-50

Christ proclaiming the law, 1817. Creators: Raphael Morghen, Pietro Ermini
Christ proclaiming the law, 1817

The Great Lansquenet or Standard Bearer, 1658. Creator: Prince Rupert
The Great Lansquenet or Standard Bearer, 1658

Pope Paul IV (1476-1559). Pope from 1555-1559. Born Gian Pietro Carafa. Portrait. Engraving. Colored

Italy. Rome. Basilica of San Carlo al Corso and statue of Sa
Italy. Rome. Sant Ambrogio e Carlo al Corso, usually known as San Carlo al Corso. Its construction was begun in honour of the canonization of St

Emblem of Reverend Fabric of Saint Peter (Fabbrica di San Pietro). St. Peters Square. Vatican City

Vatican City. St. Peters Square. View from de dome
Vatican City. St. Peters Square from the dome of the Basilica with the colonnade designed by Gian Lorenzo Bernini between 1656 and 1665

Pietro Perugino (1446 / 1450A?i?1523). Italian Renaissance pa
Pietro Perugino (1446/1450A?i?1523), born Pietro Vannucci. Italian Renaissance painter of the Umbrian school. High Renaissance. The Virgin appearing to St. Bernard

Pope Honorius III approving the Carmelite Rule by Lorenzetti
Pope Honorius III approving the Carmelite Rule. 1226. Predela panel by Pietro Lorenzetti. Art Gallery of Siena. Italy

Basilica of Saint Peter (St Peters Basilica). Vaticano
The Papal Basilica of Saint Peter (St. Peters Basilica). Fac?ade. City of the Vatican. Europe

Moses of Michelangelo
Moses. Marble sculpture by Michelangelo Buonarroti (1513-1515). Tomb of Pope Julius II. Church of Saint Pietro in Vincoli. Rome. Italy

Pietro Cavallini
PIETRO CAVALLINI Italian artist from Rome Date: 1279 - 1364

Pietro Signorelli
Pietro Napoli Signorelli (1731 - 1815) - Italian writer

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"Pietro: A Master of Artistic Majesty and Timeless Beauty" Step into the world of Pietro, an Italian artist whose name echoes through the annals of art history. From his breathtaking portraits to his awe-inspiring frescoes, Pietro's talent knows no bounds. One such masterpiece is "Queen Elizabeth II" by Pietro Annigoni in the ILN. With meticulous brushstrokes, he captures the regal grace and strength that defines Her Majesty, and is a portrait that immortalizes her reign for generations to come. In another stroke of genius, Fra Angelico depicts "The Coronation of the Virgin. " This ethereal painting transports us to a celestial realm where divine beauty unfolds before our eyes. The harmonious colors and delicate details reveal Fra Angelico's reverence for spirituality. Pietro Lorenzetti's "Madonna dei Tramonti" enchants with its serene charm. The Madonna tenderly cradles baby Jesus as golden hues bathe them in heavenly light, and is a testament to Lorenzetti's mastery in capturing emotion and devotion on canvas. Flipping through Tatler Royal Wedding Souvenir Number from 1960, we glimpse at moments frozen in time - joyous celebrations filled with elegance and grandeur fit for royalty. These images remind us of Pietro's ability to capture not just individuals but also their stories within each frame. On a different note, Nearco triumphs after winning Grand Prix de Paris - an exhilarating moment captured by Pietro Annigoni himself. Through bold strokes and vivid colors, he conveys the raw energy pulsating within this victorious steed. As dusk settles over Rome, Ponte Sant Angelo stands tall against the backdrop of St Peter's Basilica on River Tiber - an enchanting scene painted by nature itself. Just like this picturesque view, Pietro Annigoni immortalizes Rome's timeless allure through his art.