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Pigment Collection (page 2)

"Pigment: A Kaleidoscope of Colors Unveiled" Daylight Raid from my Studio Window, July - As the sun's rays infiltrate through the window

Background imagePigment Collection: Vessantara Jataka, Chapter 2 (Himavanta Forest), c1850-1870. Creator: Unknown

Vessantara Jataka, Chapter 2 (Himavanta Forest), c1850-1870. Creator: Unknown
Vessantara Jataka, Chapter 2 (Himavanta Forest), c1850-1870. In this scene, we see Prince Vessantara giving his prized white elephant to a group of brahmins from a neighboring kingdom

Background imagePigment Collection: Vessantara Jataka, Chapter 1 (Ten Boons), c1850-1870. Creator: Unknown

Vessantara Jataka, Chapter 1 (Ten Boons), c1850-1870. Creator: Unknown
Vessantara Jataka, Chapter 1 (Ten Boons), c1850-1870. Before her rebirth on earth as Vessantara's mother, Queen Phusati resided in heaven as the primary queen of Indra, king of the gods

Background imagePigment Collection: Vessantara Jataka, Chapter 5 (Jujaka), c1920-1940. Creator: Unknown

Vessantara Jataka, Chapter 5 (Jujaka), c1920-1940. Creator: Unknown
Vessantara Jataka, Chapter 5 (Jujaka), c1920-1940. The old brahmin Jujaka is poor but has a young, beautiful wife named Amittatapana

Background imagePigment Collection: Vessantara Jataka, Chapter 11 (Maharaja), c1920-1940. Creator: Unknown

Vessantara Jataka, Chapter 11 (Maharaja), c1920-1940. Creator: Unknown
Vessantara Jataka, Chapter 11 (Maharaja), c1920-1940. Divine beings lead Jujaka to the palace of King Sanjaya, Vessantara's father

Background imagePigment Collection: Vessantara Jataka, Chapter 8 (The Royal Children), 1920-1940. Creator: Unknown

Vessantara Jataka, Chapter 8 (The Royal Children), 1920-1940. Creator: Unknown
Vessantara Jataka, Chapter 8 (The Royal Children), 1920-1940. Jujaka visits Vessantara in his cottage in the forest and asks for the children

Background imagePigment Collection: Vessantara Jataka, Chapter 6 (The Light Forest), c1920-1940. Creator: Unknown

Vessantara Jataka, Chapter 6 (The Light Forest), c1920-1940. Creator: Unknown
Vessantara Jataka, Chapter 6 (The Light Forest), c1920-1940. Wandering in the forest as he tries to find Vessantara, Jujaka is chased up a tree by dogs

Background imagePigment Collection: Vessantara Jataka, Chapter 3, c1920-1940. Creator: Unknown

Vessantara Jataka, Chapter 3, c1920-1940. Creator: Unknown
Vessantara Jataka, Chapter 3, c1920-1940

Background imagePigment Collection: Vessantara Jataka, Chapter 11: Jujaka Beset by Villagers, c1875-1925. Creator: Unknown

Vessantara Jataka, Chapter 11: Jujaka Beset by Villagers, c1875-1925. Creator: Unknown
Vessantara Jataka, Chapter 11: Jujaka Beset by Villagers, c1875-1925. As Jujaka is on his way back to his village with Vessantara's children

Background imagePigment Collection: Buddha Worship, 19th Century. Creator: Unknown

Buddha Worship, 19th Century. Creator: Unknown
Buddha Worship, 19th Century. This dynamic painting illustrates one of the Jataka tales--stories of the former lives of the Buddha

Background imagePigment Collection: The Buddha Attains Parinirvana, 19th Century. Creator: Unknown

The Buddha Attains Parinirvana, 19th Century. Creator: Unknown
The Buddha Attains Parinirvana, 19th Century. This dynamic painting illustrates one of the Jataka tales--stories of the former lives of the Buddha

Background imagePigment Collection: Upagupta Binds Mara to a Mountaintop, 19th century. Creator: Unknown

Upagupta Binds Mara to a Mountaintop, 19th century. Creator: Unknown
Upagupta Binds Mara to a Mountaintop, 19th century. This dynamic painting illustrates a story of the former lives of the Buddha, known as the Jataka tales

Background imagePigment Collection: The Birth of the Buddha, 19th Century. Creator: Unknown

The Birth of the Buddha, 19th Century. Creator: Unknown
The Birth of the Buddha, 19th Century

Background imagePigment Collection: Buddha Mucalinda, 19th Century. Creator: Unknown

Buddha Mucalinda, 19th Century. Creator: Unknown
Buddha Mucalinda, 19th Century

Background imagePigment Collection: The Painter's Studio, c.1647-c.1650. Creator: Adriaen van Ostade

The Painter's Studio, c.1647-c.1650. Creator: Adriaen van Ostade
The Painter's Studio, c.1647-c.1650. The artist uses a mahlstick to support his hand while he paints, while an assistant grinds pigment to make paint

Background imagePigment Collection: Faustulus and Merentia Discover Romulus and Remus, n.d

Faustulus and Merentia Discover Romulus and Remus, n.d

Background imagePigment Collection: Drunken Silenus Satyr and Nymphs, n.d

Drunken Silenus Satyr and Nymphs, n.d

Background imagePigment Collection: Diana and Nymphs Bathing, 1640/49

Diana and Nymphs Bathing, 1640/49

Background imagePigment Collection: Judgement of Paris, n.d

Judgement of Paris, n.d

Background imagePigment Collection: River God and a Nymph, n.d

River God and a Nymph, n.d

Background imagePigment Collection: Divine of Reformation Time, n.d. Creator: Peter van Lint

Divine of Reformation Time, n.d. Creator: Peter van Lint
Divine of Reformation Time, n.d

Background imagePigment Collection: Pictura: allegory of painting, with a nude woman at center grinding pigments, two p... ca

Pictura: allegory of painting, with a nude woman at center grinding pigments, two p... ca. 1610-50. Creator: Anon
Pictura: allegory of painting, with a nude woman at center grinding pigments, two putti drawing at lower left, ca. 1610-50

Background imagePigment Collection: Woman and Nude Young Boy Surrounded by Figures, n.d. Creator: Unknown

Woman and Nude Young Boy Surrounded by Figures, n.d. Creator: Unknown
Woman and Nude Young Boy Surrounded by Figures, n.d

Background imagePigment Collection: Crucifixion with the Virgin Mary and Saint John (recto); Saint Sebald with the Donors... c1485-90

Crucifixion with the Virgin Mary and Saint John (recto); Saint Sebald with the Donors... c1485-90. Creator: Unknown
Crucifixion with the Virgin Mary and Saint John (recto); Saint Sebald with the Donors Paul Volkmayr and Sebald Schreyer (verso), c. 1485-90

Background imagePigment Collection: ink in water

ink in water
engin akyurt

Background imagePigment Collection: ink in water

ink in water
engin akyurt

Background imagePigment Collection: ink in water

ink in water
engin akyurt

Background imagePigment Collection: ink in water

ink in water
engin akyurt

Background imagePigment Collection: ink

ink
engin akyurt

Background imagePigment Collection: ink in water

ink in water
engin akyurt

Background imagePigment Collection: ink in water

ink in water
engin akyurt

Background imagePigment Collection: ink in water

ink in water
engin akyurt

Background imagePigment Collection: Hematite, Buxton, England

Hematite, Buxton, England
Massive, compact, water worn hematite, dark red in colour. The specimen label states Iron Ore, the best pieces are used for burnishing when polished - from Buxton or thereabouts

Background imagePigment Collection: Italy, Veneto, Venice, Art store selling pigments

Italy, Veneto, Venice, Art store selling pigments
2005-307036-01

Background imagePigment Collection: Coffin of Nesi-pa-her-hat, Ancient Egypt, Third Intermediate Period

Coffin of Nesi-pa-her-hat, Ancient Egypt, Third Intermediate Period, Dynasty 21 (about 1069 -945 BCE)

Background imagePigment Collection: A worker applies colour to strings which will be used to fly kites

A worker applies colour to strings which will be used to fly kites, by a roadside in Ahmedabad, India, November 23, 2017. REUTERS/Amit Dave TPX IMAGES OF THE DAY

Background imagePigment Collection: Bags Of Powdered Pigment To Make Paint, Chefchaouen, Morocco, North Africa

Bags Of Powdered Pigment To Make Paint, Chefchaouen, Morocco, North Africa

Background imagePigment Collection: Colorful ochre colored buildings on a street in Roussillon, Vaucluse, Provence-Alpes-CA'te

Colorful ochre colored buildings on a street in Roussillon, Vaucluse, Provence-Alpes-CA'te
Colorful ochre colored buildings on a street in Roussillon, Vaucluse, Provence-Alpes-Cote d Azur, France

Background imagePigment Collection: Colorful ochre colored faAzade of Mairie (mayors office) in Roussillon, Vaucluse

Colorful ochre colored faAzade of Mairie (mayors office) in Roussillon, Vaucluse
Colorful ochre colored facade of Mairie (mayors office) in Roussillon, Vaucluse, Provence-Alpes-Cote d Azur, France

Background imagePigment Collection: Abstract color paint splash

Abstract color paint splash
engin akyurt

Background imagePigment Collection: Photograph of lone figure, frosty December morning, by B Ward-Thompson, FRPS

Photograph of lone figure, frosty December morning, by B Ward-Thompson, FRPS. Captioned, When Frost, the Sacred Painter, Spreads His Silver Pigment

Background imagePigment Collection: Votive (Gift) in the Shape of a Womans Head, about 500 BCE. Creator: Unknown

Votive (Gift) in the Shape of a Womans Head, about 500 BCE. Creator: Unknown
Votive (Gift) in the Shape of a Womans Head, about 500 BCE

Background imagePigment Collection: Architectural Relief Depicting the Gigantomachy (Battle Between Gods and Giants), 3rd-2nd cent

Architectural Relief Depicting the Gigantomachy (Battle Between Gods and Giants), 3rd-2nd cent. BCE. Creator: Unknown
Architectural Relief Depicting the Gigantomachy (Battle Between Gods and Giants), 3rd-2nd century BCE

Background imagePigment Collection: Statuette of an Orant Figure, Byzantine Period, 5th-6th century. Creator: Unknown

Statuette of an Orant Figure, Byzantine Period, 5th-6th century. Creator: Unknown
Statuette of an Orant Figure, Byzantine Period, 5th-6th century

Background imagePigment Collection: A Question of Colour

A Question of Colour
WAK69123 A Question of Colour by Shanks, William Somerville (1864-1951); The Hepworth Wakefield, West Yorkshire, UK; © The Hepworth Wakefield

Background imagePigment Collection: Jar (earthenware with incised decoration)

Jar (earthenware with incised decoration)
5054684 Jar (earthenware with incised decoration) by Japanese School, Jomon Period (c.14000-300 B.C.); height: 20 cm; Metropolitan Museum of Art, New York

Background imagePigment Collection: Head of Buddha, Kushan period, 3rd-5th century. Creator: Unknown

Head of Buddha, Kushan period, 3rd-5th century. Creator: Unknown
Head of Buddha, Kushan period, 3rd-5th century

Background imagePigment Collection: Head of a Bodhisattva, Kushan period, About 3rd / 5th century. Creator: Unknown

Head of a Bodhisattva, Kushan period, About 3rd / 5th century. Creator: Unknown
Head of a Bodhisattva, Kushan period, About 3rd/5th century



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"Pigment: A Kaleidoscope of Colors Unveiled" Daylight Raid from my Studio Window, July - As the sun's rays infiltrate through the window, they reveal a vibrant palette of pigments waiting to be transformed into art. Leopard (Panthera pardus) black panther melanistic phase, adult, resting on log, captive - The mesmerizing beauty of a black panther's coat showcases nature's mastery in creating unique pigmentation patterns. Autumn Grasses Moonlight - In the ethereal glow of moonlight, autumn grasses come alive with an enchanting display of pigments that dance harmoniously under the night sky. Cat sleeping under a bench in front of a house in Roussillon, Vaucluse - Amidst the rustic charm of Roussillon, a slumbering feline blends seamlessly with its surroundings as if painted by invisible strokes of pigment. Abstract color paint splash - Bursting forth like an explosion of creativity and imagination, this abstract artwork embodies the boundless possibilities that pigments hold within their vivid hues. Photograph by B Ward-Thompson: When Frost, the Sacred Painter Spreads His Silver Pigment: The pathway to the church on a December morning. Date: 1910 - Capturing winter's delicate touch upon nature's canvas, frost delicately paints silver accents onto every surface it touches – truly showcasing itself as nature’s own masterful painter using its shimmering pigment. Hematite, Buxton England - Deep within Buxton lies hematite; an earthly treasure adorned with rich red hues that tell tales spanning centuries and whisper secrets only known to those who dare explore its depths. Young South African Boy suffering from Vitiligo - Despite facing adversity due to vitiligo—a condition altering his skin’s natural pigment—this resilient young boy radiates strength and resilience while embracing his unique beauty and individuality. Acrylic colors and ink in water.