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Pittura Collection (page 6)

"Pittura: A Glimpse into Artistic Narratives" Dante reading his works (fresco): Immersed in the world of literature

Background imagePittura Collection: Tree of Life and Last Supper, detail of the Tree of Life and of the Crucifixion, c

Tree of Life and Last Supper, detail of the Tree of Life and of the Crucifixion, c. 1350 (detached fresco)
6366133 Tree of Life and Last Supper, detail of the Tree of Life and of the Crucifixion, c.1350 (detached fresco) by Gaddi, Taddeo (c.1300-66); Santa Croce, Florence

Background imagePittura Collection: Sepulchre of Galielo Galilei, left aisle, 1734-37

Sepulchre of Galielo Galilei, left aisle, 1734-37
6366109 Sepulchre of Galielo Galilei, left aisle, 1734-37 by Italian school, (17th-18th century); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

Background imagePittura Collection: Trinity among St. Benedict, St. Francis of Assisi, St. Bartholew and St

Trinity among St. Benedict, St. Francis of Assisi, St. Bartholew and St. John the Baptist, 1461 (tempera on panel)
6366066 Trinity among St. Benedict, St. Francis of Assisi, St. Bartholew and St. John the Baptist, 1461 (tempera on panel) by Bicci, Neri di (1419-91); Santa Croce, Florence

Background imagePittura Collection: Crucifix (tempera on wood)

Crucifix (tempera on wood)
6366065 Crucifix (tempera on wood) by Cimabue, Giovanni (1240-1302); Santa Croce, Florence, Italy; (add.info.: On the sides of Christ on the cross, the Madonna and St)

Background imagePittura Collection: Polyptych, Madonna Enthroned with the Four Doctors of the Church

Polyptych, Madonna Enthroned with the Four Doctors of the Church, by Niccolo Gerini and Giovanni del Biondo
6365939 Polyptych, Madonna Enthroned with the Four Doctors of the Church, by Niccolo Gerini and Giovanni del Biondo, The Major Chapel by Gerini, Niccolo (c.1340-1414) & Biondo

Background imagePittura Collection: Bardi St. Francis altarpiece and twenty stories of his life, details from above: St

Bardi St. Francis altarpiece and twenty stories of his life, details from above: St
6365935 Bardi St. Francis altarpiece and twenty stories of his life, details from above: St. Francis preaching to birds, 1245-50 by Coppo di Marcovaldo (fl.1225/30-after 1274); Santa Croce, Florence

Background imagePittura Collection: Allegory of Chastity, the Bardi Chapel, vault, 1320-25

Allegory of Chastity, the Bardi Chapel, vault, 1320-25
6365911 Allegory of Chastity, the Bardi Chapel, vault, 1320-25 by Giotto (Giotto di Bondone) (c.1266-1337); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross, the Bardi Chapel)

Background imagePittura Collection: Allegory of Obedience, the Bardi Chapel, vault, 1320-25

Allegory of Obedience, the Bardi Chapel, vault, 1320-25
6365908 Allegory of Obedience, the Bardi Chapel, vault, 1320-25 by Giotto (Giotto di Bondone) (c.1266-1337); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross, the Bardi Chapel)

Background imagePittura Collection: Punishment of the Lustful, fragment from the cycle of detached frescoes The Triumph of Death

Punishment of the Lustful, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell
6365885 Punishment of the Lustful, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350 (detached fresco) by Orcagna

Background imagePittura Collection: Female dancers (pastel)

Female dancers (pastel)
6336389 Female dancers (pastel) by Ferraguti, Arnaldo (1862-1925); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Arnaldo Ferraguti)

Background imagePittura Collection: Preparatory Study for Carriage and Horses (indian ink and pencil drawing on paper)

Preparatory Study for Carriage and Horses (indian ink and pencil drawing on paper)
6336333 Preparatory Study for Carriage and Horses (indian ink and pencil drawing on paper) by Casaltoli, Carlo (1865-1903); Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imagePittura Collection: Princess Leopoldina Esterhazy while painting, detail of the hand while painting, 1805-18 (marble)

Princess Leopoldina Esterhazy while painting, detail of the hand while painting, 1805-18 (marble)
6343014 Princess Leopoldina Esterhazy while painting, detail of the hand while painting, 1805-18 (marble) by Canova, Antonio (1757-1822); Private Collection; (add.info)

Background imagePittura Collection: Princess Leopoldina Esterhazy while painting, detail, 1805-18 (marble)

Princess Leopoldina Esterhazy while painting, detail, 1805-18 (marble)
6343013 Princess Leopoldina Esterhazy while painting, detail, 1805-18 (marble) by Canova, Antonio (1757-1822); Private Collection; (add.info)

Background imagePittura Collection: 'Resurrection'and 'Descent into Limbo', Detail of the resurrected Christ, c. 1420 (fresco)

"Resurrection"and "Descent into Limbo", Detail of the resurrected Christ, c. 1420 (fresco)
5051436 " Resurrection" and " Descent into Limbo", Detail of the resurrected Christ, c.1420 (fresco) by Master of Vignola (15th century); Rocca di Vignola, Vignola, Modena

Background imagePittura Collection: Honour to the Heroes (a rite in ancient Greece) (oil on canvas)

Honour to the Heroes (a rite in ancient Greece) (oil on canvas)
5974066 Honour to the Heroes (a rite in ancient Greece) (oil on canvas) by Muzzioli, Giovanni (1854-94); 86x68 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imagePittura Collection: The Entrance Hall or Foyer (fresco)

The Entrance Hall or Foyer (fresco)
5974013 The Entrance Hall or Foyer (fresco) by Battaglioli, Francesco (c.1710-c.1796) & Zugno, Francesco (1709-87); Teatro Grande, Brescia

Background imagePittura Collection: The Entrance Hall or Foyer (fresco)

The Entrance Hall or Foyer (fresco)
5974010 The Entrance Hall or Foyer (fresco) by Battaglioli, Francesco (c.1710-c.1796) & Zugno, Francesco (1709-87); Teatro Grande, Brescia

Background imagePittura Collection: Feast in the house of Simon the Pharisee, 1532-33 (fresco transferred on canvas)

Feast in the house of Simon the Pharisee, 1532-33 (fresco transferred on canvas)
5973973 Feast in the house of Simon the Pharisee, 1532-33 (fresco transferred on canvas) by Romanino, Girolamo (c.1485-c.1566); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Brescia)

Background imagePittura Collection: St. Paul and St. Bishop, detail of St. Joh the Baptist, St. Bishop (S. Ambrose?), St. Bishop (S)

St. Paul and St. Bishop, detail of St. Joh the Baptist, St. Bishop (S. Ambrose?), St. Bishop (S. Augustine?), St
5973943 St. Paul and St. Bishop, detail of St. Joh the Baptist, St. Bishop (S. Ambrose?), St. Bishop (S. Augustine?), St. Paul, 1340-5 (tempera on panel) by Veneziano

Background imagePittura Collection: Guest Lodgings, the Room of the Olympus: 'Apollo and Diana', 1757 (fresco)

Guest Lodgings, the Room of the Olympus: "Apollo and Diana", 1757 (fresco)
5962751 Guest Lodgings, the Room of the Olympus: "Apollo and Diana", 1757 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Valmarana ai Nani, Vicenza

Background imagePittura Collection: Guest Lodgings, the Room of the Olympus: 'Jupiter', 1757 (fresco)

Guest Lodgings, the Room of the Olympus: "Jupiter", 1757 (fresco)
5962748 Guest Lodgings, the Room of the Olympus: "Jupiter", 1757 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Valmarana ai Nani, Vicenza

Background imagePittura Collection: Palazzina (Small Building): view of the first room and its frescoes representing episodes from

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad
5962666 Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Athena prevents Achilles from drawing his sword against Agamemnon"

Background imagePittura Collection: Guest Lodgings: portrait of the architect and scenographer Andrea Palladio, 1576

Guest Lodgings: portrait of the architect and scenographer Andrea Palladio, 1576
5962659 Guest Lodgings: portrait of the architect and scenographer Andrea Palladio, 1576 by Italian School, (16th century); Villa Valmarana ai Nani, Vicenza, Italy; (add.info.: Andrea Di Pietro)

Background imagePittura Collection: Guest Lodgings, the Room of the Putti, medallion with putti: 'Three putti and a cart', 1757 (fresco)

Guest Lodgings, the Room of the Putti, medallion with putti: "Three putti and a cart", 1757 (fresco)
5962656 Guest Lodgings, the Room of the Putti, medallion with putti: "Three putti and a cart", 1757 (fresco) by Tiepolo

Background imagePittura Collection: Apollo and the Muses, 1618 (fresco)

Apollo and the Muses, 1618 (fresco)
5949123 Apollo and the Muses, 1618 (fresco) by Santner, Carlo (fl.1618); (add.info.: Ducal Palace, Mantova, Lombardy. The god plays his lyre sitting on a rock surrounded by Muses and winged cherubs)

Background imagePittura Collection: Virtue crowns Honour, 1734 (fresco)

Virtue crowns Honour, 1734 (fresco)
5949108 Virtue crowns Honour, 1734 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Background imagePittura Collection: Merit, 1734 (monochrome fresco)

Merit, 1734 (monochrome fresco)
5949101 Merit, 1734 (monochrome fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Background imagePittura Collection: Valour, 1734 (fresco)

Valour, 1734 (fresco)
5949095 Valour, 1734 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Background imagePittura Collection: Trento and Trieste, The Charge of the Bersaglieri (riflemen) (oil on canvas)

Trento and Trieste, The Charge of the Bersaglieri (riflemen) (oil on canvas)
5894157 Trento and Trieste, The Charge of the Bersaglieri (riflemen) (oil on canvas) by Previati, Gaetano (1852-1920); Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imagePittura Collection: Portrait of Rosa Bonetalli Palmieri (oil on canvas)

Portrait of Rosa Bonetalli Palmieri (oil on canvas)
5894145 Portrait of Rosa Bonetalli Palmieri (oil on canvas) by Ciarlini, Ippolito Bianchini (1767-1849); Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imagePittura Collection: A Mothers Kiss (oil on canvas)

A Mothers Kiss (oil on canvas)
5894134 A Mothers Kiss (oil on canvas) by Ferraguti, Arnaldo (1862-1925); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol, inv)

Background imagePittura Collection: Portrait of a Gentleman (oil on canvas)

Portrait of a Gentleman (oil on canvas)
5894112 Portrait of a Gentleman (oil on canvas) by Malatesta or Malatesti, Adeodato (1806-91); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol)

Background imagePittura Collection: Girl in Black (oil on paper)

Girl in Black (oil on paper)
5894095 Girl in Black (oil on paper) by Forghieri, Giovanni (1898-1944); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol, inv)

Background imagePittura Collection: Humility sending away Pride, 1734 (fresco)

Humility sending away Pride, 1734 (fresco)
5949116 Humility sending away Pride, 1734 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Background imagePittura Collection: Generosity distributing gifts, 1734 (fresco)

Generosity distributing gifts, 1734 (fresco)
5949107 Generosity distributing gifts, 1734 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Background imagePittura Collection: Innocence sending away Deceit, 1734 (fresco)

Innocence sending away Deceit, 1734 (fresco)
5949104 Innocence sending away Deceit, 1734 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); (add.info)

Background imagePittura Collection: Detail of vault: Nativity of Mary, 1424

Detail of vault: Nativity of Mary, 1424
6253811 Detail of vault: Nativity of Mary, 1424 by Nelli, Ottaviano (c.1370-c.1444); Palazzo Trinci, Foligno, Umbria, Italy; (add.info.: The chapel: frescoes by Ottaviano Nelli, realised in 1424)

Background imagePittura Collection: Detail of 'The Assumption of Mary', 1745-48 (fresco)

Detail of "The Assumption of Mary", 1745-48 (fresco)
3928824 Detail of "The Assumption of Mary", 1745-48 (fresco) by Bortoloni, Mattia (1695-1750), Biella, Felice (1702-86) & Bibiena, Giuseppe Galli (1696-1757); Sanctuary of Vicoforte, Cuneo

Background imagePittura Collection: Detail of 'The Assumption of Mary', 1745-48 (fresco)

Detail of "The Assumption of Mary", 1745-48 (fresco)
3928822 Detail of "The Assumption of Mary", 1745-48 (fresco) by Bortoloni, Mattia (1695-1750), Biella, Felice (1702-86) & Bibiena, Giuseppe Galli (1696-1757); Sanctuary of Vicoforte, Cuneo

Background imagePittura Collection: Gathering of the Gods of Olympus, 1618 (fresco)

Gathering of the Gods of Olympus, 1618 (fresco)
5949120 Gathering of the Gods of Olympus, 1618 (fresco) by Santner, Carlo (fl.1618); Palazzo Ducale & Museo, Mantua, Lombardy, Italy; (add.info.: Fresco in the ceiling vault in the Ducal Apartment)

Background imagePittura Collection: Portrait of Giovanni Boccaccio (fresco)

Portrait of Giovanni Boccaccio (fresco)
6336449 Portrait of Giovanni Boccaccio (fresco) by Jacopo di Cione, (fl.1368-94); Palazzo dei Giudici e dei Notai, Florence

Background imagePittura Collection: Lunette of the Poets', with portraits of Dante Alighieri and Boccaccio (fresco)

Lunette of the Poets", with portraits of Dante Alighieri and Boccaccio (fresco)
6336438 Lunette of the Poets", with portraits of Dante Alighieri and Boccaccio (fresco) by Jacopo di Cione, (fl.1368-94); Palazzo dei Giudici e dei Notai, Florence

Background imagePittura Collection: Portrait of Isocrates or Demosthenes, detail from the allegory of Rhetoric (fresco)

Portrait of Isocrates or Demosthenes, detail from the allegory of Rhetoric (fresco)
6336434 Portrait of Isocrates or Demosthenes, detail from the allegory of Rhetoric (fresco) by Jacopo di Cione, (fl.1368-94); Palazzo dei Giudici e dei Notai, Florence

Background imagePittura Collection: Abundance, with Avarice and Idleness, 1610-20 (oil on copper)

Abundance, with Avarice and Idleness, 1610-20 (oil on copper)
5973982 Abundance, with Avarice and Idleness, 1610-20 (oil on copper) by Cesari, Giuseppe (Cavalier d Arpino) (1568-1640) (follower of); Pinacoteca Tosio Martinengo, Brescia

Background imagePittura Collection: Old Man in the Snow, 1717 (oil on canvas)

Old Man in the Snow, 1717 (oil on canvas)
5973912 Old Man in the Snow, 1717 (oil on canvas) by Cifrondi, Antonio (1655-1730); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Brescia)

Background imagePittura Collection: Guest Lodgings, the Room of the Olympus: 'Cronus', 1757 (fresco)

Guest Lodgings, the Room of the Olympus: "Cronus", 1757 (fresco)
5962747 Guest Lodgings, the Room of the Olympus: "Cronus", 1757 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Valmarana ai Nani, Vicenza

Background imagePittura Collection: Guest Lodgings, the Room of the Olympus: 'Mercury', 1757 (fresco)

Guest Lodgings, the Room of the Olympus: "Mercury", 1757 (fresco)
5962746 Guest Lodgings, the Room of the Olympus: "Mercury", 1757 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Valmarana ai Nani, Vicenza

Background imagePittura Collection: Palazzina (Small Building): view of the entrance hall. On the wall, 'The Sacrifice of Iphigenia'

Palazzina (Small Building): view of the entrance hall. On the wall, "The Sacrifice of Iphigenia"
5962721 Palazzina (Small Building): view of the entrance hall. On the wall, "The Sacrifice of Iphigenia", and on the ceiling "Diana and Aeolus", 1756-57 (fresco) by Tiepolo



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"Pittura: A Glimpse into Artistic Narratives" Dante reading his works (fresco): Immersed in the world of literature, Dante Alighieri captivates us with his profound words as he delves into the depths of his own creations. The Walnut Tree in Benevento (the Witches Sabbath), 1822-26 (w/c on paper): With vibrant watercolors on delicate paper, this enchanting artwork transports us to a realm where witches gather under the bewitching walnut tree, casting spells and embracing their mystical powers. Preparations for the fireworks and decorations of the feast given in Rome celebrating: The bustling streets come alive with anticipation as Rome prepares to celebrate a grand feast. Vibrant colors and intricate details capture the excitement that fills every corner of this magnificent city. Self-Portrait 69 Years Old (oil on canvas, 1815): Through skillful brushstrokes, an aging artist immortalizes himself on canvas. Every wrinkle tells a story; every stroke reveals a lifetime's worth of passion and dedication to art. Roger delivering Angelique: Witness an epic tale unfold through paintbrushes as Roger liberates Angelica from her captivity. This captivating portrait captures both bravery and tenderness within its strokes. Portrait of Thomas Christian Walther (1749-1788) Danish composer: In this striking portrait, we glimpse into the soulful eyes of Thomas Christian Walther, a renowned Danish composer whose music transcends time itself. Act II, first scene and third act - stage equipment: The Chariot of Armida for Armida by G. Rossini. 1952 (pencil and tempera on a canvas board): Behind-the-scenes magic comes alive as meticulous sketches bring forth elaborate stage designs for an opera production. Each line drawn represents countless hours dedicated to creating visual splendor that enhances musical performances. Ugo Foscolo, 1813 (oil on canvas).