Plaster Collection (page 4)

Justice, 1792 (plaster)
6343142 Justice, 1792 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: La Giustizia, 1792, di Antonio Canova (1757 - 1822), gesso.); Ghigo Roli

Charity, 1792 (plaster)
6343141 Charity, 1792 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: La Carita, 1792, di Antonio Canova (1757 - 1822), gesso.); Ghigo Roli

Feeding the Hungry, detail, 1795 (plaster)
6342968 Feeding the Hungry, detail, 1795 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Dare da mangiare agli affamati, 1795)

Feeding the Hungry, 1795 (plaster)
6342967 Feeding the Hungry, 1795 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Dare da mangiare agli affamati, 1795)

Death of Priam, 1787-90 (plaster)
6343148 Death of Priam, 1787-90 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Morte di Priamo, 1787-90, di Antonio Canova (1757 - 1822)

Dance of Alcinous Children, detail, 1790-02 (plaster)
6343145 Dance of Alcinous Children, detail, 1790-02 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Danza dei figli di Alcinoo, 1790-2)

Hope, 1792 (plaster)
6343140 Hope, 1792 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: La Speranza, 1792, di Antonio Canova (1757 - 1822), gesso.); Ghigo Roli

Putto (plaster)
5974012 Putto (plaster) by Gusmeri, Francesco (19th century); Teatro Grande, Brescia, Italy; (add.info.: The Entrance Hall or Foyer The room is perhaps one of the most admirable examples of)

View of the Sala degli Stucchi, 16th century
2384752 View of the Sala degli Stucchi, 16th century by Bibiena, Ferdinando Galli (1657-1743) & Bibiena, Francesco Galli (1659-1739); Rocca Meli Lupi, Soragna, Parma, Italy; (add.info.: Parma)

Design for large bosses of the library ceiling for King Edward VI Grammar School, Birmingham, 1835-36 (pen & grey)
1765212 Design for large bosses of the library ceiling for King Edward VI Grammar School, Birmingham, 1835-36 (pen & grey, red and black washes on paper) by Pugin

Teaching to Ignorant, 1795 (plaster)
6343155 Teaching to Ignorant, 1795 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Insegnare agli ignoranti, 1795, di Antonio Canova (1757 - 1822)

Cristo closing Socrates Eyes, 1790-92 (plaster)
6343153 Cristo closing Socrates Eyes, 1790-92 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Critone chiude gli occhi di Socrate, 1790-92)

Hecuba and the Trojan women offering the Peplum to Athena, 1790-92 (plaster)
6343149 Hecuba and the Trojan women offering the Peplum to Athena, 1790-92 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy

Dance of Alcinous Children, detail, 1790-92 (plaster)
6343147 Dance of Alcinous Children, detail, 1790-92 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Danza dei figli di Alcinoo, 1790-2)

Theseus fighint against the Centaur Eurytion, 1804-5 (plaster)
6343015 Theseus fighint against the Centaur Eurytion, 1804-5 (plaster) by Canova, Antonio (1757-1822); Fondazione Canova, Possagno, Veneto, Italy; (add.info.: Teseo in lotta con il centauro Eirition)

Teaching to Ignorant, detail, 1795 (plaster)
6342966 Teaching to Ignorant, detail, 1795 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Insegnare agli ignoranti, 1795)

Central medallion with plaster decoration and paintings on the virtues of good governance
2562754 Central medallion with plaster decoration and paintings on the virtues of good governance by Rizzi, Antonio (1869-1940); Palazzo del Comune, Cremona, Italy; (add.info.: Cremona)

Return of Telemachus to Ithaca and meeting with Penelope, 1787-90 (plaster)
6343143 Return of Telemachus to Ithaca and meeting with Penelope, 1787-90 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy

Marie Louise of Hapsburg as Concordia, 1810 (plaster)
6342996 Marie Louise of Hapsburg as Concordia, 1810 (plaster) by Canova, Antonio (1757-1822); Fondazione Canova, Possagno, Veneto, Italy; (add.info.: Maria Luigia d Austra in veste di Concordia)

Model of the Monument to Vittorio Alfieri, 1806 (plaster)
6342995 Model of the Monument to Vittorio Alfieri, 1806 (plaster) by Canova, Antonio (1757-1822); Accademia di Belle Arti, Carrara, Tuscny, Italy; (add.info.: Above a high oval base)

Triumph of Glory announced by Fame standing among the Cardinal Virtues, 1743 (fresco)
5949091 Triumph of Glory announced by Fame standing among the Cardinal Virtues, 1743 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

View of the Sala degli Stucchi, Rocca Meli Lupi, Soragna, Parma, Italy (photo)
2384744 View of the Sala degli Stucchi, Rocca Meli Lupi, Soragna, Parma, Italy (photo) by Bibiena, Ferdinando Galli (1657-1743) & Bibiena, Francesco Galli (1659-1739); Rocca Meli Lupi, Soragna

Jamie Osborne, Arm In Plaster Jockey 16 December 1997 Date: 16 December 1997

Plaster Statuette: Female Torso, Front View; Statuette de platre: Torse de femme, vue de face, 1887 (oil on canvas)
1767906 Plaster Statuette: Female Torso, Front View; Statuette de platre: Torse de femme, vue de face, 1887 (oil on canvas) by Gogh

The Horses of Anahita, Modeled 1848 / 50, cast 1882 / 1910. Creator: William Morris Hunt
The Horses of Anahita, Modeled 1848/50, cast 1882/1910

Bowl Depicting a Female Figure with Shield and Darts Motifs, A. D. 300 / 600
Bowl Depicting a Female Figure with Shield and Darts Motifs, A.D. 300/600

Knitting, Modeled 1882-83, cast c. 1886. Creator: Thomas Eakins
Knitting, Modeled 1882-83, cast c. 1886

Mural Fragment Representing a Ritual of World Renewal, A. D. 500 / 600. Creator: Unknown
Mural Fragment Representing a Ritual of World Renewal, A.D. 500/600. Frament of a mural from the city of Teotihuacan mural painted in red

Spinning, Modeled 1882-83, cast c. 1886. Creator: Thomas Eakins
Spinning, Modeled 1882-83, cast c. 1886

Richard Morris Hunt, 1891. Creator: Karl Theodore Francis Bitter
Richard Morris Hunt, 1891

Relief Fragments Depicting a Seated Woman and a Griffin, Early 1st century

Relief Fragments Depicting a Winged Woman and Two Deer, Early 1st century

Ralph Waldo Emerson (1803-1882), modeled 1879. Creator: Daniel Chester French
Ralph Waldo Emerson (1803-1882), modeled 1879

Truth, 1900. Creator: Daniel Chester French
Truth, 1900

Garrick Theater, Chicago, Illinois, Proscenium Vault Section, 1891-92. Painted plaster decoration

Busts of Pierre Francois Leonard Fontaine and Charles Percier, 1839

Le Grenouillard (Frog-Man), 1892. Creator: Jean-Joseph Carries
Le Grenouillard (Frog-Man), 1892

Madonna and Child, 1490 / 1500. Creator: Workshop of Neroccio de Landi
Madonna and Child, 1490/1500

Head of Medusa, c. 1801. Creator: Antonio Canova
Head of Medusa, c. 1801

Self-Portrait of the Sculptor Antonio Canova, 1812. Creator: Workshop of Antonio Canova
Self-Portrait of the Sculptor Antonio Canova, 1812. Workshop of Antonio Canova

Le Silence, 1842 / 43. Creator: Antoine-Augustin Preault
Le Silence, 1842/43

A Burgher of Calais (Jean d Aire), modeled 1889. Creator: Auguste Rodin
A Burgher of Calais (Jean d Aire), modeled 1889

Bacchus Consoling Ariadne, c. 1892. Creator: Jules Dalou
Bacchus Consoling Ariadne, c. 1892

Bust of a Young Man, 1877. Creator: Jules Dalou
Bust of a Young Man, 1877

Fall of a Cavalier, 1831. Creator: Antonin-Marie Moine
Fall of a Cavalier, 1831

Seated Cat, c. 1875. Creator: Unknown
Seated Cat, c. 1875

Fruit sculpture, 1800 / 1900. Creator: Unknown
Fruit sculpture, 1800/1900

Death mask of Napoleon, 1821. Creator: Antommarchi, Francesco Carlo (1780-1838)
Death mask of Napoleon, 1821. Found in the Collection of the Musee de l Armee, Paris

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"Unveiling the Artistry of Plaster: From Minoan Crete to Dalí's Studio" Step into the world of plaster, a versatile material that has left its mark throughout history. In ancient times, Minoan artists adorned their palaces in Crete with intricate plaster designs, showcasing their creativity and skill. One such masterpiece is the Prince of the Lilies fresco, depicting a noble figure surrounded by delicate floral motifs. Fast forward to more recent times, and we find ourselves captivated by the surrealistic creations within Dalí's Studio. Here, plaster becomes a medium for imagination as Salvador Dalí molds his eccentric visions into tangible forms. But plaster's influence extends beyond art studios; it can be found even in unexpected places. Take Sparrowes House in Ipswich, Suffolk – also known as The Ancient House – where ornate plasterwork adorns its historic walls, transporting visitors back to another era and has played a role in preserving history itself. In Pompeii's Macellum, an injured man's body was encased in a plaster cast after Mount Vesuvius' devastating eruption froze him forever in time. This haunting image serves as a reminder of both tragedy and resilience. In medicine and first aid practices alike, plaster proves invaluable. St John Ambulance provides essential care with their first aid hampers equipped with this vital material - ready to mend broken bones or support injuries when needed most. Meanwhile, on stage and screen alike, actors like Vivien Leigh have donned elaborate costumes made from casts created by talented artist Angus McBean using none other than. . plaster. Beyond its practical uses lies yet another facet of beauty - Atauriques - delicate patterns carved into wet plaster before drying to create stunning decorative elements seen across various architectural styles around the world. Even science finds value in this humble substance; microscopic images reveal how antiseptic pads are constructed using plaster, ensuring cleanliness and protection in wound care.