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Plate 1 Collection

"Plate 1: A Glimpse into the Natural World and Historical Marvels" This captivating plate, Plate 1 from Histoire naturelle

Background imagePlate 1 Collection: Ursa Major constellation, 1829 C016 / 4387

Ursa Major constellation, 1829 C016 / 4387
Ursa Major constellation. 19th-century map of stars and constellations from the celestial atlas Sozviezdiia Predstavlennyia na XXX Tablitsakh (1829) by Kornelius Reissig

Background imagePlate 1 Collection: Zamia pungens

Zamia pungens
Plate 1. Watercolour and bodycolour on paper, 1839 by Augusta Innes Withers (c.1791/2-1876). Held in the Library and Archives Date: 1839

Background imagePlate 1 Collection: Plate 1 from Histoire naturelle? (1789)

Plate 1 from Histoire naturelle? (1789)
Plate 1 Histoire Naturelle ou Mineralogie Complete, from Histoire naturelle: ou, Exposition des morceaux, les mieux choisis pour servir? (1789) by by Swebach Desfontaines

Background imagePlate 1 Collection: Plate 1 from Specimens of British Minerals? vol. 1 by P. Ras

Plate 1 from Specimens of British Minerals? vol. 1 by P. Ras
Plate 1 entitled Woodlike-tin ores from Specimens of British minerals, selected from the cabinet of P. Rashleigh, of Menabilly, in the County of Cornwall (1797) by Philip Rashleigh

Background imagePlate 1 Collection: Huntsman opening the kennel door to let out the hounds before going hare hunting

Huntsman opening the kennel door to let out the hounds before going hare hunting
6337426 Huntsman opening the kennel door to let out the hounds before going hare hunting by Howitt, Samuel (1756-1822) (after); (add.info)

Background imagePlate 1 Collection: An Earthenware Workshop, illustration from the Encyclopedie

An Earthenware Workshop, illustration from the Encyclopedie
CHT202899 An Earthenware Workshop, illustration from the Encyclopedie by Denis Diderot (1713-84) engraved by Robert Benard (b)

Background imagePlate 1 Collection: Phasianus Versicolor (Vieillot), 1855 (colour litho)

Phasianus Versicolor (Vieillot), 1855 (colour litho)
1272400 Phasianus Versicolor (Vieillot), 1855 (colour litho) by American School, (19th century); Free Library of Philadelphia; (add.info.: Hitchcock, W.E. Phila. - Lithographer " Plate 1)

Background imagePlate 1 Collection: Figures on rocks, above them a sun appears in a break of heavy clouds

Figures on rocks, above them a sun appears in a break of heavy clouds
XYC309865 Figures on rocks, above them a sun appears in a break of heavy clouds, from Visions of the Daughters of Albion, 1793 (relief etching with w/c) by Blake

Background imagePlate 1 Collection: view monument Philopappus antiquities Athens

view monument Philopappus antiquities Athens
A view of the monument of Philopappus, The antiquities of Athens, Stuart, James, 1713-1788, Engraving, 1762-1816, Plate 1, located in volume 3, chapter 5, entitled, Of the Monument of Philopappus

Background imagePlate 1 Collection: View Front Scene antiquities Athens Newton W

View Front Scene antiquities Athens Newton W
A View of the Front of the Scene, The antiquities of Athens, Newton, W. Stuart, James, 1713-1788, Engraving, 1762-1816, Plate 1, depicting the front of the Scene, located in volume 2, chapter 3

Background imagePlate 1 Collection: Porta del Popolo olim Flaminia Delle magnificenze

Porta del Popolo olim Flaminia Delle magnificenze
Porta del Popolo olim Flaminia, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, Plate 1 of volume 1, facing page 4

Background imagePlate 1 Collection: P. Med Doctor Aet XLV. Stephanus Blancardus XLV

P. Med Doctor Aet XLV. Stephanus Blancardus XLV
P. and Med. Doctor. Aet. XLV. Stephanus Blancardus, P. and Med. Doctor. Aet. XLV. Steph. Blancardi Anatomia reformata, sive, Concinna corporis humani dissectio

Background imagePlate 1 Collection: Plate 1 Lead Beschreibung einer ungemein grossen

Plate 1 Lead Beschreibung einer ungemein grossen
Plate 1: Lead, Beschreibung einer ungemein grossen Elektrisier-Maschine und der damit im Teylerschen Museum zu Haarlem angestelten Versuche, Eschenbach, H.C.W. Marum, M

Background imagePlate 1 Collection: Ruins Temple Jupiter Selinus Antiquities Magna Graecia

Ruins Temple Jupiter Selinus Antiquities Magna Graecia
Ruins of the Temple of Jupiter at Selinus, The Antiquities of Magna Graecia, Longman, Hurst, Orme, and Rees, Medland, Thomas, d

Background imagePlate 1 Collection: General View 3 Temples Paestum Antiquities Magna Graecia

General View 3 Temples Paestum Antiquities Magna Graecia
General View of the 3 Temples at Paestum, The Antiquities of Magna Graecia, Longman, Hurst, Orme, and Rees, Medland, Thomas, d

Background imagePlate 1 Collection: View Remains Temple Minerva Syracuse Antiquities

View Remains Temple Minerva Syracuse Antiquities
View of the Remains of the Temple of Minerva at Syracuse, The Antiquities of Magna Graecia, Longman, Hurst, Orme, and Rees, Watts, Richard, Wilkins, William, 1778-1839, Engraving, 1807

Background imagePlate 1 Collection: David par lui-meme 1794 Le peintre Louis David

David par lui-meme 1794 Le peintre Louis David
David par lui-meme (1794), Le peintre Louis David, 1748-1825, David, Jacques Louis Jules, 1829-1886, Engraving, 1880-1882, Plate 1

Background imagePlate 1 Collection: View Eastern Portico Temple Minerva Athens Parthenon

View Eastern Portico Temple Minerva Athens Parthenon
View of the Eastern Portico of the Temple of Minerva at Athens, called the Parthenon, The Elgin marbles from the Temple of Minerva at Athens: on sixty-one plates

Background imagePlate 1 Collection: Lib V Tabula I Adriani Spigelii Bruxellensis

Lib V Tabula I Adriani Spigelii Bruxellensis
Lib. V, Tabula I, Lib. V, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare, 1581-1626

Background imagePlate 1 Collection: Lib IX. Tabula I IX Adriani Spigelii Bruxellensis

Lib IX. Tabula I IX Adriani Spigelii Bruxellensis
Lib. IX. Tabula I, Lib. IX. Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Background imagePlate 1 Collection: I Mauritius Nassauie Comes Brasiliae Praefectus

I Mauritius Nassauie Comes Brasiliae Praefectus
I. Mauritius Nassauie and c. Comes. Brasiliae Praefectus: Qua Patet Orbis. Casparis Barlaei, rervm per octennivm in Brasilia et alibi nuper gestarum: sub praefectura illustrissimi Comitis I

Background imagePlate 1 Collection: Herculaneum woman set garden exotic animals Representation des

Herculaneum woman set garden exotic animals Representation des
Herculaneum woman set in garden with exotic animals, Representation des animaux de la menagerie de S.A.S. Monseigneur le prince Eugene Francois de Savoye et de Piemont

Background imagePlate 1 Collection: Plate 1 depicting lacquer equipment Trattato sopra

Plate 1 depicting lacquer equipment Trattato sopra
Plate 1 depicting lacquer making equipment, Trattato sopra la vernice detta comunemente cinese: in risposta data all ill, ustrissimo. sig

Background imagePlate 1 Collection: Plate 1 Tratado instructivo y practico sobre el

Plate 1 Tratado instructivo y practico sobre el
Plate 1, Tratado instructivo, y practico, sobre el arte de la tintura: reglas experimentadas y metodicas para tintar sedas, lanas, hilos de todas clases, y esparto en rama, Fernandez, Luis

Background imagePlate 1 Collection: Plate 1 Descripcion historica cronologica

Plate 1 Descripcion historica cronologica
Plate 1, Descripcion historica y cronologica de las dos piedras que con ocasion del nuevo empedrado que se esta formando en la plaza principal de Mexico, se hallaron en ella el ano de 1790

Background imagePlate 1 Collection: Published le Charivari 6 April 1859 Exhibition

Published le Charivari 6 April 1859 Exhibition
Published in le Charivari (6 April 1859): The Exhibition of 1859 (plate 1): They have Refused this, the Ignoramuses!, 1859. Honore Daumier (French, 1808-1879)

Background imagePlate 1 Collection: Suite de Paysages Landscape Plate 1 Remarque

Suite de Paysages Landscape Plate 1 Remarque
Suite de Paysages: Landscape, Plate 1, Remarque, A Fish, 1892-1893. Charles Marie Dulac (French, 1865-1898), Printer: Distribue. Color lithograph

Background imagePlate 1 Collection: Plate 1 Plant Study Group Various Plants Drawn

Plate 1 Plant Study Group Various Plants Drawn
Plate 1 from ?: Plant Study from Group of Various Plants Drawn and Lithographed after Nature (Groupes de Plantes varies dessinees sur Nature et lithographiees...), 1848

Background imagePlate 1 Collection: Siege La Rochelle Plate 1 1628-1630 Jacques Callot

Siege La Rochelle Plate 1 1628-1630 Jacques Callot
The Siege of La Rochelle: Plate 1, 1628-1630. Jacques Callot (French, 1592-1635), and Abraham Bosse (French, 1602-1676). Etching and engraving; sheet: 22.1 x 63 cm (8 11/16 x 24 13/16 in.); platemark

Background imagePlate 1 Collection: Suite Vases Plate 1 1746 Jacques Francois Saly

Suite Vases Plate 1 1746 Jacques Francois Saly
Suite of Vases: Plate 1, 1746. Jacques Francois Saly (French, 1717-1776). Etching

Background imagePlate 1 Collection: Mascarade a la Grecque Title Page Plate 1

Mascarade a la Grecque Title Page Plate 1
Mascarade a la Grecque: Title Page (Plate 1), 1771. Benigno Bossi (Italian, 1727-1792). Etching

Background imagePlate 1 Collection: Drawings Prints, Print, Comforts Bath, Plate 1, Artist, Publisher, Thomas Rowlandson

Drawings Prints, Print, Comforts Bath, Plate 1, Artist, Publisher, Thomas Rowlandson
Drawings and Prints, Print, Comforts of Bath, Plate 1, Comforts of Bath, Artist, Publisher, Thomas Rowlandson, Samuel William Fores, British, London 1757-1827 London, British, 1761-1838, Rowlandson

Background imagePlate 1 Collection: Lot Welcomes Angels Story Lot 1555 Engraving

Lot Welcomes Angels Story Lot 1555 Engraving
Artokoloro

Background imagePlate 1 Collection: Plate 1 trophies Roman arms decorations windows

Plate 1 trophies Roman arms decorations windows
Artokoloro

Background imagePlate 1 Collection: Drawings Prints, Print, Titlepage, Verscheyden Landtschapjes, Various Landscapes

Drawings Prints, Print, Titlepage, Verscheyden Landtschapjes, Various Landscapes
Drawings and Prints, Print, Titlepage, from Verscheyden Landtschapjes (Various Landscapes), Plate 1, Artist, Publisher, Willem Pietersz. Buytewech, Claes Jansz

Background imagePlate 1 Collection: Plate 1 Saturn niche devouring son standing scythe

Plate 1 Saturn niche devouring son standing scythe
Artokoloro

Background imagePlate 1 Collection: AM170720 084587

AM170720 084587
8, AM170720 084587

Background imagePlate 1 Collection: AM170720 083530

AM170720 083530
8, AM170720 083530

Background imagePlate 1 Collection: Plate 1 Roma Batavia Shaking Hands War Romans

Plate 1 Roma Batavia Shaking Hands War Romans
Artokoloro

Background imagePlate 1 Collection: Plate 1 Ship Hercules Barcha del Hercole dragon-headed prow

Plate 1 Ship Hercules Barcha del Hercole dragon-headed prow
Artokoloro

Background imagePlate 1 Collection: Triumph World Cycle Vicissitudes Human Affairs

Triumph World Cycle Vicissitudes Human Affairs
Artokoloro



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"Plate 1: A Glimpse into the Natural World and Historical Marvels" This captivating plate, Plate 1 from Histoire naturelle? (1789), offers a fascinating glimpse into various realms of knowledge. The intricate illustration showcases Zamia pungens, a striking plant species known for its unique foliage patterns. Its presence on this plate invites us to explore the wonders of botany. Moving beyond the realm of flora, we encounter Ursa Major constellation in 1829 C016 / 4387. This celestial artwork transports us to the vastness of space, where stars form magnificent constellations that have captivated humanity for centuries. In another corner of this diverse collection lies Plate 1 from Specimens of British Minerals? vol. 1 by P. Ras. Here, we delve into the world beneath our feet as minerals reveal their stunning colors and textures—a testament to Earth's geological marvels. Shifting gears once more, "Negroes in the Bilge, " engraved by Deroi around c. 1835, presents an important historical depiction highlighting social dynamics during that era—an invitation to reflect on our shared past and strive for progress towards equality. The enchanting Plan of St Peter's Basilica takes center stage next—founded in 1506 under Julius II and completed in 1612 under Paul V—this architectural masterpiece has stood as a symbol of faith and human achievement throughout history. A lively scene unfolds with "Huntsman opening the kennel door. " This evocative image captures anticipation before a hare hunt—a reminder of ancient traditions interwoven with nature's beauty. An Earthenware Workshop brings us closer to everyday life through an illustration from Encyclopedie?. It immerses us within bustling workshops where skilled artisans craft functional artistry using clay—a celebration of human creativity across cultures.