Plate 5 Collection

Copernican worldview, 1708
Copernican worldview. This is plate 5 from the 1708 edition of the star atlas Harmonica Macrocosmica by the Dutch-German mathematician and cosmographer Andreas Cellarius (1596-1665)

Nebulae drawn by William Herschel, 1811 C002 / 5044
Nebulae drawn by the British astronomer William Herschel (1738-1822), published in Philosophical Transactions of the Royal Society in 1811

Horologia Ferrea, plate 5 from Nova Reperta, engraved by Philip Galle, c
XJF448297 Horologia Ferrea, plate 5 from Nova Reperta, engraved by Philip Galle, c.1580-1605 (engraving) by Straet, Jan van der (Giovanni Stradano) (1523-1605) (after); Private Collection; (add.info)

Feasting in the Saloon, plate 5 from Theatrical Pleasures
740526 Feasting in the Saloon, plate 5 from Theatrical Pleasures, 1827 (hand-coloured engraving) by Lane, Theodore (1800-28); Private Collection; (add.info)

The Shamit Reel, plate 5 from The Penny Wedding by John Grant
XJF441978 The Shamit Reel, plate 5 from The Penny Wedding by John Grant, engraved by Joshua Gleadah, 1836 (engraving) by Grant

Two of a Kind (Tal para Qual), 1799 (etching, aquatint & drypoint)
1071366 Two of a Kind (Tal para Qual), 1799 (etching, aquatint & drypoint) by Goya y Lucientes, Francisco Jose de (1746-1828); 19.7x14.6 cm; Dallas Museum of Art, Texas

Robinson Crusoe at work in his cave from "
3614721 A Robinson Crusoe at work in his caveA from A" The Life and Strange Surprising Adventures of Robinson Crusoe, or York, MarinerA" by Daniel Defoe by Stothard

Heterornis Sericea (Gmelin), 1855 (colour litho)
1272404 Heterornis Sericea (Gmelin), 1855 (colour litho) by American School, (19th century); Free Library of Philadelphia; (add.info.: Hitchcock, W.E. Phila)

Capital Entablature Pilaster Foregoing Plate
Capital and Entablature of the Pilaster, in the Foregoing Plate, Base, Capital and Entablature of the Pilaster, in the Foregoing Plate, The ruins of Palmyra, otherwise Tedmor, in the desert, Borra

Plate 5 Electric Machine Beschreibung einer ungemein
Plate 5: Electric Machine, Beschreibung einer ungemein grossen Elektrisier-Maschine und der damit im Teylerschen Museum zu Haarlem angestelten Versuche, Eschenbach, H.C.W. Marum, M

Plate 5 A. B. Brass Beschreibung einer ungemein
Plate 5, A. and B.: Brass, Beschreibung einer ungemein grossen Elektrisier-Maschine und der damit im Teylerschen Museum zu Haarlem angestelten Versuche, Eschenbach, H.C.W. Marum, M

Plate 5 Le cabinet de la Bibliotheque Sainte
Plate 5, Le cabinet de la Bibliotheque de Sainte Genevieve: divise en deux parties: contenant les antiquitez de la religion des chretiens, des Egyptiens, and des Romains; des tombeaux

Pediments Temple Year 1683 Elgin marbles Minerva
The Pediments of the Temple as they were in the Year 1683, The Elgin marbles from the Temple of Minerva at Athens: on sixty-one plates

Lib IV. Tabula V IV Adriani Spigelii Bruxellensis
Lib. IV. Tabula V, Lib. IV. Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

View Temple Winds Athens Lion Calf Brass Standing
A View of the Temple of the Winds at Athens, A Lion Calf in Brass Standing by the Port of Athens, Itinerarium curiosum: or, An account of the antiquities, and remarkable curiosities in nature or art

Plate 5 Collection des tableaux et arabesques
Plate 5, Collection des tableaux et arabesques antiques, trouves a Rome dans les ruines des thermes de Titus: avec un avant-propos et un texte explicatif abrege des planches, Baquoy, Charles

Plate 5 Tratado instructivo y practico sobre el
Plate 5, Tratado instructivo, y practico, sobre el arte de la tintura: reglas experimentadas y metodicas para tintar sedas, lanas, hilos de todas clases, y esparto en rama, Fernandez, Luis

Suite de Paysages Landscape Plate 5 Remarque
Suite de Paysages: Landscape, Plate 5, Remarque, Three Stalks of Wheat, 1892-1893. Charles Marie Dulac (French, 1865-1898), Printer: Belfond, Imprimeur Belfond (per colophon). Color lithograph

Souvenirs Souvenir Brittany Plate 5 1832 Eugene Isabey
Souvenirs: Souvenir of Brittany, Plate 5, 1832. Eugene Isabey (French, 1803-1886), V. Morlot and McLean. Lithograph on chine colle; sheet: 33.4 x 46.2 cm (13 1/8 x 18 3/16 in.); platemark

Archetypes Studies Death line marks Part II plate 5
Archetypes and Studies: Death is the line that marks the end of all (Part II, plate 5), 1592. Joris Hoefnagel (Flemish, 1542-1601), after Jacob Hoefnagel (Flemish, 1575-c.1630)

Amoenissimae aliquot locorvm Plate 5 Augsburg
Amoenissimae aliquot locorvm...: Plate 5, Augsburg, 1635. Wenceslaus Hollar (Bohemian, 1607-1677). Etching; sheet: 5.8 x 9.3 cm (2 5/16 x 3 11/16 in.)

Suite Vases Plate 5 1746 Jacques Francois Saly
Suite of Vases: Plate 5, 1746. Jacques Francois Saly (French, 1717-1776). Etching

Liber Studiorum Plate 5 Walsingham Norfolk 1838
Liber Studiorum: Plate 5, Walsingham, Norfolk, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Mascarade a la Grecque Berger a la Grecque
Mascarade a la Grecque: Berger a la Grecque (Plate 5), 1771. Benigno Bossi (Italian, 1727-1792). Etching; sheet: 41.9 x 28.1 cm (16 1/2 x 11 1/16 in.)

Drawings Prints, Print, Plate 5, woman, pouring, lead, into, ear, sleeping, husband
Drawings and Prints, Print, Plate 5: A woman pouring lead into the ear of her sleeping husband, Artist, Jose Guadalupe Posada, Mexican, 1851-1913, Posada, Jose Guadalupe, 1851, 1913, ca

Plate 5 procession horsemen crossing river tree
Artokoloro

Drawings Prints, Print, Plate 5, Tiberius, Claudius, profile, right, Twelve Caesars
Drawings and Prints, Print, Plate 5: Tiberius Claudius in profile to the right, from The Twelve Caesars, The Twelve Caesars, Artist, After, Raffaello Schiaminossi, Italian

Drawings Prints, Print, Triumph War, Cycle, Vicissitudes, Human, Affairs, plate 5
Drawings and Prints, Print, The Triumph of War, from The Cycle of the Vicissitudes of Human Affairs, plate 5, The Cycle of the Vicissitudes of Human Affairs, Artist, Publisher, After, Cornelis Cort

Plate 5 Pikeman standing right next canon military figures
Artokoloro

Plate 5 two friezes top grotesque head old man
Artokoloro

AM170720 084614
8, AM170720 084614

Goldsmiths Bouquet Livre de Toutes Sorte Feuilles Pour Servir
Artokoloro

Drawings Prints, Print, Plate 5, Psyche, seated, mountain, musical, troupe, lead
Drawings and Prints, Print, Plate 5: Psyche, seated, being taken to a mountain with a musical troupe lead the way, from the Story of Cupid and Psyche as told by Apuleius

AM170720 083384
8, AM170720 083384

AM170720 083523
8, AM170720 083523

Two Frieze Designs Acanthus Scrolls combined
Artokoloro

AM170720 084534
8, AM170720 084534

Plate 5 trophies Roman arms decorations windows
Artokoloro

Drawings Prints, Print, Last Supper, Passion Christ, plate 5, Artist, Gregoire Huret
Drawings and Prints, Print, The Last Supper, from The Passion of Christ, plate 5, The Passion of Christ, Artist, Gregoire Huret, French, Lyon 1606-1670 Paris, Huret, Gregoire, French, 1606, 1670, 1664

AM170720 084605
8, AM170720 084605

Reverse copy Balais Balais Brushes Brushes Le Cris de Paris
Artokoloro

Expulsion Paradise Story Adam Eve 1540 Engraving
Artokoloro

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Plate 5 takes us on a captivating journey through time and space, offering glimpses into various aspects of history and art. It begins with the Copernican worldview in 1708, challenging traditional beliefs and opening up new horizons of understanding our place in the universe. Moving forward to 1811, we encounter nebulae drawn by William Herschel. His meticulous observations shed light on the celestial wonders that adorn our night sky, reminding us of the vastness and beauty of the cosmos. Intriguingly, it also presents an engraving from Vatican and St Peter's Basilica in 1882. This depiction showcases the main facade of this iconic structure along with a section of its portico onto square. The work by Paul Marie Letarouilly allows us to appreciate the grandeur and architectural mastery behind one of Christianity's most revered sites. Continuing our exploration, we come across Horologia Ferrea, plate 5 from Nova Reperta. Engraved by Philip Galle during an unknown period but undoubtedly significant moment in history, this artwork captures an invention that revolutionized timekeeping. Shifting focus towards St Peter's Square, another engraving by Letarouilly reveals a perspective view of its interior colonnade. Additionally featured is a detailed coat of arms atop the entrance portico – symbols representing power and authority within this sacred space. As we delve deeper into design influences for St Peter's Basilica, attributed to Antonio da Sangallo (1) and Giuliano da Sangallo (2-4), it offers insights into different concepts proposed for its construction. These designs showcase both creativity and ingenuity as architects sought to create a monument befitting religious significance. The artistic realm finds representation too; Feasting in the Saloon invites us to indulge in theatrical pleasures while The Shamit Reel transports us back to John Grant's Penny Wedding through etching, aquatint, and drypoint techniques.