Plate 8 Collection

Plate 8 Desmonema Discomedusae from Kunstformen der Natur (Art Forms in Nature) illustrated by Ernst Haeckel (1834-1919)
5615753 Plate 8 Desmonema Discomedusae from Kunstformen der Natur (Art Forms in Nature) illustrated by Ernst Haeckel (1834-1919) by Haeckel

Robinson Crusoe and Friday making a Boat from "
3614725 A Robinson Crusoe and Friday making a BoatA from A" The Life and Strange Surprising Adventures of Robinson Crusoe, or York, MarinerA" by Daniel Defoe by Stothard

Ms. 2597 Heart, Desire and Melancholy at the bridge The Dangerous Walk
STC141236 Ms. 2597 Heart, Desire and Melancholy at the bridge The Dangerous Walk, which is Guarded by the Knight Soulcy, facsimile edition of Livre du Coeur d Amours Espris by Rene d Anjou

Tom XI Pl VIII Histoire naturelle generale et
Tom. XI. Pl. VIII, Histoire naturelle, generale et particuliere: avec la description du cabinet de roi, Buffon, Georges Louis Leclerc, comte de, 1707-1788, Daubenton, M

Various Plans Plans elevations sections perspective views
Various Plans, Plans, elevations, sections, and perspective views of the gardens and buildings at Kew, in Surry, Chambers, William Sir, 1723-1796, Haberkorn, J

Plate 8 1 / 2 Lead 1 / 2 Tin Beschreibung einer ungemein
Plate 8: 1/2 Lead, 1/2 Tin, Beschreibung einer ungemein grossen Elektrisier-Maschine und der damit im Teylerschen Museum zu Haarlem angestelten Versuche, Eschenbach, H.C.W. Marum, M

Pl XIII. collection antique vases altars paterae
Pl. XIII. A collection of antique vases, altars, paterae, tripods, candelabra, sarcophagi, andc. from various museums and collections, Baber, Henry Hervey, 1775-1869, Moses, Henry, 1782

Tavola VIII 52 Delle antichita di Ercolano Baiardi
Tavola VIII. 52, Delle antichita di Ercolano, Baiardi, Ottavio Antonio, 1694-1764, Engraving, c. 1757-1792, Plate 8, from volume 2, page 52

Lib IV Tabula VIII Adriani Spigelii Bruxellensis
Lib. IV, Tabula VIII, Lib. IV, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib II Tabula VIII Adriani Spigelii Bruxellensis
Lib. II, Tabula VIII, Lib. II, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Alcuni monumenti del Museo Carrafa Daniele Francesco
Alcuni monumenti del Museo Carrafa, Daniele, Francesco, 1740-1812, Engraving, 1778, A detail view of plate 8, showing the upper portion of the plate. This is not an overall view of the plate

Plate 8 Collection des tableaux et arabesques
Plate 8, Collection des tableaux et arabesques antiques, trouves a Rome dans les ruines des thermes de Titus: avec un avant-propos et un texte explicatif abrege des planches, Ponce, Nicolas

Plate 8 Tratado instructivo y practico sobre el
Plate 8, Tratado instructivo, y practico, sobre el arte de la tintura: reglas experimentadas y metodicas para tintar sedas, lanas, hilos de todas clases, y esparto en rama, Fernandez, Luis

published le Charivari no du 12 octobre 1844
published in le Charivari (no du 12 octobre 1844): The Philanthropists of the Day, plate 8: A 43d Toast...to the Temperance Society, 1844. Honore Daumier (French, 1808-1879)

published le Charivari no du 15 aout 1853
published in le Charivari (no du 15 aout 1853): Aquatic Sketches, plate 8: Madame la Baronne, it is my honor... 1853. Honore Daumier (French, 1808-1879), Ch. Trinocq

Suite de Paysages Landscape Plate 8 Remarque
Suite de Paysages: Landscape, Plate 8, Remarque, Pansies, 1892-1893. Charles Marie Dulac (French, 1865-1898), Printed by Monrocq Freres, Paris. Color lithograph

published le Charivari no du 24 novembre 1843
published in le Charivari (no du 24 novembre 1843): The Chapter of Interpretations, plate 8: Each burn fears cold water, 1843. Honore Daumier (French, 1808-1879), Aubert

Suite Vases Plate 8 1746 Jacques Francois Saly
Suite of Vases: Plate 8, 1746. Jacques Francois Saly (French, 1717-1776). Etching

Liber Studiorum Plate 8 Millbank Thames 1838
Liber Studiorum: Plate 8, Millbank on the Thames, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Mascarade a la Grecque Sacerdotesse a la Grecque
Mascarade a la Grecque: Sacerdotesse a la Grecque (Plate 8), 1771. Benigno Bossi (Italian, 1727-1792). Etching

Alchemy and astrology, 19th century
Alchemy and astrology. 19th-century copy of an artwork for a scene from the 1670s satirical poem Hudibras by English poet Samuel Butler (1613-1680)

Dentistry caricature, 18th century
Dentistry caricature. 18th-century artwork of a dentist (left) holding a string attached to a patients tooth, while brandishing a hot coal held in a pair of tongs

Drawings Prints, Print, Herd Sheep Water, Verscheyden Landtschapjes, Various Landscapes
Drawings and Prints, Print, Herd of Sheep Near the Water, from Verscheyden Landtschapjes (Various Landscapes), Plate 8, Artist, Publisher, Willem Pietersz. Buytewech, Claes Jansz

Plate 8 Rebirth Mankind Reparatio generis humani
Artokoloro

Plate 8 cartouche head old man top center scrollwork
Artokoloro

Plate 8 Prosperpina standing niche turning right
Artokoloro

Plate 8 Polyphemus Palemonius led Ceres Polifemo e Palemonio Argonauti condotti da Cerere
Artokoloro

Drawings Prints, Print, Christ Prisoner Garden, Passion Christ, plate 8, Artist, Gregoire Huret
Drawings and Prints, Print, Christ Taken Prisoner in the Garden, from The Passion of Christ, plate 8, The Passion of Christ, Artist, Gregoire Huret, French, Lyon 1606-1670 Paris, Huret, Gregoire

Drawings Prints, Print, Triumph Peace, Cycle, Vicissitudes, Human, Affairs, plate 8
Drawings and Prints, Print, The Triumph of Peace, from The Cycle of the Vicissitudes of Human Affairs, plate 8, The Cycle of the Vicissitudes of Human Affairs, Artist, Publisher, After

Plate 8 battle soldiers boat naked men trying
Artokoloro

Design Frieze Acanthus Scrolls Child flanked
Artokoloro

Plate 8 Egyptians Drowning Red Sea Battles Old Testament
Artokoloro

AM170720 083534
8, AM170720 083534

Plate 8 Triumphal Arch man standing atop architectural fragment
Artokoloro

I do die thee pr ythee shroud me sheets plate 8
Artokoloro

Plate 8 Fans Period series N7 Allen & Ginter Cigarettes Brands
Artokoloro

Plate 8 horseman descends riverbank another horseman
Artokoloro

AM170720 095067
8, AM170720 095067

Plate 8 Arch Drusus Portas Sebastiano Rome Arco di Druso alla Porta Sebastiano
Artokoloro

Plate 8 four grotesque heads scrollwork Friezes
Artokoloro

Plate 8 cartouche flanked dragons tails supporting
Artokoloro

Plate 8 head old bald man long beard facing left
Artokoloro

Plate 8 Emperor Otho Horseback First Twelve Roman Caesars
Artokoloro

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"Plate 8: A Glimpse into the Intricate Beauty of Nature, Architecture, and Art" In Plate 8 of Ernst Haeckel's "Kunstformen der Natur, " we are captivated by the mesmerizing Desmonema Discomedusae, a stunning depiction of marine life that showcases the wonders hidden beneath the ocean's surface. Meanwhile, Paul Marie Letarouilly takes us on an enchanting journey through The Vatican and St Peter's Basilica. In his engravings from 1882, we catch a glimpse of the magnificent buildings inside Papal Palace, adorned with lush gardens and surrounded by an annex and tholobate of dome in Sixtus V's era. The Belvedere courtyard invites us to step back in time to witness its grandeur. Delving further into Letarouilly's work, we explore the intricate details of the second floor floor plan within The Vatican complex. This engraving offers a fascinating insight into the layout and design that shaped this iconic place. Moving on to St Peter's Basilica itself, Letarouilly presents us with a cross-section along minor axes I, J, K, L from his general plan (Plate 1). This illustration provides an architectural perspective that unveils both its structural complexity and artistic beauty. Additionally featured is Robinson Crusoe and Friday making a boat—a scene filled with adventure as they navigate their way through uncharted waters—an intriguing contrast amidst these diverse plates. Baldassarre Peruzzi’s designs for St Peter’s Basilica attributed according to Sebastiano Serlio offer yet another dimension to our exploration. These engravings transport us back in time as we marvel at Peruzzi’s vision for this awe-inspiring structure. Letarouilly also treats us to glimpses of Old St Peter’s Basilica alongside old Papal Palace—remnants from history preserved within these engravings.