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Plate I Collection

"Plate I: A Celestial Journey through Time and Artistic Marvels" In this captivating plate, we embark on a mesmerizing journey that transcends time and space

Background imagePlate I Collection: Ursa Major constellation, 1829 C016 / 4387

Ursa Major constellation, 1829 C016 / 4387
Ursa Major constellation. 19th-century map of stars and constellations from the celestial atlas Sozviezdiia Predstavlennyia na XXX Tablitsakh (1829) by Kornelius Reissig

Background imagePlate I Collection: Birds, Plate I, 1855 (colour litho)

Birds, Plate I, 1855 (colour litho)
1272406 Birds, Plate I, 1855 (colour litho) by American School, (19th century); Free Library of Philadelphia; (add.info.: Birds, Plate I, From the Pacific Railroad Surveys, U.S.P.R.R)

Background imagePlate I Collection: France, illustration from Hogarth Restored: The Whole Works of the celebrated

France, illustration from Hogarth Restored: The Whole Works of the celebrated
STC451194 France, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook, pub

Background imagePlate I Collection: Conchology Plate I, 1855 (litho)

Conchology Plate I, 1855 (litho)
1272395 Conchology Plate I, 1855 (litho) by American School, (19th century); Free Library of Philadelphia; (add.info.: Lawrence, Henry - Lithographer U.S)

Background imagePlate I Collection: Plate I Le cabinet de la Bibliotheque Sainte

Plate I Le cabinet de la Bibliotheque Sainte
Plate I, Le cabinet de la Bibliotheque de Sainte Genevieve: divise en deux parties: contenant les antiquitez de la religion des chretiens, des Egyptiens, and des Romains; des tombeaux

Background imagePlate I Collection: Plate I Thomas Annan Scottish 1829 1887 Glasgow

Plate I Thomas Annan Scottish 1829 1887 Glasgow
Plate I; Thomas Annan (Scottish, 1829 - 1887); Glasgow, Scotland; 1897; Photogravure; Plate: 15.1 × 10.3 cm (5 15, 16 × 4 1, 16 in.)

Background imagePlate I Collection: Art Lithograph Title Page Plate I 1819 Alois Senefelder

Art Lithograph Title Page Plate I 1819 Alois Senefelder
Art of the Lithograph: Title Page, Plate I, 1819. Alois Senefelder (German, 1771-1834). Lithograph; sheet: 29.9 x 23.2 cm (11 3/4 x 9 1/8 in.); image: 18 x 16 cm (7 1/16 x 6 5/16 in.)

Background imagePlate I Collection: AM170720 084630

AM170720 084630
8, AM170720 084630

Background imagePlate I Collection: Door Chimney Billiards room Versailles plate I

Door Chimney Billiards room Versailles plate I
Artokoloro

Background imagePlate I Collection: AM170720 084669

AM170720 084669
8, AM170720 084669

Background imagePlate I Collection: AM170720 084635

AM170720 084635
8, AM170720 084635

Background imagePlate I Collection: AM170720 084667

AM170720 084667
8, AM170720 084667

Background imagePlate I Collection: Alchemical symbols, 18th century C013 / 5275

Alchemical symbols, 18th century C013 / 5275
Alchemical symbols. 18th-century listing of characters and symbols used by alchemists to represent chemicals, elements, and other objects and processes

Background imagePlate I Collection: Chemistry equipment, early 19th century C013 / 5268

Chemistry equipment, early 19th century C013 / 5268
Chemical equipment. Early 19th-century artwork depicting a variety of devices and instruments used in chemistry experiments


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"Plate I: A Celestial Journey through Time and Artistic Marvels" In this captivating plate, we embark on a mesmerizing journey that transcends time and space. Our first stop takes us to the Ursa Major constellation, where the stars twinkle in harmony, guiding our imagination towards endless possibilities. This celestial spectacle reminds us of the vastness of the universe and our place within it. Moving forward, we encounter an intriguing artwork titled "Birds, Plate I, " created in 1855 using vibrant color lithography techniques. The birds depicted seem to come alive with their vivid plumage and graceful movements, and is as if they are inviting us into their world, filled with melodies and untold stories. Our next destination transports us to France, where an illustration from "Hogarth Restored: The Whole Works of the celebrated" captivates our attention. This intricate piece showcases French artistry at its finest, offering a glimpse into a bygone era rich with cultural heritage. Continuing our exploration, we delve into conchology with "Conchology Plate I. " Created in 1855 through lithography methods, this masterpiece unveils the beauty hidden beneath ocean waves – delicate shells adorned with intricate patterns that nature has bestowed upon them. As we venture further into knowledge's realm, we stumble upon an enchanting chandelier featured in Encyclopedia De Diderot's collection – a true marvel of craftsmanship that illuminates both minds and spaces alike. Leaving no stone unturned in our quest for artistic wonders, we discover "Plate I Le cabinet de la Bibliotheque Sainte. " This visual delight offers glimpses of treasures housed within one of history's most revered libraries – a sanctuary for knowledge seekers throughout centuries past. Thomas Annan Scottish's work beckons us next; his lens captures Glasgow's essence during the 19th century.