Pope Leo X Collection (#2)

Au Juste Poids Veritable Balance (True Weight, True Scales) 1518 (oil on panel)
XMN251696 Au Juste Poids Veritable Balance (True Weight, True Scales) 1518 (oil on panel) (detail 219598) by French School, (16th century); Musee de Picardie, Amiens

Martin Luther (1483-1546) writing on the church door at Wittenberg in 1517 (engraving)
XIR242407 Martin Luther (1483-1546) writing on the church door at Wittenberg in 1517 (engraving) by Swiss School, (16th century); Bibliotheque Nationale, Paris, France; Swiss, out of copyright

Martin Luther (1483-1546) writing on the church door at Wittenberg in 1517 (woodcut)
XJF131289 Martin Luther (1483-1546) writing on the church door at Wittenberg in 1517 (woodcut) (b/w photo) by German School, (16th century); Private Collection; German, out of copyright

1272892; out of copyright

Au Juste Poids Veritable Balance (True Weight, True Scales) 1518 (oil on panel)
XMN219598 Au Juste Poids Veritable Balance (True Weight, True Scales) 1518 (oil on panel) by Master of Amiens (fl.1510-20); 173x97 cm; Musee de Picardie, Amiens

The Latin and Greek New Testament, 1516

PREL2A-00028
Martin Luther in Wittenberg burning Pope Leo Xs Bull of excommunication, 1521. Hand colored woodcut of a 19th-century illustration

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"Pope Leo X: A Renaissance Pontiff and Patron of the Arts" In this captivating portrait, painted by Andrea del Sarto in 1525, we see Pope Leo X surrounded by two cardinals. The painting, executed in oil on panel, beautifully captures the essence of this influential figure. Born Giovanni di Lorenzo de Medici in 1475, Pope Leo X was a prominent member of the powerful Medici family. This c1830 depiction showcases his regal presence and refined features. Another artwork depicts Pope Leo X returning to Florence after his election as pontiff. The fresco vividly portrays the joyous occasion and highlights his significance within the city's history. An engraving showcasing Pope Leo X alongside Raphael Sanzio, Jules de Medicis, and Cardinal de Rossi can be found in the esteemed Collection du Palais Pitti. This piece exemplifies not only his close relationships but also his support for artists during the Renaissance period. Pope Leo X's reign was marked by significant events such as issuing papal bulls against Martin Luther's teachings. These historical documents played a crucial role in shaping religious discourse during that time. Speaking of Martin Luther, there are multiple portraits capturing him alongside Pope Leo X. One such mixed media artwork from 1525 presents an intriguing juxtaposition between these two influential figures who had differing views on matters of faith. The coronation scene depicted in a chromolitho titled "Coronation of the Virgin" further emphasizes Pope Leo X's devotion to religious artistry and patronage during his papacy. Notably, another painting titled "The Last Moments of Raphael" pays homage to both Raphael himself and Pope Leo X's unwavering support for artistic endeavors. It serves as a poignant reminder of their shared legacy within Italian culture. Lastly, an enchanting color photo featuring Mr Es Willard dressed as a cardinal evokes images reminiscent of those associated with Pope Leo X. This contemporary portrayal highlights the enduring fascination with this influential pontiff.