Pound Of Flesh Collection

Title page for an illustrated version of William Shakespeare's The Merchant of Venice
5307580 Title page for an illustrated version of William Shakespeare's The Merchant of Venice.; (add.info.: Title page for an illustrated version of William Shakespeare's The Merchant of)

A scene from William Shakespeare's The Merchant of Venice
5307577 A scene from William Shakespeare's The Merchant of Venice.; (add.info.: Engraving depicting a scene from William Shakespeare's The Merchant of Venice)

Jessica, illustration from The Merchant of Venice, c. 1910 (colour litho)
IL314894 Jessica, illustration from The Merchant of Venice, c.1910 (colour litho) by Linton, James Dromgole (1840-1916); Private Collection; (add.info)

Portia and Nerissa, illustration from The Merchant of Venice, c
IL314892 Portia and Nerissa, illustration from The Merchant of Venice, c.1910 (colour litho) by Linton, James Dromgole (1840-1916); Private Collection; (add.info)

Trial Scene from The Merchant of Venice, 1925 (oil on canvas)
UCL281795 Trial Scene from The Merchant of Venice, 1925 (oil on canvas) by Whistler, Rex (1905-44); 91.4x122 cm; UCL Art Museum, University College London

Lorenzo and Jessica, illustration from The Merchant of Venice, c
IL314898 Lorenzo and Jessica, illustration from The Merchant of Venice, c.1910 (colour litho) by Linton, James Dromgole (1840-1916); Private Collection; (add.info)

But thou, thou meagre lead, illustration from The Merchant of Venice
IL314895 But thou, thou meagre lead, illustration from The Merchant of Venice (colour litho) by Linton, James Dromgole (1840-1916); Private Collection; (add.info)

You saw the mistress, I beheld the maid, illustration from
IL314896 You saw the mistress, I beheld the maid, illustration from The Merchant of Venice, c.1910 (colour litho) by Linton

With Bated Breath and Whispering Humbleness, illustration from
IL314891 With Bated Breath and Whispering Humbleness, illustration from The Merchant of Venice, c.1910 (colour litho) by Linton

Tell me not of mercy gaoler, look to him, illustration from
IL314889 Tell me not of mercy gaoler, look to him, illustration from The Merchant of Venice, c.1910 (colour litho) by Linton

In which predicament, I say thou standst, illustration from
IL314899 In which predicament, I say thou standst, illustration from The Merchant of Venice, c.1910 (colour litho) by Linton

The Wedding Feast, illustration from The Merchant of Venice, c
IL314890 The Wedding Feast, illustration from The Merchant of Venice, c.1910 (colour litho) by Linton, James Dromgole (1840-1916); Private Collection; (add.info)

Their are some shrewd contents in your same paper
IL314897 Their are some shrewd contents in your same paper, illustration from The Merchant of Venice, c.1910 (colour litho) by Linton

Shylock and Jessica, illustration from The Merchant of Venice, c
IL314888 Shylock and Jessica, illustration from The Merchant of Venice, c.1910 (colour litho) by Linton, James Dromgole (1840-1916); Private Collection; (add.info)

Title page for an illustrated version of William Shakespeares The Merchant of Venice

Shylock and Jessica from The Merchant of Venice, Act II, Scene ii, 1830
XYC159664 Shylock and Jessica from The Merchant of Venice, Act II, Scene ii, 1830 (oil on canvas) by Newton, Gilbert Stuart (1794-1835); 88.9x74.9 cm; Yale Center for British Art, Paul Mellon Fund

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"Pound of Flesh: Exploring the Depths of Humanity in The Merchant of Venice" Step into the enchanting world of Shakespeare's timeless play, The Merchant of Venice, through these captivating illustrations from various eras. In Jessica's illustration from c. 1910, we witness her inner turmoil as she grapples with conflicting loyalties and love for Lorenzo. Her delicate features betray a sense of longing and uncertainty. Portia and Nerissa take center stage in another mesmerizing illustration, transporting us to the trial scene where Portia cleverly outwits Shylock. Their expressions reveal their intelligence and determination as they navigate the complexities of justice. The Trial Scene from 1925 captures the intensity that permeates this pivotal moment. Painted with oil on canvas, it showcases the tension between Shylock and Antonio while shedding light on themes such as revenge, mercy, and prejudice. Lorenzo and Jessica's portrayal beckons us into a realm filled with forbidden romance amidst cultural differences. This illustration evokes a sense of secrecy tinged with passion as they elope under moonlit skies. "But thou, thou meagre lead, " whispers Shakespeare's words through an intricate drawing depicting Shylock contemplating his bond with Antonio. It encapsulates his obsession for retribution while highlighting society's treatment towards him as an outsider. "You saw the mistress; I beheld the maid" unveils a poignant moment between Portia disguised as Balthazar and Bassanio during their courtship game. This artwork captures their connection beyond appearances—a testament to true love prevailing over societal expectations. "With Bated Breath and Whispering Humbleness" portrays Antonio pleading for mercy before Shylock—an image brimming with desperation yet holding onto hope that humanity will triumph over vengeance. In "Tell me not of mercy gaoler, look to him, " we witness Portia challenging Shylock’s thirst for bloodshed by reminding him of the power of mercy.